Textured embroidery and plastic bags by Emily Cox

By now I’m sure you’ve realised that I enjoy seeing the quilts, galleries and special exhibitions at the craft shows I go to as much as seeing what the suppliers have to tempt me with, and it was no different at the Harrogate Knit & Stitch Show in November.

One of my personal favourites of the whole show was the hall hosted by the Embroidery Guild which we almost didn’t find - it was at the far end of the hall we entered, though others were arriving through that door and were immediately immersed into it. I loved that in this part of the show there was an area to showcase recent graduates work, and in my first few posts I’m going to focus on these.

Let’s start off with a look at Emily Cox’s stand, and if you know me then you know I do like a Waitrose shop, so I was curious to see if that coat really was made from Waitrose bags - and spoiler it was, but more on that later.

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

Emily says that ‘embroidery is central to her practice’ and allows her to ‘form an intimate relationship with her work, each stitch elevating the emotional and conceptual connection behind the pieces’.

Nature is a recurring theme as Emily admits she is ‘fascinated by the patterns, colours and textures that surround us, that often go unnoticed’ - I could have spent a lot more time looking at all of these pieces in much more detail.

BREATH BETWEEN THREADS, EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

If you’re wondering how the ‘Breath Between Threads’ piece is created the label beneath it reads ‘Domestic freehand machine embroidery on fabric, with cut-outs to create depth and shadow between the leaves’ - and isn’t it gorgeous?

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

I love the texture and the colour detail in all of the pieces above, though in the image above I think the one with the pink background, which reminds me of a gloriously rich coleus is my favourite.

BLOOM AGAINST WASTE - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

And then I saw the embroidery on plastic hanging on the back wall - it’s a collage of plastic bags with a freehand machine embroidered tulip stitched on which ‘merges beauty with the traces of consumption’.

And that Waitrose plastic bag coat? Here’s a closer look at it.

REGROWTH IN PLASTIC - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

It’s a fantastic way to reuse reusable plastic bags to make a statement, as well as a beautifully tailored item of clothing - yes clothing, as Emily was due to model this on the Knit & Stitch Catwalk during the show, sadly not on the day we were there.

But it’s totally a plastic mac with a difference isn’t it?

A kantha stitched landscape, and a hare too

Back at the start of August my SIL and I headed off to the Festival of Quilts at the NEC - I’ve so many photos still to edit, and posts will follow but in short so many beautiful quilts! We’d booked on a workshop, and again there were so many to choose from, so in the end I left it up to my SIL to choose which one.

And she chose well, the kantha textured mini landscape workshop by Angela Daymond. I knew little about what we’d create, but I had been to one of Angela’s workshops before at the Stitch Festival in London back in 2023. And if you go back and read that post, I’m still curious as to how the notebook will turn out as I’ve not yet ‘cooked it’ - though, I do now at least have a saucepan which I could use for this, so maybe I’ll get around to that and show the results here - but don’t hold your breath!

I was looking forward to Angela’s workshop though and was hopeful that I’d stand more chance of completing the outputs from this one, given my increased opportunities and interest in hand stitching. And I was right, but first let me show you how I got on.

A kantha stitched landscape

Unusually I didn’t take any pictures while we were in the workshop, not even of Angela’s finished piece which was a bit daft. But then again it gave me free licence to do what I wanted, and interpret the written guidance shared on the day.

This was as far as I got in the workshop.

We’d started by tracing the design using a fabric marker pen and during the workshop Angela guided the group through the different stitching methods including tips for stitching circles, and sewing with the different thickness threads, as well as how to complete the weaved effect of the whipped running stitch on the stems.

I was keen to carry on and get this finished, so the week or so after the show this became my project.

I loved how it turned out, and I’m sure that each one from the workshop will look the same but different. I decided I needed to add some glitter to mine, on the sun and in the first few circles of the sky - and then well, in for a penny, in for a pound, onto some of the red berries too.

Angela had said that to remove the blue pen you just had to go for it, if you tried to spot remove the markings then it would likely show up elsewhere in the design. So there was nothing else for it, but to plunge this into water and under the running tap.

Miraculously it disappeared. Phew!

I left it to dry on a towel, and as it was drying I began to think what I’d do with it. I decided to frame it, and as luck would have it when we were in the framing shop getting the Vogue pictures framed, I spotted some small frames made from offcuts in the sale. By now I also knew that I wanted to do another one, so I picked up two frames - and added my landscape into the pale green frame.

Designing my own version, with a hare

I’d enjoyed the kantha landscape so much I decided I would do another picture to fill the second frame I’d bought. I knew I had some ‘hare’ stamps and thought one of those might work with a similar horizon as before. In the end I flipped the background and half-traced half-drew the hare in the bottom right corner.

Then I got sewing. I used the same yellow and blue threads from the workshop - there was (and still is) plenty left. But I decided on something different for the ‘land’ and for the hare itself. I had some crochet threads from mum and thought the neutral-green-pink reel would work for the land, but also added a thin darker grey thread to this, sewing with two threads, to give it some extra texture and to keep a consistent colour throughout both ‘land’ sections.

For the hare I used another variegated thread, this time ranging from brown through to bright pink. What do you mean, you’ve never seen a bright pink hare?! Me neither, but hey, I think there may be hares out there wishing they were pink!

Once again the fabric marker pen washed out easily, and revealed the end design.

That too has been framed, this one got the gold frame - but both are now in our spare bedrooms on two of the four fabulous bedside tables, and they look great. I’ve plans for something slightly different on the two bedside tables which remain empty, but that idea yet to be started, so it may yet turn up on a ‘future stitching project’ list at some point. But in the meantime I’m going to enjoy these, and I hope our guests will too.

An embroidered heart

There was only one pouch in my pouch love series to share on Valentines Day wasn’t there? And from a simple printed heart it’s blossomed into a large and very beautiful pouch.

It’s hard to believe that this is how it started - a test print for some bunting I made to celebrate my dad’s 90th birthday last year. The bunting was simply embroidered but I wanted to explore the interlocking circles this time round.

Unusually I don’t have any photos of it ‘in progress’ and I’m not really sure why - it definitely came with me on our trip to Glasgow last September and has been on the train to London too. After outlining the heart and before exploring the inner circles, I added several coloured stripes across the fabric, which reminded me of a 1970s/80s tracksuit.

And then I braved the circles trying not to have two of the same colours next to each other, which just about works. Embroidering the circles with my beloved chain stitch was incredibly mindful and relaxing. Once the main emblem and its stripes were complete, I still felt that it needed more, and at the back of my mind I remembered a cream/beige embellished fabric which I picked up at a WI stash sale, which might work with this.

I knew I wanted to make this one into a pouch, and so finding the fabric to go alongside this in my stash was a complete win. That fabric I had in mind absolutely worked, and also encouraged me to add several rows of cream chain stitch stripes above and below the heart to tie it all together.

And this is how it ended:

What’s even better is the lining was also in my stash - and while dark orange skulls on an orange background might not have been the natural choice on paper, once I saw the colours together there was no other choice for me. To finish it off, of course I needed poppers, and as the fold over flap was relatively large, it needed more than one - and so unable to choose between pink, orange and red, I had one of each!

If my embroidered heart pouch reminded you of one I’d already made - you’re not wrong, it’s a much larger version of the baroque lady version which was the first one I made at the bag making sewing course.

I’m loving them both, and I’m pretty sure there’s plenty more pouches to come!