A couple of Shabby Chic Rosettes

Before I got to the Newark Quilt Show this year I’d already chosen which workshop I’d like to do, and a backup choice just in case. But I was fortunate enough to get onto my first choice which was the Shabby Chic Rosettes with Kate Crossley, who as it turned out had led the bag making course that I attended in 2024. I did wonder, and I was right.

It was a great workshop, and I even finished one of the rosettes there on the day which was great as it meant that I really wanted to finish the other one at home, rather than leave it languishing in a cupboard somewhere, which can quite often be the case can’t it?

Making the rosettes

The tools and materials for this workshop were strips of material, glue, scissors and a pencil, and no sewing.

I shared the image below previously as part of my what’s new in my craft room update, the green and white rosette in the top left corner was the one I completed on the day. As well as a second rosette to make at home I also left with a button to finish the centre of the larger rosette, a selection of ribbons, some small pieces of material for the back and a brooch and hair clip attachment.

One finished rosette, elements for a second one and ribbon and more to finish both off

I was keen to finish the second rosette. At the workshop I’d folded the length of material in half and cut most of the way through the folded edge, creating the petals. I hadn’t started the rolling as I thought it would be easier to start afresh rather than to pick it up part way through.

Rolling one of the strips around the pencil

The rolling is where the pencil came in, and more glue. As you roll, you glue.

One strip glued and rolled - more to go!

Or rather glue, and roll.

Glue and roll.

And keep going.

Showing the purple glue on the second strip, rolling in progress

Kate suggested using this ‘Amazon Basic’ glue stick, which goes on purple and dries clear, which does make it easier to see where you’ve glued already. It’s relatively cheap too, and some slipped into my Amazon basket ahead of attempting to finish this at home.

Once the four strips are glued and rolled, I was almost done.

The reverse of the finished rosette

I was quite pleased at how neat mine was at the back, I’d taken particular care to keep the ends level and it worked. To help it ‘set’ Kate turns them right side up and squashes them down with her hand. And it works, even though it feels counterintuitive to squash your work!

The front of the second completed rosette

So now I have two Shabby Chic Rosettes, and the knowledge to create many, many more. I already think they’ve got plenty of potential uses alongside the brooch and hairpin options - I haven’t added either of the backings yet, as I want to think about how I’ll use them first.

I think these could be added to bags, and pouches (!) as a decoration, and they could be made in fabric which complements your outfit for an coordinated embellishment, or even as corsages for weddings etc. Another suggestion on the day was to make two and glue them together to make a sphere, adding a hanging loop so they can hang on your bunting, or on your Christmas tree. The possibilities are endless it seems!

But it was a great way to spend an hour, and to leave with something finished, a new skill and plenty of ideas. I’m sure I’ll be making more!

Quilts of 2025

Today I’m sharing the quilts I’ve finished in 2025, and I mean completely finished. There’s more that I’ve started but haven’t quite finished yet so I’m not including those. This year I’ve made a lot more quilts than I have ever done before, let alone in one year and so I’m proud of that, and you never know this could be the start of a whole new annual series here on my blog. Actually, I’d be pretty happy about that.

Twelve completed quilts, but not one a month

This year I’ve completely finished twelve quilts, all of them for charity. My most prolific month with three finished quilts was September, while I managed to complete zero in May and December! But that’s life hey?

So let’s have a quick recap of those quilts.

January started with a Noughts and Crosses quilt, the crosses were left over blocks from a previous Great Granny Quilt top (which so far has remained unfinished) and they were paired with some blocks I made to test sewing on a curve, and if I could cope with making enough for a quilt. In case you’re wondering I could, but so far I haven’t!

In February it was the Log Cabin Log Cabin, whose name still makes me smile. The log cabin centres were test blocks for my mystery block of the month quilt - and it was this that set me onto the slightly mad ‘stretch’ project of making a quilt a month for charity from these test blocks.

February’s Log Cabin Log Cabin

In March I opted for a blue and green theme for the Mostly Repurposed Vintage Star quilt, which I think only the white/navy flowered material was new. At this point I was unsure in which direction the mystery block of the month quilt would take me.

April’s finished quilt saw hearts as the centre block, and so this Four Hearts and a Hug quilt was always going to be pink, and as it turned out, riotously so!

That meant my eyes needed a break, so The Friendly Bee quilt I completed in June was just the thing and used two different bee fabrics I picked up at my Sewing Group’s stash sale.

The calm colours didn’t last long though, and colour broke through for the Pleated Tulips I finished in July, though the Aztec patterned border gave me a bit of headache, until I added the grey border which immediately stopped the zig zags looking too unruly.

For August’s Raspberry Plus finisher I played with the layout, opting for a plus, or cross, layout for the first but not the last time.

