Touch, sight, natural light and enhanced wellbeing - Liz Tomes and Amelia Wylan

I’ve already shared two of the four graduate showcases from the Harrogate Knit & Stitch show (see my earlier posts showing Kiara Johnson’s and Emily Cox’s work) and planned to do the same for the graduates I’m sharing today, however I only have a couple of photos of their work and much more to share from the show, so instead I’m sharing both in a single post.

I wish I had more photos as their work was amazing, and no less amazing than those I’ve shared previously - so it’s annoying in that respect. But anyway.

Liz’s work takes an exploratory approach looking at the intersections of material, language and touch. She works across embroidery, weave and print creating textural fabrics which just draw you in - and makes me want to touch them, which of course I didn’t (even though I really wanted to!)

GRADUATE SHOWCASE: LIZ TOMES

I loved the colours, I loved the texture and the apron in the photo above - or Convergent Frequencies to give it its title - investigates how rhythm and repetition can behave like sound. She says ‘this collection takes influence from tartan, houndstooth and her Hungarian heritage’ and was inspired by an photograph of embroidery threads strew across her studio table - I definitely know that feeling!

GRADUATE SHOWCASE: LIZ TOMES

I also really love the the design, texture and colours of the fabric with the rust/yellow embroidery hanging on the lower rung of the ladder, which is part of the Auspicious Haptics collection. She says ‘there is an irony in their visibility - they are first seen, yet they invite touch’ and yes, I was already sitting on my hands (while standing up!) viewing this work.

It’s absolutely fascinating to me.

Equally fascinating, but entirely different is Amelia’s work. She too chose embroidery as the specialism for her degree and learnt how to use a wide range of industrial and domestic embroidery machinery as well as techniques to manipulate fabric.

This is textural in a different, almost sculptural way - the green and cream pieces (which are brooches) on the grey fabric are part of her ‘Wisps of Light’ collection which ‘explores the connection between natural light and enhanced wellbeing’ with inspiration from photographic blueprints and more.

GRADUATE SHOWCASE: AMELIA WYLAN

The piece that really caught my eye though, was the olive green hanging in the centre of the picture below. It’s the type of piece that while I’m not sure exactly where it would hang, but one I would happily make space for. The naturally dyed silks are given textural elegance, and the shapes appear fluid but still able to retain their structure.

GRADUATE SHOWCASE: AMELIA WYLAN

I’ve no idea how she’s made them, but I appreciate the end result and the colours used - they’re calming and tranquil, and I can see how these really could contribute to enhanced wellbeing. Which sounds a bit woo, but there you go.

In future posts from the show my plan is to share more from some of the galleries, which both inspired and amazed as always.

A year of my 'stretch' project

Around this time last year I rather foolishly (with hindsight!) set myself what I said at the time was a ‘potentially crazy project’ as part of my quilt plans for 2025. It was borne out of wanting to make use of the test blocks I was determined to make so that my mystery block of the month quilt would be the best it could be.

The thing about setting myself this challenge, however crazy it seemed, was that it became a thing that I didn’t want to fail at, even though back then, and every month since, I said I wouldn’t know if I could do it unless I tried…

Well I tried, and I succeeded!

Not only have I made the equivalent of a quilt a month for charity, I’ve also improved my sewing skills and sewing confidence too. I hoped that I would also sew through my stash rather more than I have, and while I clearly have shifted a fair bit of fabric, I’m very much of the opinion that scraps of fabric breed when you’re not looking!

Seriously.

But I have a plan for dealing with that in 2026, as you knew I would, but more of that another day.

My ‘stretch’ project quilts

These quilts aren’t the largest quilts, but the are big enough to give a quilt-sized hug to children that need one. They have been/will be donated to Project Linus who provide quilts to children who are sick, disabled, disadvantaged or distressed through the donation of new, handmade, washable quilts and blankets.

