New to my craft room in March

Like last month it’s been a mixed month for the arrivals in my craft room; there’s been some essentials, some bargains and quite a few bits from my mum’s ruler box, and a bit of a splurge - but it was worth it and totally gorgeous!

The essentials were replacement sewing machine needles after breaking two making the impromptu flying geese tote, and it’s good to have these to hand in case I suffer any more breakages, and actually I probably should get into the habit of changing my needle - both on my sewing machine and for my hand embroidery - more often.

hair clip backs, bernina sewing machine needles and two sizes of brooch backs

After seeing my shabby chic rosettes mum was quite keen to have one herself and so I pulled various pinks from my stash and made her one. While I was doing that I thought I should probably get some more brooch backs and hair clips to finish this and the ones I’d started at the Newark Quilt Show, so that’s almost an essential purchase too right?!

All the things tote pattern, cheerful Union Flag fabric and one of Vicki Brown's 100Skeins for 2026

Now most people would have bought a tote bag pattern before they actually made a tote bag, not me - clearly for me the right time was immediately after I finished my flying geese bag! In my defence I saw it on Instagram and was smitten, I searched for it online - it comes with options to make three different sized bags - and put it in my online basket. A few days later another site was offering 25% discounts on all patterns, and checking this one was included - so it would have been rude not to buy it, wouldn’t it?

The cheerful Union Flag fabric is a fat quarter I couldn’t resist from a stash rummage at my patchwork group, and it’s 50p well spent. The skein of wool is one of a kind dyed by Vicki Brown as part of her annual 100 skeins project. I’ve bought one of her 100 skeins for many years now, and they are all stunning - and each one is different. You get an option to state colours you like (and dislike) and I’m really pleased with my mustard, pink and orange request this year.

A variety of vinyl templates and quilting tempates

At a recent visit to mum’s I finally got to look through her ‘ruler’ box, and to help myself to the ones she no longer wants. So I’ve added some quilting stencils and a hole thing to my ‘to play with pile’ along with a ruler for Cathedral Windows and a Dresden Plates template - and yes the price ticket on it does say £4.15, mum’s clearly had it for a while (and it is open even though it looks as if it’s not).

An acrylic Cathedral Window rule and a pack of Dresden Plates quilt templates

Something using the Cathedral Window design has been on my long-term list for quite a while, though my idea was to use denim and I’ve had many raised eyebrows each time I moot the idea, so I’m guessing it’s not ideal because of the thickness and stiffness of denim, so I probably should take that advice when it actually makes it onto my list.

My splurge item is these Type/ography 10 inch layer cakes by Lori Holt of Bee in my Bonnet for Riley Blake, and you may recall seeing these before as they have immediately made it onto my list of quilt plans for this year as my Word Star quilt.

TypeOgraphy 10 inch layer cake, and the backgrounds layer cake from the same range

As I said in that post, it shouldn’t have made the list but it has - and I’m not sad about it.

The reverse of the packs shows the colourways included

There’s more than just the red/white and white/red varieties, and I think that together they could make a great ‘star’ quilt but I haven’t really looked at the how yet - I’m still in the admiration phase!

A closer look at one of each of the fabrics in the layer cake

I’ve even had them out of the packet so I can admire them even more closely, but not for long! They’re stored away safely for now, while my thoughts percolate and research takes place on how I can make this happen.

So that’s another month in my craft room, check out my previous updates for earlier additions, and remember to let me know below what you’ve added to your craft supplies this month.

A pink and orange embroidered pouch

Last week I shared how I added to my swirls and completed my pink and orange embroidery, and today I’m sharing the completed pouch which I first set about quilting.

I wanted to use a decorative stitch on my machine and I’d found some variegated thread which looked a good match. It didn’t work out quite how I expected, but it wasn’t a disaster - and well to be honest, I wasn’t unpicking that first line. I’d tried it out on a test piece before I started so I knew how it looked.

I wanted to quilt this small piece using a variety of styles and so I continued with that plan, and I’m much happier with how it turned out once the narrow straight lines were added, especially once I decided to add these in the mid-section too.

The quilted embroidered piece

So with my quilted embroidery, it was time for the pouch. As ever I had a plan in my head - and thankfully that worked out.

Onto the pouch!

It will be a long thin pouch, which is idea for its intended use - and this may sound like overkill, but it’s for my round hairbrush when we travel. Currently I use a plastic bag to avoid the bristles catching on any of my clothes, but I knew I could improve on that. I hadn’t always set out on that being its purpose, but the colours I chose also swayed me. It’s been a while since I’ve had orange and pink highlights in the front section of my hair (underneath not right on show) and so to me it made perfect sense to use for my hairbrush, in a nod to my previously more colourful hair.

How I wish I still had those colours, but I’m not up to dyeing my hair myself and my hairdresser here doesn’t do red dyes, let alone pinks - I tried another hairdresser and it didn’t work out, as she did what she wanted to do rather than what I wanted, and I hated it. So I’m not going there for a while yet anyway!

Testing out the folding to form a pouch

I cut my lining fabric larger than the embroidered piece and hoped that I could use that as a binding; clipping it into place showed me that it would work.

