A mandala pouch for my poppers

Since I shared the stack of vinyl pouches with you, pouches seem to have overtaken my life, which is a little dramatic I know. But I seriously have a bad case of Pouch Love!

This isn’t new to me, I’ve known I’ve had it for a long time - but what is new is that now I’m creating my own, and my answer really is ‘oh I need a pouch for that’ whatever the question. I’ve a few ready to share with you so will start to do that over the next few weeks, and don’t say I didn’t warn you.

This one though is both practical - it’s already in use - and had made use of two of the Adult Learning courses I did last year. This combines a print from the Indian Block Printing & Stitch course, along with the skills I picked up in the Bag Making course - most notably zips.

Though for all of the pouches I’ve made so far, I’ve still not switched to a zipper foot, so I think I probably should add that to my ‘to conquer’ list for this year, but back to this pouch.

It started off as a neon pink printed mandala on the cut up frill of an old valance sheet. Seriously.

Quite humble beginnings. At this point not even the edges had been finished on my overlocker - I guess I was keen to carry on printing during the class, and had underestimated just how many squares I’d need so printed and cut as I went!

As for many of the prints that I did in the class I had no real plans for what I’d do with the outputs, I was just enjoying the creative process and exploring the patterns and colours available. After the class finished I made more of a plan as to how I would embellish the prints, or at least chose a colour scheme.

The colour scheme chose me

This was was always going to have an element of teal, and I don’t know why. It’s not a colour I usually go for, though I have since bought clothes that are a similar colour, and I think it goes well with the pink. I was also keen for some of the printing to remain on show, and not to cover it all with embroidery, other than that I had no real plans when I started out.

After embellishing some of the printed area I knew I wanted more teal, and so it seemed natural to enclose it with a circle. And I thought I might turn it into an eye, but as I continued to embroider I decided against that. I didn’t do the outer circles - or at least two of them - freehand, I used a glass vase and then a plate to draw around to stop it all going skewif.

Nor did I use an embroidery hoop, and on reflection I probably should have for this one, as I ended up with more material than necessary in the centre. Thankfully though I came up with a plan for dealing with that - to use wadding to fill the hole, and so creating an almost raised central area. This in turn reminded me of the poppers I’d used on the first pouches I’d made, which the all important tools for were functionally, but not prettily stored in the metallic plastic bag it arrived in.

Now I really had a plan

With that I realised the answer was ‘I needed a pouch for that’ and what better than one with a big circle on the front. It was meant to be! But did I have any material that would match my teal scheme, probably - and as it turns out I did.

I’d bought the Liberty silk remnant during lockdown, along with some other prints which I’d used for some fancy masks, but I hadn’t used this one at all. Now was its time - I even found a complementary zip from the large stash I bought from eBay. The lining is the pale pink t-shirt remnant which I’d saved from a recently retired camisole top. Perfect.

I used the same approach as for the vinyl fronted pouches, but obviously without the vinyl part - and a whole lot bigger. Having made that stack of pouches really helped me out, as knowing how they were assembled meant I could made the adaptations I needed.

And it turned our really well.

Not only does it hold the tools for attaching the poppers - and the spare bits that came with it, it also holds the plastic container full of poppers.

So now when I want to add a popper I just need to go to my mandala pouch for my poppers - which may not always be easy to say, but it sure is easy to find!

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Flying Geese: challenge accepted and completed

Less than a month ago I shared that I was trying out some patchwork Flying Geese blocks, and that my challenge for the next few weeks ahead was to complete the smaller size quilt top and find some material to back the quilt with.

Well, I’ve done better than that - I’ve actually finished the quilt.

And I mean completely finished.

Yes, I’m as shocked as you are!

I think it worked out pretty well.

While making this I have learnt and relearnt much - it’s been a very long time since I completely finished and quilted a quilt. And while I love the fancy designs that come from quilting by long arm quilters, I was happy to keep the quilting on this one simple, taking a ‘stitch in the ditch’ approach.

