Quilts of 2025

Today I’m sharing the quilts I’ve finished in 2025, and I mean completely finished. There’s more that I’ve started but haven’t quite finished yet so I’m not including those. This year I’ve made a lot more quilts than I have ever done before, let alone in one year and so I’m proud of that, and you never know this could be the start of a whole new annual series here on my blog. Actually, I’d be pretty happy about that.

Twelve completed quilts, but not one a month

This year I’ve completely finished twelve quilts, all of them for charity. My most prolific month with three finished quilts was September, while I managed to complete zero in May and December! But that’s life hey?

So let’s have a quick recap of those quilts.

January started with a Noughts and Crosses quilt, the crosses were left over blocks from a previous Great Granny Quilt top (which so far has remained unfinished) and they were paired with some blocks I made to test sewing on a curve, and if I could cope with making enough for a quilt. In case you’re wondering I could, but so far I haven’t!

In February it was the Log Cabin Log Cabin, whose name still makes me smile. The log cabin centres were test blocks for my mystery block of the month quilt - and it was this that set me onto the slightly mad ‘stretch’ project of making a quilt a month for charity from these test blocks.

February’s Log Cabin Log Cabin

In March I opted for a blue and green theme for the Mostly Repurposed Vintage Star quilt, which I think only the white/navy flowered material was new. At this point I was unsure in which direction the mystery block of the month quilt would take me.

April’s finished quilt saw hearts as the centre block, and so this Four Hearts and a Hug quilt was always going to be pink, and as it turned out, riotously so!

That meant my eyes needed a break, so The Friendly Bee quilt I completed in June was just the thing and used two different bee fabrics I picked up at my Sewing Group’s stash sale.

The calm colours didn’t last long though, and colour broke through for the Pleated Tulips I finished in July, though the Aztec patterned border gave me a bit of headache, until I added the grey border which immediately stopped the zig zags looking too unruly.

For August’s Raspberry Plus finisher I played with the layout, opting for a plus, or cross, layout for the first but not the last time.

While September was my most prolific month for completing quilts, it didn’t stop my creativity or optimism. For this Half the Scraps quilt, which was renamed from All the Scraps while I was making it, I also decided to try quilting in a circle - it was way harder than I expected it to be, and I’ll not be trying that again for a while!

In September I went along to a Project Linus charity quilt day hosted by my now Patchwork Group, and during the day I made the majority of this baby-sized Paddington quilt in a snowball pattern. I was disappointed not to get it completely finished on the day, but it didn’t take me that long to complete once I was home. I shared more about this quilt, and the ones I donated, in my September Quilty Update.

For my third completed quilt of the month I was back raiding the Blues and Greens in my stash, clearly needing another break from the pinks. This one also used scraps leftover from previous quilts, but with the addition of some other fabrics from my stash. And by now, I was firmly entrenched in the straight line quilting - I think it works particularly well with this quilt.

October’s completed quilt was one that the central block challenged me unnecessarily, though partly because I switched machines part-way through. That resulted in completely mismatched seams for one of the central test blocks, so that was binned and a new one made - I guess that’s the purpose of test blocks, and you’d never know in the resulting Marmalade Hearts quilt, would you?

Which brings me onto the last completed quilt of 2025 - the Ohio Flower Garden - and another that I’ve played with the layout of and have used all floral fabric, and there’s a lot but I think it turned out well.

So it was quite a year in quilts, and I’ve learnt lots including:

  • Test blocks are always a good idea, but a quilt a month is a lot to keep up with (in shocking news!)

  • I’ve used a lot of my stash, but I’ve created a lot more scraps I could use too.

  • I’m a fan of straight line quilting, though quite often my lines could be straighter - I’ve a plan for that though.

  • I should aim to get a better final shot of the completed quilts, I much prefer those from the start of the year on the sofa or the trellis, something for me to remember for this year!

And I’ve plenty more to come this year, with at least two from my initial list hopefully completed in the first part of 2026.

Hopefully.

But I’ve a couple more charity quilts and blocks of the month to complete right now, so I’ve plenty to crack on with.

Textured embroidery and plastic bags by Emily Cox

By now I’m sure you’ve realised that I enjoy seeing the quilts, galleries and special exhibitions at the craft shows I go to as much as seeing what the suppliers have to tempt me with, and it was no different at the Harrogate Knit & Stitch Show in November.

One of my personal favourites of the whole show was the hall hosted by the Embroidery Guild which we almost didn’t find - it was at the far end of the hall we entered, though others were arriving through that door and were immediately immersed into it. I loved that in this part of the show there was an area to showcase recent graduates work, and in my first few posts I’m going to focus on these.

Let’s start off with a look at Emily Cox’s stand, and if you know me then you know I do like a Waitrose shop, so I was curious to see if that coat really was made from Waitrose bags - and spoiler it was, but more on that later.

Standing back looking at Emily Cox's stand at the show

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

Emily says that ‘embroidery is central to her practice’ and allows her to ‘form an intimate relationship with her work, each stitch elevating the emotional and conceptual connection behind the pieces’.

Nature is a recurring theme as Emily admits she is ‘fascinated by the patterns, colours and textures that surround us, that often go unnoticed’ - I could have spent a lot more time looking at all of these pieces in much more detail.