They are:

1. A log cabin log cabin

2. A mostly repurposed vintage star

3. Four pink hearts and a hug

4. The Friendly Bee

5. Pleated Tulips

6. A Raspberry Plus

7. Half the Scraps

8. Blues and greens

9. Marmalade hearts

10. Ohio flower garden

11. My Dresden buttercup

12. Stars and spots
    

PICTURED (FROM BOTTOM): BLUES AND GREENS, MARMALADE HEARTS, OHIO FLOWER GARDEN, MY DRESDEN BUTTERCUP AND STARS AND SPOTS WHICH ARE WAITING TO BE DONATED TO PROJECT LINUS

Lesson learned

I am proud to have finished all of these quilts and to donate them to charity, but I won’t be setting myself any such similar challenges for this year, though I will still continue to make quilts for charity. What I found was that this was the focus of my sewing time, and it meant that I didn’t spend anywhere near as much time as I hoped on the other quilts on my list, or on garment sewing - though of course, I found there’s always time to make a pouch or two!

Stars and spots

I’ve made another quilt as part of my quilting ‘stretch’ project using the block from Sherri at A Quilting Life’s mystery block a month. As I said then I don’t know if I’ll manage to make a quilt a month, but I won’t really know unless I try…

This is my fourteenth charity quilt and the pile continues to grow, since the first nine have were donated to the Mansfield Coordinator of Project Linus UK in September 2025.

Number fourteen

This charity quilt also marks the end of my ‘stretch’ project where I set out to make a quilt for charity a month, so it is a huge milestone and a very big phew from me! I’ll be celebrating that in a separate post soon, and I already know I won’t be quite so rash when setting myself a challenge for the remaining of this year!

But anyway, on to the block which is another scrappy star. I had some fabrics in my ‘already used’ basket that I was keen to use as much of as I could, so that’s where I started. I cut all the central blocks using the same fabrics, and ended up with four very similar piles.

The sewing on this block was relatively easy, and used the stitch and flip method to create the triangle sections of the blocks. The challenge there is to make sure you cut off the correct corner, otherwise it means starting again. It’s definitely worth a check and double check before snipping the corner, and that method has served me well.

With the four central blocks made I wanted to check my fabric choices for the borders. Here I discovered that the dark blue fabric (on the far right below) had a much richer blue on the ‘wrong’ side, so the wrong side became my right side. Many of these fabrics have already appeared in previous quilts; the two blues were previously a sun dress (the lighter blue) of mine and a work shirt of MOH’s (the darker blue). The spotty fabric is the offcuts from the baby quilt I made on the Project Linus sewing day in September 2025, and the teal, grey and yellow spotted design is the only ‘new’ fabric to be used, and that came from a charity destash sale.

Happy with my fabric choices I started to add my borders, liking the dark blue on opposite sides as in the image below.

I thought it needed another border, and the grey zig zag material was the only one that had enough length - just as well it worked well.

In fact I had enough of the grey zig zag fabric (the backing of a former king size duvet cover) that I was able to include some on the back too. I also played with how I quilted this one, as you can see in the photo above I quilted the left hand section horizontally, and at right angles to the quilting across the rest of the quilt.

I like the finish this gave, and it also made it much easier to quilt, so that’s something I should bear in mind going forwards.

And so, just like that, it was finished - well after I’d added the scrappy binding, which also gave me a bit of a headache. I don’t usually use the final border fabric in the binding, but I’d already sewn my scraps for the binding before I added the final border this time round.

I started pinning the binding on and quickly arrived at my first zig zag clash - and it clashed so much, I know my eyes would not have been happy with it, so I pinned that in a way that my eyes could cope with - and I’m quite pleased with how the bottom left corner turned out. I was also lucky that the other zig zag instances also lined up pleasingly - phew!

I hadn’t set out to use three different varieties of spots, and zig zags too - but that’s what I ended up with and it’s worked out just fine, and also provided the inspiration for this quilt’s name.

And what a one to end my ‘stretch’ project with!

You can see my other quilts I’ve made to donate to Project Linus - a charity whose mission is to provide love, a sense of security, warmth and comfort to children, who are sick, disabled, disadvantaged or distressed through the donation of new, homemade, washable quilts and blankets, including those that are part of this ‘stretch’ project in earlier posts.