Discovering the Wallace Line Garden

* I was invited to the Gardeners’ World Live show and provided with a pair of tickets to the show, therefore all my posts will be marked as 'Ad’ though as usual my views and opinions are very much my own.

One of the things I like about the gardens at Gardeners’ World is the history or thinking behind the garden which is often the inspiration for the designers. In this case Dave Hodson Gardens, the designer for the ‘Wallace Line’ garden took inspiration from the naturalist Alfred Russel Wallace who travelled the Malay Archipelago collecting plants for scientific research for this formal central canal garden with a twist.

Wallace developed a therory of Natural Selection at the same time as Charles Darwin and also hypothesised about an imaginary line between otherwise close islands which seemed to have completely different species of plants and animals.

The central pond with a red wiggly line showing the Wallace line, planting surrounds the pond in the foreground is a bench with a panama hat hung on its corner

This show garden recreates a representation of this line in the long pool and features a Jungle style planting on one side of the line and a a Savannah/Desert style on the other, using the plants shown in the image below.

The key plants for each side of the garden being held up for the photo

Now we know the Wallace Line is a result of Plate Tectonics bringing together areas on which Asian and Australasian species had developed separately, which just goes to show that quite often, or sometimes at least, we know what we know even if we can’t prove it at the time!

Looking from the jungle/exotic side of the garden across the pond to the Savannah/Desert side of the garden

It’s an interesting approach for me as it shows how you can combine two distinct styles of planting in one garden, and the information board also said that it makes the point “that once you have crossed the line from one eco system to another, there is no going back” which when you think about it, it really makes you think.

I was keen to see how the two distinct styles worked together, and I think they do, as I’m still toying with the idea of three zones for planting in our garden, those being cottage garden style, a productive garden and more exotic plants. I can visualise it in my mind’s eye, but I need to work out a way to get it down on paper in a way that MOH and potential garden designers can also understand.

The ongoing and ultimate challenge! I know where I need help with my idea is how the spaces connect with each other without looking like three different gardens! I’ll get there, and I just need to spend some either drawing it out, or cutting and sticking various pictures - and I think the latter will be quicker, even though it won’t look as nice.

Planting in the Jungle/Exotic side of the Wallace Line
Planting on the Savannah/Desert side of the Wallace line

But as this garden demonstrates, it is possible to have a cohesive garden with two distinct planting styles - it’s also given me hope that while my idea may not be the ‘norm’, it’s something worthwhile pursuing. Wish me luck!

* With thanks to Gardeners’ World for inviting me to Gardeners’ World Live, it was quite a show! I’ll be sharing more from my visit to this year’s show throughout the year - I hope you enjoy them as much as I did the show.

Just for the joy of sharing

I hadn’t realised that the quilts with the ‘Joy’ labels and in the category ‘For the Joy of Sharing’ were quilts that simply want to be seen and not judged. What a great way for quilters to share their quilts, without the constraints around quilting style, or any other rules, apart from not being no more than 3 metres in any direction.

But don’t be fooled, these quilts were just as detailed and eye catching as any of the other quilts in the show.

A RAINBOW OF HEXIES, COLETTE DUNNING - FESTIVAL OF QUILTS 2025

A RAINBOW OF HEXIES, COLETTE DUNNING

These two had plenty of colour, and look more closely at the one above and you’ll spot plenty of English Paper Piecing (EPP) hexagon flowers, and flowers galore in the many sized squares below.

MY SISTER'S GARDEN, CLAIRE BAXTER  - FESTIVAL OF QUILTS 2025

MY SISTER’S GARDEN, CLAIRE BAXTER

I liked the connecting hearts in this one, as well as the colour fade throughout the design.

ALL THE LOVE, K CARPENTER  - FESTIVAL OF QUILTS 2025

ALL THE LOVE, K CARPENTER

FLOWER POWER, MELISSA ATCHISON - FESTIVAL OF QUILTS 2025

FLOWER POWER, MELISSA ATCHISON

The fabrics in the Flower Power quilt above call to me, and the more I look at this one I alternate between seeing flowers and crosses, and I love how you can work out how it’s constructed.

These curve studies though are night and day, or rather day and night - aren’t they great?

CURVE STUDY, KAT MOLESWORTH - FESTIVAL OF QUILTS 2025

CURVE STUDY, KAT MOLESWORTH

I’m in two minds about this one, it’s clever and there’s a lot of work in this but I’m not sure it’s a quilt I’d want myself.

DECONSTRUCTED TOILE, KARIN LISHER BRIDEN

Unlike this one, I love it’s bright sunny disposition - and I love the pattern too.

BARBICAN ON A SUNNY DAY, CATHERINE HUNTER  - FESTIVAL OF QUILTS 2025

BARBICAN ON A SUNNY DAY, CATHERINE HUNTER

It’s the Happenstance pattern which I’m planning to replicate when I get around to my Jeans and pyjamas quilt. I know mine will look different to this, but I’m hoping that it will (eventually) look as good as this one.

If you enjoyed this post from my visit to the Festival of Quilts 2025 then please do check out my other posts from the show. Even though my mind was blown by the sheer volume of quilts on display, I’m pretty sure I’ll be going again!

Sue Jennings' Colourwash Quilts

As well as her amazing One Block Wonders, Sue’s Colourwash Quilts were also on display at the show, they too were quilts not to miss. As many quilters will tell you quilting projects generate a lot of scraps and Sue said she started to make colourwash quilts after watching technique videos online by the Canadian quilter, Terry Rowlands.

The quilts are perfect for using up lots of small scraps - which is the point in which I should stop reading (and looking) as this will only encourage me to save every last scrap, the challenge is though of course, where to store them and how to make them look as fantastic and as ‘put together’ as these by Sue.

Sue says she uses prints, solids, batiks, silk, wovens and in fact anything goes, and the only time she uses a ruler is to square up the blocks and the quilt, so everything can be rough cut, and any shape can be used.

This really isn’t what I wanted to hear!! But I agree and the lack of regularity makes the quilts more interesting and when Sue says it’s a joy to look at these quilts and remember which fabric was used in which quilt, I’m totally with her.

Her first colourwash quilt used all colours of scraps, and when it was done she wondered what was next. Let me tell you now, what came next was even more stunning, with her colour inspiration coming from artwork and photos, and you’ll see just what I mean.

ORIGINAL COLOURWASH, SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

ORIGINAL COLOURWASH, SUE JENNINGS

The inspiration for her Autumn quilt was the ‘wonderful fall colours’ she experienced while living for part of her childhood in Canada, and she thought ‘it would be a joy’ to recreate those using her scrap fabrics, and that resulted in another wonderful quilt.

AUTUMN COLOURWASH, SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

AUTUMN COLOURWASH, SUE JENNINGS

WATERLILLIES COLOURWASH, SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

WATERLILIES COLOURWASH, SUE JENNINGS

You’ll not be surprised to learn that Sue’s inspiration for the Waterlilies quilt was a photo of a Monet painting. It’s a vibrant but calming palette, and a fabulous quilt isn’t it?

SARIS COLOURWASH, SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

SARIS COLOURWASH, SUE JENNINGS

The inspiration for the Saris quilt was photos of ‘beautiful bright Indian saris’ and Sue ‘particularly wanted to wash oranges, pinks and reds’ from her scraps. These are colours that I love together, though I veer more towards oranges and pinks with yellow, rather than reds - and this quilt does remind me of the colourful saris we saw women wear in India, particularly those when we visited a stepped well. The contrast against the natural elements was stunning, as is this quilt - and I think of all of Sue’s colourwash quilts, this is my favourite - which is yours?