Vineyards on the ramparts

It’s been a while since I left you admiring the ‘outer’ gardens at the Chateau D’Angers, so today we’re heading inside, and as you can probably guess from the title there’s vineyards and so much more to see on the ramparts.

But let’s start at ground level, in the Court Gardens which was created in the middle of the 20th century when the castle was open to the public. It’s design follows the rules of the medieval monastic gardens, but also takes inspiration from the Italian Renaissance.

The Court Gardens, Chateau D'Angers
The Court Gardens, Chateau D'Angers

The yew trees which meet to form an arbour is a great feature and very striking, but what’s also interesting is that this garden uses manual or thermal weeding and biological control in its maintenance - and with those box borders that’s quite an achievement. They use Lacewing larvae to eradicate the caterpillars of box tree months, which can snaffle a box plant almost overnight, as well as using pheromone traps to attract and catch male moths, and so prevent breeding and egg laying. While box looks great, is slow growing and a joy to cut it isn’t something I’d have in our garden again as without this rigour it can be gone in a number of weeks, as we learnt in our last garden.

But let’s head up to the ramparts, well let’s first admire the Acanthus, which I would absolutely have in my garden here.

Heading towards the stairs to the ramparts
Stopping to admire the Acanthus on the side of the path

I told you there were vines here, and while I know we were in France, I’m not sure I expected to find them here in the ramparts, but here they are indeed. The first planting of vines again took place after the opening of the chateau to the public in 1961, and it was replanted in the 90s with the Chenin Blanc variety of grape, which can be used to produce sweet, dry and sparkling wines.

There’s 150 vines spread over 5 rows and at each end there is a rosebush which acts as a barometer to the health of the vines, and like the Court Garden below it’s maintained by biological control.

On the ramparts, vines in front with Chapel in the distance

There was so much more than the vines though, including this more natural area and beehive, and the orchard which I could only see from above.

A wild meadow-like garden and a beehive on the ramparts
Looking down over an orchard also on the ramparts

The area was closed off to the public but it looked an interesting place to have a nose around, as often the more private parts of public gardens do!

Looking down to the vegetable and flower productive plots

I wasn’t surprised to see the medieval looking medlar in the grounds, though given that the interior gardens generally seemed to have had a facelift when the castle opened to the public, it might not be as old as you first thought. I was pleased to spot plants, like the smokebush, which I do already have in my garden and the magnificent rosebush in flower.

A medlar tree with fruits
The smoke part of a smoke bush
A rose tree full of flower

And I love to see other gardens with naughty plants - as I don’t think this one was supposed to be there.

A wort of some kind growing through a box hedge
Looking over the roofs to the vines on the ramparts

But for me it’s not just the grand scale of the gardens, or even the plants - it’s often about noticing the little things, like the plants growing amongst the slate quite happily, which given the temperatures they’d had for a few weeks before our arrival was amazing. And of course slate holds the heat, so those plants must have been baking.

plants growing amongst the slate in the castle walls
White and pink valerian in the foreground, with a view over the Loire in the distance

I’ll end with some valerian obscuring or enhancing the view from the castle walls of the Loire, and despite the clouds it wasn’t a bad day at all.

Thanks for joining me for this latest post on our train trip to Paris, Angers and Tours - please check out my other posts from our trip.

Strandlines by Julia Wright

I’ve just time to squeeze in one last post from the 2025 Knit and Stitch show in Harrogate before it takes place again! I’m heading back to the show on Thursday week and I’m hoping to discover as much as I did last year, but before that I’m sharing one final exhibition gallery.

This one once again shows my favourite textiles from the gallery, and once again I’m amazed at the pieces the artists have made. Each are evocative of the shorelines to me, which is reassuring as that’s the intention. The gallery showed a collaboration between three UK- based artists - Julia Wright, Beverley Caleno and Bryony Jennings, though it seems I was most taken with the pieces by Julia Wright as the majority of my photos are of her work.

Each artist works in distinct ways but they all share connections to the natural world and the shifting of the sea; these pieces use cloth, stitch and reclaimed materials and explore transformation, fragility and resilience.

DALES AERIAL, JULIA WRIGHT - HARROGATE KNIT & STITCH SHOW 2025

DALES AERIAL, JULIA WRIGHT

CARBIS BAY, JULIA WRIGHT - HARROGATE KNIT & STITCH SHOW 2025

CARBIS BAY, JULIA WRIGHT

I think for me it’s the colours she’s used in these pieces, the stitches and the textures that result. It’s no surprise to me that I like the deep earthy greens, but the one above has much more of a seashore feel to me - perhaps the attraction is being able to relate it to a place in nature?

CHIROPLAST, JULIA WRIGHT - HARROGATE KNIT & STITCH SHOW 2025

CHIROPLAST, JULIA WRIGHT

I find each of them fascinating and even looking back at the pictures now my eyes are roving over the photos and the individual threads, following their journey and wondering where it goes next. I think to have pieces like this would be great to have and would be great to calm a busy mind, as you could quite literally get lost in them, couldn’t you?

JETSAM, JULIA WRIGHT - HARROGATE KNIT & STITCH SHOW 2025

JETSAM, JULIA WRIGHT

SEA LETTUCE, JULIA WRIGHT - HARROGATE KNIT & STITCH SHOW 2025

SEA LETTUCE, JULIA WRIGHT

Next time I’m at the beach, or the river edge I know I’ll be looking more closely at the textures, as with anything, the more you look, the more you see.

Trains in the Garden?

* I was invited to this year’s Gardeners’ World Live preview and provided with a pair of tickets for the show, therefore all my posts will be marked as 'Ad’ though as usual my views and opinions are very much my own.

Now before we start I need to be very clear, there will be no trains in my garden however keen MOH might be to replicate this, and however hard he pleads his case (he knows it’s a lost cause and we have a compromise!). But - and MOH shouldn’t see this as a softening - I loved spotting the amount of detail in this garden, even though it’s not for me.

The detail was amazing, and the enthusiasts manning the garden were clearly in their element which was great to see. The garden was designed by Andy Christie and celebrates 30 years of voluntary railway service, and with working steam trains running on the tracks it’s pretty special.

The raised beds on which the 'trains in the garden' was built upon
Trains, tracks and landscaping

You see what I mean about the detail - with everything being on such a smaller scale there’s a lot of space for a lot of stuff. It’s definitely one of those gardens where the more you look, the more you see. And with it being at Gardeners’ World there was a good focus - and variety - of planting, clearly there’d been a lot of thought gone into this space and I’m pretty sure this was the garden designer’s first rodeo if you know what I mean.

A steam engine running on the track around the garden
A viaduct and planting with the train track running over it

We did spend a fair amount of time admiring the garden - I think it was part of MOH’s bid to persuade me, even though he knew it was a lost cause - and I admired the viaduct and how realistic it looked, it was very clever and very well done.

A station platform with three destination posters on the white picket fence
A rusty sign on the sleepers - beware of the engines

But, the bits I loved about the garden most were the three destination posters above the station and the ‘Beware of the Engines’ sign - and MOH wasn’t even shocked by that. He knows me so well!

* With thanks to Gardeners’ World for once again inviting me to Gardeners’ World Live, it was another great show! I’ll be sharing more from my visit to this year’s show throughout the year - I hope you enjoy it as much as I have.