Three Indian Block Printed Leaves

I mentioned recently that I’d attended another Adult Learning course covering Indian Block Printing & Stitching, but hadn’t shared much of that here just yet. Not wanting to tease you I thought I should share some of that now that I’ve mentioned it, though there’s much more to come on this craft as this is the one I’m finding the most addictive so far. There’s so many possibilities, especially if I combine this with my newly found pouch-making skills!

But let’s not get ahead of ourselves!

I’ll share more about the course and its format in a future post, here I want to focus on a completed piece - or almost completed piece…

How it started…

It started quite simply, using old bedding as my background material. This was from the box-pleated ‘frill’ of an old valance sheet which I cut off and edged using my overlocker. I ironed it too - there was a lot of it, though it was much easier to iron now that it wasn’t attached to the central section which goes under the mattress! We’d not used the valance sheet for many years as not only was it hard to iron, it was also tricky to manoeuvre under the mattress and well, life’s too short for all that.

I printed the designs onto the fabric using fabric and Indian blocks at the adult learning class - and as you can see used the same block to create the design of three leaves. I also experimented with using two colour fabric paints on the middle block, adding an almost fluorescent yellow to the shimmering green, which I used on the outer leaves.

I liked this as a design and the resulting print, though the leaves kept reminding me of onions for some reason, and I’ve no idea why. Having rediscovered the joys of chain stitch as part of this course I was keen to continue that, and decided to outline the leaves and then fill in the blanks, but keeping the central design different.

I wanted to keep the green and green/yellow outline, and I wanted the central design to be prominent. Looking through my threads I opted for browns through to blush pink for the outer leaves and for oranges through to yellow for the central motif - the colours just seemed right.

Stitching was surprisingly addictive, and quick. It seems I didn’t stop and take many photos of the in-between stages, but if you look at the middle leaf that’s edged with a lime green thread, rather than the darker green used on the outer two.

I also made it up as I went along, mixing and matching strands of my threads to help ease the colour progression, and I’m really pleased with how this turned out.

So then I decided to add some beads.

Just tiny little ones.

In some of the gaps.

Again allowing my creativity to lead.

It’s quite different to how it started isn’t it?

The embroidery is done, but this piece isn’t yet fully completed as I want to incorporate it into a pouch somehow - I’m just not sure how, just yet but I’m sure I’ll know in the not too distant future. For now I’m enjoying this unique piece which I’ve created without knowing where I’d end up.

Embroidered sunflowers

Another craft post, I guess my craft room is paying dividends! Though in fairness these stick & stitch embroidery patches were a pre-move purchase from BlackbirdnBloom on Etsy. I bought them, along with some bee patches, to use to embroider over those annoying holes you get in some t-shirts, but what with everything going on I didn’t get around to doing anything more than popping them into my sewing box. I knew that I had enough embroidery threads in varying colours and even better, I knew where these where now that I’d unpacked in the new house.

They’re easy to use too, all I needed to do to get started was work out where I wanted the designs and what colours to use.

And while sunflowers are traditionally yellow and brown, I opted for the card with the dusky pinks and pale yellows (I told you in my recent crochet post that they’re my go to colours!), and then quickly realised that my choice was also probably influenced by my top!

But anyway, the embroidery finally started.

As ever I decided to improvise, with the colours, the blending and pretty much everything else. I also got braver with this as I went along, likening the embroidery thread to colouring helped a lot, and I think the effort was worth it.

Once the embroidery covering the small annoying holes was complete, it was time to wash off the excess patch.

It was magic. Cold water and a very small amount of rubbing and the white surrounds easily disappeared.

I think the photos look much more dramatic when it’s wet!

Anyway, after trying my top on to admire my embroidery skills, I decided to add more embroidery, and not just to cover the holes. Before I could back out I stuck the design in place and got my needle out again, sewing more flowers up towards the neck, but off centre - I’ve a thing for things being a bit skew-whiff, to me it’s much more pleasing.

And I’m really pleased with the results, though less pleased with my attempts to photograph them. In fact the navy blue top wasn’t photographing at all well, so there was nothing else for it but a mirror selfie.

As you can see, it’s subtle but visible - and I think it looks like it’s meant to be there. I’ve worn this t-shirt out a few times now, including to a local sewing group here, and no one has asked if I made it. I’m hoping that’s because it looks good, rather than the other!

I’ve yet to start a t-shirt with the bees, but it’s on my list - and more importantly on my workbench, rather than shoved away. But it’s behind a project or two yet, but I’m pretty sure it won’t be long before I start…

A sewing project for the future

Now this post is likely to confirm a certain level of craziness you may never have realised I had. And that's ok, because when I saw this partially (in fact barely) completed embroidered tablecloth when we visited Snape Maltings over the summer, I knew there was no way I was going to leave this in the shop. I also knew that there was a high chance that I wouldn't do anything with this for quite a while and that's ok too (and now that I've found crochet, it could be even a bit further down the list, but the good news it's still on the list!)

Now isn't it beautiful?

And it has the potential to be a stunner. Even though it's been many years since I've done any embroidery. And there is no pattern or colour chart. And I don't have any threads, or actually I may have some but that's reliant on me finishing another long-held cross stitch project. I've dug that out again since we've been back from Suffolk (this one that I shared on Instagram), so that's a good sign but quickly realised I needed my eyes testing as the count was a bit smaller than I remembered.

Predictably MOH was on hand to ask what I needed this tablecloth for and where I could possibly use it. Of course knowing this was coming I was ready for it and my answer of "on that old French table in the garden" was clearly said confidently and assertively enough that it was accepted.  Must remember that for the future. It's true though it will look great on that table, and one day I may even get around to re-painting that too.

I think there's enough clues in the work that's already taken place to carry on, and make the tablecloth my own. I'll worry about what the stitch is when I'm closer to starting I think, unless you can identify it from these photos.

There's a pink and peach coloured rose in each corner, or rather that will be my aim. There's one completed yellow rose midway between those, so there's another three to do, and there's a central section which hasn't been started yet, but again the colour for that isn't something that needs deciding now.

I told you this post might confirm a certain level of craziness, but for ten pounds, it really did need rescuing didn't it?