Sue Jennings' One Block Wonders at the Newark Quilt Show

Last weekend it was the Newark Quilt Show, the first of the year - and one that’s particularly a favourite of mine, not least because it’s just ten minutes up the road. This year I didn’t have a shopping list in mind, so forgoing my own advice, but I was happy to have a wander round before wandering round again and deciding what to buy - I’ll share more about what I left with in this month’s what’s new in my craft room post soon.

I did however know in advance that I wanted to do one of the workshops, choosing Shabby Chic Rosettes with Kate Crossley - and that meant I needed to be there early on so that I could claim my place in the first come, first served booking system. And mission accomplished, I’ll share more from the workshop in a separate post - but it was fab, and for a change I finished one of the rosettes there and then with another (still) to finish at home.

Getting there early also meant that I could wander around the quilts displayed and take pictures much more easily than later in the day as I discovered, and so I decided to make the most of that.

Today I’m sharing some stunning quilts, which are known as one block wonders. I’d heard of them, and seen a few but didn’t really know much about them until now. They’re quilts which as the name suggests use a single block, and that’s usually six repeating triangles joined to make a hexagon, using the same parts of a design from either several panels of fabric, or the pattern repeat.

It’s easy to see why they can be referred to as kaleidoscope quilts, but they also divide the quilting world though I’m not really sure why. As I said before they are stunning, though if truth be told I’m not really a fan of panels generally, but here how Sue has treated them may almost change my mind. I do much prefer the floral versions though, so maybe she won’t after all, but I can still appreciate the work and artistry that is evident in all of her quilts.

Sue Jennings began quilting about 13 years ago as therapy after a head injury and says she’s an ‘eclectic quilter’. When she first tried the One Block Wonder about seven years ago it wasn’t the happiest experience, but tried again about two years ago after seeing some lovely fabric, which was more successful as you can see.

WILD BLOSSOMS OBW, SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

WILD BLOSSOMS OBW, SUE JENNINGS

The fabric above - Wild Blossoms Ombre by Robin Pickens - is the fabric that inspired Sue to dip back into One Block Wonder quilts after the abortive attempt seven years before, and says ‘it was made by cutting strips then triangles from six repeats of the yardage’.

The fabric below is Brassica by Philip Jacobs, and Sue liked the yellow, blue and pink combination but could only find a small amount of the fabric. So not wanting to cut the peaks off the hexagons she added some solid fabrics at the top and bottom. Again, this was made by cutting strips then triangles from six repeats of the pattern.

BRASSICA, SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

BRASSICA, SUE JENNINGS

Sue then joined a Facebook group for these types of quilts which she says ‘opened her eyes to the possibility of using fabric panels instead of yardage’ to make these quilts. And those which follow here are my favourites (after the two pictured above) which were on display at the show, there were probably as many as I haven’t included and they were all stunning - I know I keep using that, but they truly were.

The mermaid below was her first attempt at a One Block Wonder from seven panels by Josephine Wall named ‘Call of the Sea’ and Sue says ‘this quilt had a steep learning curve’ - I’d say!

MERMAID BY SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

MERMAID, SUE JENNINGS

ARE YOU HAVIN’ A GIRAFFE 2? SUE JENNINGS AT THE NEWARK QUILT SHOW 2026

ARE YOU HAVIN’ A GIRAFFE 2? SUE JENNINGS

Sue has made two of these quilts, and it was the strong design on the panel and the saturated colours which attracted her to the panel by Rubin Design Studios. I also see the attraction to the strong colours, and somehow I think the approach of these quilts make them pop even more.

The Steampunk Raven is one of Sue’s favourite quilts, and it’s easy to see why - but she says she loves birds with attitude! Again it uses seven panels from Rubin Design Studios in Colorado. This was a great choice to show in Newark which holds two Steampunk festivals each year, and which we’ve not yet managed to get along to see firsthand, yet!