Breath Between Threads - Emily Cox, Knit & Stitch Show Harrogate 2025

BREATH BETWEEN THREADS, EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

If you’re wondering how the ‘Breath Between Threads’ piece is created the label beneath it reads ‘Domestic freehand machine embroidery on fabric, with cut-outs to create depth and shadow between the leaves’ - and isn’t it gorgeous?

Four differing pieces based on nature by Emily Cox, Knit & Stitch Show Harrogate 2025

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

I love the texture and the colour detail in all of the pieces above, though in the image above I think the one with the pink background, which reminds me of a gloriously rich coleus is my favourite.

Bloom against waste - an embroidered tulip on a collage of plastic bags  - Emily Cox, Knit & Stitch Show Harrogate 2025

BLOOM AGAINST WASTE - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

And then I saw the embroidery on plastic hanging on the back wall - it’s a collage of plastic bags with a freehand machine embroidered tulip stitched on which ‘merges beauty with the traces of consumption’.

And that Waitrose plastic bag coat? Here’s a closer look at it.

A Tailored jacked made from waitrose plastic bags - REGROWTH IN PLASTIC - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

REGROWTH IN PLASTIC - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

It’s a fantastic way to reuse reusable plastic bags to make a statement, as well as a beautifully tailored item of clothing - yes clothing, as Emily was due to model this on the Knit & Stitch Catwalk during the show, sadly not on the day we were there.

But it’s totally a plastic mac with a difference isn’t it?

Sustainable quilts at the Festival of Quilts

This was a category I was keen to explore once I spotted it existed. You’ll know I’m trying to use as much of my stash as possible and am reusing old clothes in at least some of the quilts and pouches I’m making, so it was a category after my own heart. Having already seen some of the fantastic quilts on show I was keen to see, and be wowed, by the creativeness of these quilt makers, and I wasn’t disappointed.

To class as sustainable for the Festival of Quilts the quilt needed to have been made with ‘minimal negative impact on the environment’ with at least 75% of the fabric used being repurposed, and the remaining 25% would ideally be organic fabrics or taken from their stash, and ‘the maker should use biodegradable or recycled materials wherever possible, or use materials from sustainable and natural sources’.

And none of these criteria meant the quilts didn’t have the wow factor, in fact they do a brilliant job of showing what can be done with repurposed materials.

Prepare to be wowed

I did warn you, it’s stunning isn’t it? I am rather partial to a Cathedral Window quilt and I’ve long had an idea that I would make one in denim, but I think making one that looks good would be tricky enough so I’m not sure I need to add in the complexity and thickness of denim. I downgraded my ambition and that’s how I landed with my ‘jeans and pyjamas’ quilt on my 2025 list, there’s still some curves and some denim but hopefully in my doable category, although as I write this at the beginning of December I’ve yet to start this one - so maybe it’s optimistic to think this will make it this year, but who knows?!

ONE OFF THE BUCKET LIST, VICTORIA MILLER

ONE OFF THE BUCKET LIST, VICTORIA MILLER

I love the repeating circle pattern, and the uniformity of the white and almost taupe colour in the detailing of the circles, but most of all I love the colour and how much it doesn’t look like it’s made from repurposed materials! I bet those colourful centres hold all sorts of memories, and that’s what really does it for me especially when using old clothes that have been much loved.

This second quilt I’m sharing is a design I need to remember, as I have a growing pile of 2.5” strips from the quilts I’m making. With clever colour placement this quilt proves that you can use those strips effectively - note made!

ÅLAND, LINNÉA EHN

ÅLAND, LINNÉA EHN

SHIRTSANDO, VICKY HAWKINS

SHIRTSANDO, VICKY HAWKINS

The quilt above looks to have used old shirts in a really effective way, but again with a fairly simple pattern. I was drawn to this one by the circles in the quilting, and I suspect this is the quilt that influenced me to try something similar with my Half the Scraps quilt, but way less successfully!

Looking at this again now it looks as if those circles have been hand quilted, and I suspect that may be the way to go if I see circles in my quilting future. Those smaller fabric circles look to be appliqued on, which is another technique I’m trying in my latest quilt.

This next quilt also blew me away, I love a colour graduating quilt - but this one was huge and double sided. It was on display so you could view both sides, and while I’m sure I took a photo of the other side, I can’t find it for the life of me - I’m sure though it was equally as impressive.

ECLECTIC BECKY, ELIZABETH BARKER

ECLECTIC BECKY, ELIZABETH BARKER

But so many small squares, and so many seams to match up - but definitely a wow, wow, wow from me.

The final quilt that I’m sharing in this category (and there were more than I can include in this post) is this denim masterpiece with an equally clever title. The second picture shows the detail of the quilt, and the rivets, buttons, button holes and zipper sections used so effectively.

RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

JUDGES’ CHOICE - RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

It rightly deserved its Judges’ Choice label which admired the mind boggling texture, and how the madness is beautifully tamed by the dark central circle. It also called the quilt ‘Genius!’ and I have to agree, I think this was easily one of my favourite quilts at the show - and I thought I loved the Cathedral Windows quilt at the top of this post, this one I loved twice as much.

If you enjoyed this post from my visit to the Festival of Quilts 2025 then please do check out my other posts from the show. Even though my mind was blown by the sheer volume of quilts on display, I’m pretty sure I’ll be going again!