While September was my most prolific month for completing quilts, it didn’t stop my creativity or optimism. For this Half the Scraps quilt, which was renamed from All the Scraps while I was making it, I also decided to try quilting in a circle - it was way harder than I expected it to be, and I’ll not be trying that again for a while!

In September I went along to a Project Linus charity quilt day hosted by my now Patchwork Group, and during the day I made the majority of this baby-sized Paddington quilt in a snowball pattern. I was disappointed not to get it completely finished on the day, but it didn’t take me that long to complete once I was home. I shared more about this quilt, and the ones I donated, in my September Quilty Update.

For my third completed quilt of the month I was back raiding the Blues and Greens in my stash, clearly needing another break from the pinks. This one also used scraps leftover from previous quilts, but with the addition of some other fabrics from my stash. And by now, I was firmly entrenched in the straight line quilting - I think it works particularly well with this quilt.

October’s completed quilt was one that the central block challenged me unnecessarily, though partly because I switched machines part-way through. That resulted in completely mismatched seams for one of the central test blocks, so that was binned and a new one made - I guess that’s the purpose of test blocks, and you’d never know in the resulting Marmalade Hearts quilt, would you?

Which brings me onto the last completed quilt of 2025 - the Ohio Flower Garden - and another that I’ve played with the layout of and have used all floral fabric, and there’s a lot but I think it turned out well.

So it was quite a year in quilts, and I’ve learnt lots including:

  • Test blocks are always a good idea, but a quilt a month is a lot to keep up with (in shocking news!)

  • I’ve used a lot of my stash, but I’ve created a lot more scraps I could use too.

  • I’m a fan of straight line quilting, though quite often my lines could be straighter - I’ve a plan for that though.

  • I should aim to get a better final shot of the completed quilts, I much prefer those from the start of the year on the sofa or the trellis, something for me to remember for this year!

And I’ve plenty more to come this year, with at least two from my initial list hopefully completed in the first part of 2026.

Hopefully.

But I’ve a couple more charity quilts and blocks of the month to complete right now, so I’ve plenty to crack on with.

Textured embroidery and plastic bags by Emily Cox

By now I’m sure you’ve realised that I enjoy seeing the quilts, galleries and special exhibitions at the craft shows I go to as much as seeing what the suppliers have to tempt me with, and it was no different at the Harrogate Knit & Stitch Show in November.

One of my personal favourites of the whole show was the hall hosted by the Embroidery Guild which we almost didn’t find - it was at the far end of the hall we entered, though others were arriving through that door and were immediately immersed into it. I loved that in this part of the show there was an area to showcase recent graduates work, and in my first few posts I’m going to focus on these.

Let’s start off with a look at Emily Cox’s stand, and if you know me then you know I do like a Waitrose shop, so I was curious to see if that coat really was made from Waitrose bags - and spoiler it was, but more on that later.

Standing back looking at Emily Cox's stand at the show

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

Emily says that ‘embroidery is central to her practice’ and allows her to ‘form an intimate relationship with her work, each stitch elevating the emotional and conceptual connection behind the pieces’.

Nature is a recurring theme as Emily admits she is ‘fascinated by the patterns, colours and textures that surround us, that often go unnoticed’ - I could have spent a lot more time looking at all of these pieces in much more detail.

Breath Between Threads - Emily Cox, Knit & Stitch Show Harrogate 2025

BREATH BETWEEN THREADS, EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

If you’re wondering how the ‘Breath Between Threads’ piece is created the label beneath it reads ‘Domestic freehand machine embroidery on fabric, with cut-outs to create depth and shadow between the leaves’ - and isn’t it gorgeous?

Four differing pieces based on nature by Emily Cox, Knit & Stitch Show Harrogate 2025

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

I love the texture and the colour detail in all of the pieces above, though in the image above I think the one with the pink background, which reminds me of a gloriously rich coleus is my favourite.

Bloom against waste - an embroidered tulip on a collage of plastic bags  - Emily Cox, Knit & Stitch Show Harrogate 2025

BLOOM AGAINST WASTE - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

And then I saw the embroidery on plastic hanging on the back wall - it’s a collage of plastic bags with a freehand machine embroidered tulip stitched on which ‘merges beauty with the traces of consumption’.

And that Waitrose plastic bag coat? Here’s a closer look at it.

A Tailored jacked made from waitrose plastic bags - REGROWTH IN PLASTIC - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

REGROWTH IN PLASTIC - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

It’s a fantastic way to reuse reusable plastic bags to make a statement, as well as a beautifully tailored item of clothing - yes clothing, as Emily was due to model this on the Knit & Stitch Catwalk during the show, sadly not on the day we were there.

But it’s totally a plastic mac with a difference isn’t it?