STEAMPUNK RAVEN, SUE JENNINGS - NEWARK QUILT SHOW 2026

STEAMPUNK RAVEN, SUE JENNINGS

MYSTICAL PANTHER, SUE JENNINGS - NEWARK QUILT SHOW 2026

MYSTICAL PANTHER, SUE JENNINGS

The Mystical Panther panel is another from Rubin Design Studios, and the attraction for Sue here was the intense stare of the big cat. Sue treats her quilts as art, and they are intended to be hung on walls - and each of these made from panels would make a huge impact on your wall, wouldn’t they?

MYSTICAL ELEPHANT, SUE JENNINGS - NEWARK QUILT SHOW 2026

MYSTICAL ELEPHANT, SUE JENNINGS

The final quilt I’m sharing by Sue is another from a panel by Rubin Design Studios - I’m learning as I write this post that I’m also attracted to their panels, and that if I’m ever in Boulder, Colorado I should avoid their studios or else I might find myself with multiple panels and a plan for something similar!

For this quilt Sue has also changed the colour of the elephant’s eyes, as she thought ‘the orangey red eyes on the panel made the elephant look angry’ and no one needs an angry elephant on their wall do they, so she painted over them using textile colour. You’d never know would you?

They really are stunning, I’m still in two minds about the panel versions, but those two at the top of this post I’d happily accept one like that. I’m not sure I’m ready to make one though - my list is already too long, and I really don’t need another challenge just yet, but I guess never say never!

Textured embroidery and plastic bags by Emily Cox

By now I’m sure you’ve realised that I enjoy seeing the quilts, galleries and special exhibitions at the craft shows I go to as much as seeing what the suppliers have to tempt me with, and it was no different at the Harrogate Knit & Stitch Show in November.

One of my personal favourites of the whole show was the hall hosted by the Embroidery Guild which we almost didn’t find - it was at the far end of the hall we entered, though others were arriving through that door and were immediately immersed into it. I loved that in this part of the show there was an area to showcase recent graduates work, and in my first few posts I’m going to focus on these.

Let’s start off with a look at Emily Cox’s stand, and if you know me then you know I do like a Waitrose shop, so I was curious to see if that coat really was made from Waitrose bags - and spoiler it was, but more on that later.

Standing back looking at Emily Cox's stand at the show

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

Emily says that ‘embroidery is central to her practice’ and allows her to ‘form an intimate relationship with her work, each stitch elevating the emotional and conceptual connection behind the pieces’.

Nature is a recurring theme as Emily admits she is ‘fascinated by the patterns, colours and textures that surround us, that often go unnoticed’ - I could have spent a lot more time looking at all of these pieces in much more detail.

Breath Between Threads - Emily Cox, Knit & Stitch Show Harrogate 2025

BREATH BETWEEN THREADS, EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

If you’re wondering how the ‘Breath Between Threads’ piece is created the label beneath it reads ‘Domestic freehand machine embroidery on fabric, with cut-outs to create depth and shadow between the leaves’ - and isn’t it gorgeous?

Four differing pieces based on nature by Emily Cox, Knit & Stitch Show Harrogate 2025

EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

I love the texture and the colour detail in all of the pieces above, though in the image above I think the one with the pink background, which reminds me of a gloriously rich coleus is my favourite.

Bloom against waste - an embroidered tulip on a collage of plastic bags  - Emily Cox, Knit & Stitch Show Harrogate 2025

BLOOM AGAINST WASTE - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

And then I saw the embroidery on plastic hanging on the back wall - it’s a collage of plastic bags with a freehand machine embroidered tulip stitched on which ‘merges beauty with the traces of consumption’.

And that Waitrose plastic bag coat? Here’s a closer look at it.

A Tailored jacked made from waitrose plastic bags - REGROWTH IN PLASTIC - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

REGROWTH IN PLASTIC - EMILY COX, KNIT & STITCH SHOW HARROGATE 2025

It’s a fantastic way to reuse reusable plastic bags to make a statement, as well as a beautifully tailored item of clothing - yes clothing, as Emily was due to model this on the Knit & Stitch Catwalk during the show, sadly not on the day we were there.

But it’s totally a plastic mac with a difference isn’t it?