I found the grey duvet cover that I had in mind, and I think the colour works well and the narrow border frames the top nicely. I’ve also impressed myself with the scrappy binding, and took the same approach adding this as I did when I made my sewing machine mat earlier in the year. I’ve since read in an online craft group that many people machine stitch the binding on the back and do their hand sewing to attach the binding to the front. Thankfully in sewing there are no hard and fast rules (or not many anyway), and I think my version of doing the exact opposite works well for me.

Hand sewing the binding could be one of those tasks that gets put off and off; I was fortunate that the timing coincided with my monthly sewing group evening and that was the perfect project to take along and chat as well as sew. The fact that I made huge progress in those two hours - almost two sides sewn - and the compliments from other members were enough to convince me to finish this in just three hand sewing sessions. And I’m so glad I did!

My plan is to donate this quilt to Project Linus UK, a charity whose mission is to provide love, a sense of security, warmth and comfort to children, who are sick, disabled, disadvantaged or distressed through the donation of new, homemade, washable quilts and blankets. 

I was concerned that it wasn’t ‘perfect’ but I’m also not sure that anything homemade is ever really perfect, or as perfect as whoever makes it wants to be, and I’m also sure that only they will see many of the ‘imperfections’ too. And a quilt that is used and loved is way better than no quilt at all.

Are there more Flying Geese on the horizon?

The short answer is yes, but not quite yet.

I enjoyed sewing the Flying Geese and like how they turned out, though I’m not planning on repeating this pattern for my next ‘geese quilt’ - I’ve decided I want a lot more of the geese blocks instead. I’ve seen a couple of designs that I like, one which is made of solely of the flying geese blocks, and another which mixes plain squares. I’m currently deciding between the two, and wondering in reality just how many geese a king size quilt would need.

Well I know its lots, but how many and my tolerance levels are the question.

An interim plan

But as ever a new plan has formed.

I remembered that I had some blocks left over from my Great Granny Square quilt top (which while sewn together has got no further), even though I’d used some to make reusable kitchen towels by backing the quilt block with towelling squares, but I wasn’t sure how many.

It turns out I have three of these blocks left, which is also a third of a small quilt. So I reckoned that if I added another six blocks I could make another quilt and therefore have two to donate at once, so that’s what I’m working on. I’m trying out another new-to-me-block - the Drunkards Path block, no sniggering please!

It’s early days though, but as ever I have a plan for choosing these too - but all that’s for another day, for now I’m enjoying my perfectly imperfect finished flying geese quilt, and that new block.

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Making myself some chunky fabric weights

Once I’d cut out the pieces for my outside cushions I was left with a strip of fabric that I knew I wouldn’t use in future cushions, and I wondered if it might work for some chunky pattern weights which I’d had my eye on making since that bag making course I went on in May. I have some smaller pattern weights which I use, but I used some of these on the course, and they were really good at holding the fabric in place on the table, which if you only have a small space to work in is a life saver.

Clearly I could just have easily added the leftover fabric to my stash, but I thought I’d strike while the iron was hot and so I looked out the pattern that the tutor had shared on the course, and worked out with some small adjustments I could make it work. And they’re really easy to make, trust me.

All you need is a rectangle of material, mine was a bit smaller than the suggested 11cm x 21cm, a piece of ribbon for the finger loop, plus something relatively heavy to fill them with. I used rice for these, but would consider adding some dried lavender along with the rice to any future ones I make - as rice alone doesn’t have the greatest smell. I wouldn’t use too much lavender, or lavender on its own as I’d be concerned that the oils might seep through the fabric and onto the fabric I was cutting out.

You simply fold the fabric in half to form a square, insert your ribbon at the fold and then sew along the top and side open edge, leaving the bottom edge unsewn. Then open the bag so the seam is now in the centre, and sew but remember to leave a gap so you can add the filling.

Turn it through, push the corners out and fill with rice (it’s definitely worth putting it into a tray to catch the spilled rice - trust me) and then sew the gap closed.

Simples. And really useful too.

There’s plenty of free patterns for these kind of fabric weights online - if you want more detailed instructions try googling ‘triangular fabric weight patterns’ or ‘pyramid fabric weight patterns’ and you’ll be able to choose from written or video examples.

And of course using the outdoor fabric means that mine will be handy for outside sewing, or cutting out - though not that I’m actually planning any of that!