A quilty update - June 2026

It was only March when I set out my quilt plans for this year, and to be honest it seems like yesterday - but one of the things I want to do more consistently this year is my quilty updates, even if there isn’t that much to share.

I’m being harsh on myself, there are some quilt updates to share but while last year’s stretch project took over a bit, I’m finding that without that structure I’m not quite so productive. I’m sure I’ll work it out, but hopefully when the weather’s not so warm!

So how am I doing?

1. The teal flying geese

2. The jeans and pyjamas

3. My floral fancy

The update for all of these is there is no update, so that was easy!

4. My English Paper Piecing (EPP) blue diamonds

There is progress of sorts on this one, albeit small. It’s become my project to take to my monthly Monday evening sewing group, and so it has had an outing and a small update. I’ve even moved it into an organised bag so I don’t need to think about getting it all together before I head out, the issue has been life - and I’ve only managed two out of five of the monthly meetings, but then again this was always going to be a slow burn project.

5. Scrappy houses charity quilts

I have completed my first village quilt, and I’ve almost got enough houses for the second one, so that’s real progress. I’m really pleased with how it’s turned out, especially as these are all pieces of fabric that were leftover from other projects (mostly the stretch project) and might have been deemed on the small side for keeping. And I’m sure whoever the recipient is won’t mind about that one bit.

6. Wonderland meets Moda

7. Word Star

Again, there is no update on these.

A couple of bonus quilty updates

1. My mystery block of the month quilt has been playing heavily on my mind, but now the quilt top is finally finished. After I joined the monthly blocks together and added the sashing between those blocks, I spent some time pondering the borders - or specifically how wide they should be.

I wanted them wide enough to add some width to the quilt so I can use it on a double bed, but not so wide that it looked silly. In the end I settled on increasing each border by an inch, and ahead of adding the final border I did the sensible thing and took it to my patchwork group for confirmation and reassurance, and the use of the floor in the village hall to check it out once and for all.

So the quilt top is now done - yay! Now it needs basting, quilting and binding which for the size of the quilt is no small job.

2 The second bonus quilty update is another quilt, but not one made by me. Mum decided to use up some of her charm packs and make a quilt to donate to Project Linus, which I’ll take along with me when I donate mine.

Isn’t it bright and cheery - I love it (but will still donate it, honest)

So there has been quilty progress against my long list, and none of it has been a chore - I just need to work out how to do more with my sewing time, and to make time for more sewing time!

Putting mum's embroidery to use

I have finally finished both of these project bags where I’ve used some hand embroidery sewn by my mum. It’s taken a while to finish the larger of the two, and for no other reason than I’d not got around to it. When I was helping mum to relocate her sewing room she found some embroideries that she’d completed most likely in the 1990s as part of a magazine series, which she no longer wanted. Some went to the charity shop, and I brought a couple home with me always intending to adapt them into a project bag, and that’s what I did.

Delving into my stash I found the perfect fabrics to use. The smaller of the two (which is still approximately A4 size) makes use of some tiny bobble trim I felt particularly drawn to and some pink fabric which I think also came from mum. The lining is tiny rosebuds, and that was definitely from one of her old dresses - the turquoise paisley material is one I’d bought a while back and it just felt right to use for this.

The larger orange and purple one, which just about fits into one of the cubby holes in my Kallax unit, uses more from my stash. The orange and lilac wave fabric came as part of a set - and I’m not sure if you can see it but the text on the wave says ‘a smooth sea never made a skilled sailor’ and while mum’s not a sailor, I’m sure it’s something she’d agree with. Bizarrely the material reminds me of a dress she once had, but in actual fact it’s nothing like the actual dress - I remember the dress having swirls, though I suspect they were more likely paisley shapes, and the dress was a pale blue/lilac, so I’ve no idea why this material prompted that memory!!

They’ve turned out brilliantly and I’ve adapted my usual go to pouch pattern, and although they are larger and don’t have a vinyl front they use the same principle and construction with a tweak or two along the way, but the pouch is just a small part of it, mum’s embroidery is so much more.

Aren’t they great? And isn’t the embroidery just fab?

Touch, sight, natural light and enhanced wellbeing - Liz Tomes and Amelia Wylan

I’ve already shared two of the four graduate showcases from the Harrogate Knit & Stitch show (see my earlier posts showing Kiara Johnson’s and Emily Cox’s work) and planned to do the same for the graduates I’m sharing today, however I only have a couple of photos of their work and much more to share from the show, so instead I’m sharing both in a single post.

I wish I had more photos as their work was amazing, and no less amazing than those I’ve shared previously - so it’s annoying in that respect. But anyway.

Liz’s work takes an exploratory approach looking at the intersections of material, language and touch. She works across embroidery, weave and print creating textural fabrics which just draw you in - and makes me want to touch them, which of course I didn’t (even though I really wanted to!)

GRADUATE SHOWCASE: LIZ TOMES

I loved the colours, I loved the texture and the apron in the photo above - or Convergent Frequencies to give it its title - investigates how rhythm and repetition can behave like sound. She says ‘this collection takes influence from tartan, houndstooth and her Hungarian heritage’ and was inspired by an photograph of embroidery threads strew across her studio table - I definitely know that feeling!

GRADUATE SHOWCASE: LIZ TOMES

I also really love the the design, texture and colours of the fabric with the rust/yellow embroidery hanging on the lower rung of the ladder, which is part of the Auspicious Haptics collection. She says ‘there is an irony in their visibility - they are first seen, yet they invite touch’ and yes, I was already sitting on my hands (while standing up!) viewing this work.

It’s absolutely fascinating to me.

Equally fascinating, but entirely different is Amelia’s work. She too chose embroidery as the specialism for her degree and learnt how to use a wide range of industrial and domestic embroidery machinery as well as techniques to manipulate fabric.

This is textural in a different, almost sculptural way - the green and cream pieces (which are brooches) on the grey fabric are part of her ‘Wisps of Light’ collection which ‘explores the connection between natural light and enhanced wellbeing’ with inspiration from photographic blueprints and more.

GRADUATE SHOWCASE: AMELIA WYLAN

The piece that really caught my eye though, was the olive green hanging in the centre of the picture below. It’s the type of piece that while I’m not sure exactly where it would hang, but one I would happily make space for. The naturally dyed silks are given textural elegance, and the shapes appear fluid but still able to retain their structure.

GRADUATE SHOWCASE: AMELIA WYLAN

I’ve no idea how she’s made them, but I appreciate the end result and the colours used - they’re calming and tranquil, and I can see how these really could contribute to enhanced wellbeing. Which sounds a bit woo, but there you go.

In future posts from the show my plan is to share more from some of the galleries, which both inspired and amazed as always.