Pinning the lining over the front edge to check how that will work
The finished pouch - folded into three and with the lining used as binding.  A curved corner on the left and a square corner on the right intentionally.

So that’s what I did. I intentionally put a curved corner on the left hand side to echo the motif, and left the right hand side squarer. The lining works well with all of the embroidery despite it not having any, or much, orange in it. It’s one of those ‘Spread the Word’ fat quarters that I fell for last October.

The foldover top opened out to show the text patterned lining

I thought I’d add poppers, but I didn’t like how they looked. I considered the older style metal press fasteners but they weren’t really what I was after either.

Testing out placement of poppers on the front of the pouch
And the subsequent placement for the poppers on the inside

Then inspiration struck, in the form of my crochet hook case, and I knew that ribbons would be the way forward - but which one?

Discarding the popers and trying out pink and orange ribbon

I think both the pink and the orange ribbons were from our wedding back in 2007, and so were of course at the bottom of my ribbon jar. And while either worked, I surprised myself and opted for what I thought would be my second choice - the pink.

Taking inspiration from my crochet hook pouch - and settling on the pink ribbon
The pink ribbon's attached to the back, and will be 'flowing' when the pouch is opened
A bow on the front closes the pouch

Yeap, I’m happy with that. In fact I’m more than happy with how it worked out - and I’m even more happy to have something a bit fancier than a plastic bag to protect my clothes from my hair brushes’ bristles!

Adding to my swirls

This Indian Block Printed piece has had quite an evolution; it was first printed back in 2024 at the adult learning course I took in Newark. Back then this is what it looked like, and it had plenty of potential.

Three rows of indian block printed swirl patterns, pink on a cream background

But with other projects on the go (many in fact) but especially my other Indian block printing embroidery ones, like the three leaves, the birthday bunting, the embroidered heart and the mandala for my popper pouch, this one got put to one side.

Until we headed off on our walking trip to the Gargano Peninsular. That’s what I love about embroidery - it fits into a small pouch, doesn’t need a lot of equipment and importantly when travelling pretty much stays the same size so you don’t need to find extra room in your case.

By the end of that just a bit longer than a week, it looked like this.

The top row of swirls is now embroidered in pale pinks, cream, lilac and pistachio.  The two bottom rows remain untouched

And that’s how it stayed for quite a while, though my plan was always to complete the second set of swirls in a bolder colour way. I thought I’d use each panel separately, but the more I worked on it the more I thought it could become one piece.

I’m not sure when exactly I picked it up again - that remains unphotographed and undocumented - but it was some time during 2025. I suspect it was my embroidery project for our trip to the US and Canada last spring, but I could be making that up entirely, though I find it hard to believe that I didn’t take any embroidery with me at all.

All three rows of swirls are now embroidered, the piece is on the spotty oilcloth ready for more printing

But the swirls were embroidered and looking good. Though for me to use them together as a single piece I wanted more, and hatched a plan to use my Indian printing blocks to zhuzh it up and fill in some of that white space.

Indian block printing at home

It was the first time I’d done any block printing since that course, and I was unsure how it’d work out - spoiler, it worked out fine and was just as much fun as I remembered. The spur for me to get my act together was to print my ‘sheep in Christmas jumpers’ Christmas cards, but I think dedicating a block of time (no pun intended) to printing works well

At an earlier stash sale I’d picked up a length of the spotty oilcloth to use as a worktop protector. I’d actually forgotten I’d had such foresight until I re-discovered it in my craft room reorganisation a month or so before, which was good as I’d been tempted to buy some more, but thankfully hadn’t.

My workspace: oilcloth on my kitchen worktop, a blue foam mat to use as my printing area.  Tools, paints and sponges on the edges and within arms reach

Through trial and error I found that the setup above worked for me, this included:

  • the spotty oilcloth to protect my kitchen island worktop

  • a foam rubber mat to use as my main work area (tip: you don’t need to buy often more pricey blocking mats specifically for crafts, the children’s toy area mats work just as well and are often cheaper)

  • My paints in use in front of me, using the plastic lids of instant coffee tubes and ice creams to hold the small dobs of paint and a cut up scourer to apply the paint to the block (both the lids and the scourers can be washed and reused many times).

And so I was off, but of course I needed to avoid printing over my already embroidered areas - so I tore a scrap of paper and lightly taped it over my embroidery before printing.

Using torn paper to mask my already completed embroidery before printing flower shapes in the blank spaces

The mask worked well and my once plainer piece was just what I had in mind.

The new printed flowers with the paper masking removed

Though as I was embroidering I realised in some places I’d been over cautious, and so I drew the lines I wanted in place.

A close up of the flowers during embroidery

My plan was to start with pale pinks, graduating through hotter pinks and into the oranges below the double layered swirl.

I could have used variegated thread, but I didn’t. Instead I pulled a selection of lilacs, pinks, oranges and yellows and cut the embroidery floss to the same length choosing either two threads the same, or similar to use for that section as I went.

The finished piece lighter pinks at the top graduating to brighter pinks and then oranges at the bottom

Other than that I had no real plan, and I’m super pleased with how it turned out.

It’s already looking different to that last photo, but I’ll save how it turned out - and in a surprise to no one, it’s a pouch - for another post.