A couple of Shabby Chic Rosettes

Before I got to the Newark Quilt Show this year I’d already chosen which workshop I’d like to do, and a backup choice just in case. But I was fortunate enough to get onto my first choice which was the Shabby Chic Rosettes with Kate Crossley, who as it turned out had led the bag making course that I attended in 2024. I did wonder, and I was right.

It was a great workshop, and I even finished one of the rosettes there on the day which was great as it meant that I really wanted to finish the other one at home, rather than leave it languishing in a cupboard somewhere, which can quite often be the case can’t it?

Making the rosettes

The tools and materials for this workshop were strips of material, glue, scissors and a pencil, and no sewing.

I shared the image below previously as part of my what’s new in my craft room update, the green and white rosette in the top left corner was the one I completed on the day. As well as a second rosette to make at home I also left with a button to finish the centre of the larger rosette, a selection of ribbons, some small pieces of material for the back and a brooch and hair clip attachment.

I was keen to finish the second rosette. At the workshop I’d folded the length of material in half and cut most of the way through the folded edge, creating the petals. I hadn’t started the rolling as I thought it would be easier to start afresh rather than to pick it up part way through.

The rolling is where the pencil came in, and more glue. As you roll, you glue.

Or rather glue, and roll.

Glue and roll.

And keep going.

Kate suggested using this ‘Amazon Basic’ glue stick, which goes on purple and dries clear, which does make it easier to see where you’ve glued already. It’s relatively cheap too, and some slipped into my Amazon basket ahead of attempting to finish this at home.

Once the four strips are glued and rolled, I was almost done.

I was quite pleased at how neat mine was at the back, I’d taken particular care to keep the ends level and it worked. To help it ‘set’ Kate turns them right side up and squashes them down with her hand. And it works, even though it feels counterintuitive to squash your work!

So now I have two Shabby Chic Rosettes, and the knowledge to create many, many more. I already think they’ve got plenty of potential uses alongside the brooch and hairpin options - I haven’t added either of the backings yet, as I want to think about how I’ll use them first.

I think these could be added to bags, and pouches (!) as a decoration, and they could be made in fabric which complements your outfit for an coordinated embellishment, or even as corsages for weddings etc. Another suggestion on the day was to make two and glue them together to make a sphere, adding a hanging loop so they can hang on your bunting, or on your Christmas tree. The possibilities are endless it seems!

But it was a great way to spend an hour, and to leave with something finished, a new skill and plenty of ideas. I’m sure I’ll be making more!

A kantha stitched landscape, and a hare too

Back at the start of August my SIL and I headed off to the Festival of Quilts at the NEC - I’ve so many photos still to edit, and posts will follow but in short so many beautiful quilts! We’d booked on a workshop, and again there were so many to choose from, so in the end I left it up to my SIL to choose which one.

And she chose well, the kantha textured mini landscape workshop by Angela Daymond. I knew little about what we’d create, but I had been to one of Angela’s workshops before at the Stitch Festival in London back in 2023. And if you go back and read that post, I’m still curious as to how the notebook will turn out as I’ve not yet ‘cooked it’ - though, I do now at least have a saucepan which I could use for this, so maybe I’ll get around to that and show the results here - but don’t hold your breath!

I was looking forward to Angela’s workshop though and was hopeful that I’d stand more chance of completing the outputs from this one, given my increased opportunities and interest in hand stitching. And I was right, but first let me show you how I got on.

A kantha stitched landscape

Unusually I didn’t take any pictures while we were in the workshop, not even of Angela’s finished piece which was a bit daft. But then again it gave me free licence to do what I wanted, and interpret the written guidance shared on the day.

This was as far as I got in the workshop.

We’d started by tracing the design using a fabric marker pen and during the workshop Angela guided the group through the different stitching methods including tips for stitching circles, and sewing with the different thickness threads, as well as how to complete the weaved effect of the whipped running stitch on the stems.

I was keen to carry on and get this finished, so the week or so after the show this became my project.

I loved how it turned out, and I’m sure that each one from the workshop will look the same but different. I decided I needed to add some glitter to mine, on the sun and in the first few circles of the sky - and then well, in for a penny, in for a pound, onto some of the red berries too.

Angela had said that to remove the blue pen you just had to go for it, if you tried to spot remove the markings then it would likely show up elsewhere in the design. So there was nothing else for it, but to plunge this into water and under the running tap.

Miraculously it disappeared. Phew!

I left it to dry on a towel, and as it was drying I began to think what I’d do with it. I decided to frame it, and as luck would have it when we were in the framing shop getting the Vogue pictures framed, I spotted some small frames made from offcuts in the sale. By now I also knew that I wanted to do another one, so I picked up two frames - and added my landscape into the pale green frame.

Designing my own version, with a hare

I’d enjoyed the kantha landscape so much I decided I would do another picture to fill the second frame I’d bought. I knew I had some ‘hare’ stamps and thought one of those might work with a similar horizon as before. In the end I flipped the background and half-traced half-drew the hare in the bottom right corner.