Sustainable quilts at the Festival of Quilts

This was a category I was keen to explore once I spotted it existed. You’ll know I’m trying to use as much of my stash as possible and am reusing old clothes in at least some of the quilts and pouches I’m making, so it was a category after my own heart. Having already seen some of the fantastic quilts on show I was keen to see, and be wowed, by the creativeness of these quilt makers, and I wasn’t disappointed.

To class as sustainable for the Festival of Quilts the quilt needed to have been made with ‘minimal negative impact on the environment’ with at least 75% of the fabric used being repurposed, and the remaining 25% would ideally be organic fabrics or taken from their stash, and ‘the maker should use biodegradable or recycled materials wherever possible, or use materials from sustainable and natural sources’.

And none of these criteria meant the quilts didn’t have the wow factor, in fact they do a brilliant job of showing what can be done with repurposed materials.

Prepare to be wowed

I did warn you, it’s stunning isn’t it? I am rather partial to a Cathedral Window quilt and I’ve long had an idea that I would make one in denim, but I think making one that looks good would be tricky enough so I’m not sure I need to add in the complexity and thickness of denim. I downgraded my ambition and that’s how I landed with my ‘jeans and pyjamas’ quilt on my 2025 list, there’s still some curves and some denim but hopefully in my doable category, although as I write this at the beginning of December I’ve yet to start this one - so maybe it’s optimistic to think this will make it this year, but who knows?!

ONE OFF THE BUCKET LIST, VICTORIA MILLER

ONE OFF THE BUCKET LIST, VICTORIA MILLER

I love the repeating circle pattern, and the uniformity of the white and almost taupe colour in the detailing of the circles, but most of all I love the colour and how much it doesn’t look like it’s made from repurposed materials! I bet those colourful centres hold all sorts of memories, and that’s what really does it for me especially when using old clothes that have been much loved.

This second quilt I’m sharing is a design I need to remember, as I have a growing pile of 2.5” strips from the quilts I’m making. With clever colour placement this quilt proves that you can use those strips effectively - note made!

ÅLAND, LINNÉA EHN

ÅLAND, LINNÉA EHN

SHIRTSANDO, VICKY HAWKINS

SHIRTSANDO, VICKY HAWKINS

The quilt above looks to have used old shirts in a really effective way, but again with a fairly simple pattern. I was drawn to this one by the circles in the quilting, and I suspect this is the quilt that influenced me to try something similar with my Half the Scraps quilt, but way less successfully!

Looking at this again now it looks as if those circles have been hand quilted, and I suspect that may be the way to go if I see circles in my quilting future. Those smaller fabric circles look to be appliqued on, which is another technique I’m trying in my latest quilt.

This next quilt also blew me away, I love a colour graduating quilt - but this one was huge and double sided. It was on display so you could view both sides, and while I’m sure I took a photo of the other side, I can’t find it for the life of me - I’m sure though it was equally as impressive.

ECLECTIC BECKY, ELIZABETH BARKER

ECLECTIC BECKY, ELIZABETH BARKER

But so many small squares, and so many seams to match up - but definitely a wow, wow, wow from me.

The final quilt that I’m sharing in this category (and there were more than I can include in this post) is this denim masterpiece with an equally clever title. The second picture shows the detail of the quilt, and the rivets, buttons, button holes and zipper sections used so effectively.

RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

JUDGES’ CHOICE - RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

RIVETING RESTRICTIONS - FROM WASTE TO WONDER, MARJA MATIISEN

It rightly deserved its Judges’ Choice label which admired the mind boggling texture, and how the madness is beautifully tamed by the dark central circle. It also called the quilt ‘Genius!’ and I have to agree, I think this was easily one of my favourite quilts at the show - and I thought I loved the Cathedral Windows quilt at the top of this post, this one I loved twice as much.

If you enjoyed this post from my visit to the Festival of Quilts 2025 then please do check out my other posts from the show. Even though my mind was blown by the sheer volume of quilts on display, I’m pretty sure I’ll be going again!