Anne Kelly's textile college covered objects

These are definitely in the more is more category, and also it’s true that the more you look the more you see - and they are fascinating for both of those reasons. I saw these pieces in Anne Kelly’s ‘Object Series’ at the Harrogate Knit & Stitch show and I was mesmerised.

PART OF THE OBJECT SERIES, ANNE KELLY

The blurb explaining these pieces was one of the best I’ve seen. It simply said:

I like to cover objects with textile collage and see them take on a new character and meaning.

SOME OF THE 'COVERED OBJECTS' BY ANNE KELLY

It’s simply explained, but so accurate, as they do.

FAMILY CASE, ANNE KELLY

I was particularly taken with the ‘Peacock Sewing Basket’ as I have many photos from different angles, so I know I was. I think my fascination was also because it’s totally transformed one of those ubiquitous woven plastic work boxes that I now quite often see in charity shops, but back in the day they were The Thing to have!

PEACOCK SEWING BASKET, ANNE KELLY

PEACOCK SEWING BASKET, ANNE KELLY

The peacock embroidery is pretty eye-catchingly special too isn’t it?

And there was more exquisite gorgeousness and more covered boxes in this enclosed display cabinet. Just as well as it was enclosed as I think these are just screaming out to be touched, or stroked, in admiration.

COVERED BOXES, ANNE KELLY

There were also some mixed media textile collages on display, and I’m including a couple of these here too. This one was inspired by a picnic stop in France enroute to a class she was teaching.

PICNIC STOP LIMOGES, ANNE KELLY

This second one depicts her artist friends ‘at home with their collections and garden’ - so literal but also so interesting.

J&K AT HOME, ANNE KELLY

Shelley Rhodes, Behind the Stitches

Today I’m sharing more from the Knit & Stitch Show from Harrogate last year, and now I’ve shared all of the graduate showcase exhibits I’m going to move on and share some of the equally exquisite work on display in the gallery sections, starting with Shelley Rhodes.

I’d not seen any of Shelley’s work before but I was completely mesmerised by it - both when they were hung together, and individually. Shelley’s a mixed media artist who is drawn to the concept of fragmentation on repair, each the elements for her pieces are either weathered, worn or broken.

Her website says she is ‘drawn to the effects of time, the transience of nature, the things that go un-noticed and the ever-changing fragility of things around her.’

And together her pieces are quite a statement.

BEHIND THE STITCHES, SHELLEY RHODES

But I think are equally good alone.

She uses stitches to join pieces, and takes inspiration from Kantha making and combines layers of distressed, pre-used cloth piecing, matching and mending as she goes - and the results are stunning.

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES

I loved the detail on each of these elements, and it was great to be able to get so close to do that. I’m always amazed at how cohesive mixed media art is whilst using scraps - but then I guess if I were to colour code my scraps I’d be in with more of a chance of not creating a rainbow! Though obviously these are a level above anything I would create, but I’m sure there is still the satisfaction of putting something together well, whatever your skill level.

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES

I think though of all of the different type and shaped pieces, it is these oblongs that are my favourite, perhaps it’s the colours, perhaps the addition of nails/tacks - or maybe both.

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES

I’m glad to have seen them, and to share them here - and to wonder at their inception and beauty, and now you can too.

Touch, sight, natural light and enhanced wellbeing - Liz Tomes and Amelia Wylan

I’ve already shared two of the four graduate showcases from the Harrogate Knit & Stitch show (see my earlier posts showing Kiara Johnson’s and Emily Cox’s work) and planned to do the same for the graduates I’m sharing today, however I only have a couple of photos of their work and much more to share from the show, so instead I’m sharing both in a single post.

I wish I had more photos as their work was amazing, and no less amazing than those I’ve shared previously - so it’s annoying in that respect. But anyway.

Liz’s work takes an exploratory approach looking at the intersections of material, language and touch. She works across embroidery, weave and print creating textural fabrics which just draw you in - and makes me want to touch them, which of course I didn’t (even though I really wanted to!)

GRADUATE SHOWCASE: LIZ TOMES

I loved the colours, I loved the texture and the apron in the photo above - or Convergent Frequencies to give it its title - investigates how rhythm and repetition can behave like sound. She says ‘this collection takes influence from tartan, houndstooth and her Hungarian heritage’ and was inspired by an photograph of embroidery threads strew across her studio table - I definitely know that feeling!

GRADUATE SHOWCASE: LIZ TOMES

I also really love the the design, texture and colours of the fabric with the rust/yellow embroidery hanging on the lower rung of the ladder, which is part of the Auspicious Haptics collection. She says ‘there is an irony in their visibility - they are first seen, yet they invite touch’ and yes, I was already sitting on my hands (while standing up!) viewing this work.

It’s absolutely fascinating to me.

Equally fascinating, but entirely different is Amelia’s work. She too chose embroidery as the specialism for her degree and learnt how to use a wide range of industrial and domestic embroidery machinery as well as techniques to manipulate fabric.

This is textural in a different, almost sculptural way - the green and cream pieces (which are brooches) on the grey fabric are part of her ‘Wisps of Light’ collection which ‘explores the connection between natural light and enhanced wellbeing’ with inspiration from photographic blueprints and more.

GRADUATE SHOWCASE: AMELIA WYLAN

The piece that really caught my eye though, was the olive green hanging in the centre of the picture below. It’s the type of piece that while I’m not sure exactly where it would hang, but one I would happily make space for. The naturally dyed silks are given textural elegance, and the shapes appear fluid but still able to retain their structure.

GRADUATE SHOWCASE: AMELIA WYLAN

I’ve no idea how she’s made them, but I appreciate the end result and the colours used - they’re calming and tranquil, and I can see how these really could contribute to enhanced wellbeing. Which sounds a bit woo, but there you go.

In future posts from the show my plan is to share more from some of the galleries, which both inspired and amazed as always.