Then I got sewing. I used the same yellow and blue threads from the workshop - there was (and still is) plenty left. But I decided on something different for the ‘land’ and for the hare itself. I had some crochet threads from mum and thought the neutral-green-pink reel would work for the land, but also added a thin darker grey thread to this, sewing with two threads, to give it some extra texture and to keep a consistent colour throughout both ‘land’ sections.

For the hare I used another variegated thread, this time ranging from brown through to bright pink. What do you mean, you’ve never seen a bright pink hare?! Me neither, but hey, I think there may be hares out there wishing they were pink!

Once again the fabric marker pen washed out easily, and revealed the end design.

That too has been framed, this one got the gold frame - but both are now in our spare bedrooms on two of the four fabulous bedside tables, and they look great. I’ve plans for something slightly different on the two bedside tables which remain empty, but that idea yet to be started, so it may yet turn up on a ‘future stitching project’ list at some point. But in the meantime I’m going to enjoy these, and I hope our guests will too.

Getting hooked on weaving with waste

Earlier in the year I tried to book on a workshop with Sarah Cooke, but unfortunately I’d discovered it too late and it didn’t go ahead as there weren’t the numbers for it to be viable, which was a shame. I hoped there might be another date at some point, but didn’t really think any more of it until one morning on our recent holiday when I saw it advertised in my sewing group’s facebook group. I couldn’t believe my luck and manically emailed the organiser to secure my place. What’s more, this newer date was much closer than the previous one, so it was a real bonus for me.

And so I turned up not quite sure what to expect, and not really sure I was going either - but that happens a lot as I’m continually discovering new places by attending workshops or exercise classes!

Sarah started the day by showing some of her makes, which you’d never guess what they’re made of. Clue - it’s all waste products, and for these two that I’m sharing here, they’re most likely food products we have in our freezers and in our store cupboards.

A striped weaving by Sarah Cooke made from Sensations crisp packets

A green and yellow striped bag by Sarah Cooke made from bags of frozen peas and frozen sweetcorn

So the two examples above use (clean) crisp packets and frozen vegetable bags, and you wouldn’t think to use them would you? But Sarah did and they are amazing, they’re also both really soft which I didn’t expect either. If you look at the pictures closely now you know what they’re made from you can see some of the text remains and almost gives it away.

Now you can see why I was so captivated, and inspired can’t you?

Sarah brought plenty of ‘waste’ for the group to use throughout the day, and there were things you’d expect like wool, ribbons, trimmings and material scraps, as well as things you’d probably not expect. For me the revelation were those plastic string bags that lemons, oranges and other fruit come in - they’re amazing to use, as well as old hi-vis jackets, plastic metallic streamers, oh and so much more.

We started by adding our warp to the frame - I opted for a cerise and a boucle red, and you’ll see these intermittently in my weaving. I should say that this is my first time weaving and while I’d love for my outputs to be as good as Sarah’s, I know I’ve a way to go and for me the day was about trying things out.

But it didn’t surprise me that when confronted by the tables of stuff I headed to my default colour scheme of pink, red, orange and yellow with a few variations.

From the bottom I’ve used: wool, plastic metallic streamer, more wool, a strip of orange hi-vis clothing, more wool, more plastic metallic streamers, more wool, a bobble trim with the bobbles poking out to the front, wool, plastic rope, wool, plastic twine (this isn’t as closely woven), wool, a material scrap, red mesh bags, wool, yellow mesh bags, wool, more hi-vis material, wool, orange mesh bags, wool, bobble trimming, orange mesh bag, wool, black and white plastic rope, a split row of the bobble trimming and a flat metallic plastic strip, black and white plastic rope and wool.

Mine grew pretty quickly on the day, and while wall hangings are nice they aren’t me. So my plan is heading more towards a placemat for our garden table. That said though I do like the effect of it on the frame against our white walls and MOH is going to put some hooks up in my craft room so I can enjoy it as transient art while it’s ‘in progress’.

It has grown a little since the workshop too, but there’s a little further for it to go yet.

Since the workshop I’ve added: wool, a velvet trim I’d kept from a t-shirt, wool, a velour strip, a red mesh bag and a ribbon from chocolates.

In the weft rows I’ve added since the workshop the velvet trimming and chocolate ribbon have come from my own stash - and I’ve plenty more that I could use. In fact I came home from the workshop so inspired I was immediately off to look out that velvet trimming which I’d kept for I didn’t know what until then. I’ve also found some plastic present wrapping ribbon which I’ve never used but fell in love with years ago at Ikea - these will feature in a future attempt.

I also have plenty of ribbons, and scraps of materials and edgings which I’ve known ‘will be useful one day’ and the great thing is their day is coming, well when I find the time. I didn’t really know I needed a new craft, but I’m happy I’ve found it!

I’m also commissioning MOH to make me a smaller sized frame, so that I can make smaller pieces and potentially use some of the crochet threads I’ve acquired over the years, but first on my list is to finish this one and to make complementary (and not necessarily matching) table mats to use.

Watch this space.