Shelley Rhodes, Behind the Stitches

Today I’m sharing more from the Knit & Stitch Show from Harrogate last year, and now I’ve shared all of the graduate showcase exhibits I’m going to move on and share some of the equally exquisite work on display in the gallery sections, starting with Shelley Rhodes.

I’d not seen any of Shelley’s work before but I was completely mesmerised by it - both when they were hung together, and individually. Shelley’s a mixed media artist who is drawn to the concept of fragmentation on repair, each the elements for her pieces are either weathered, worn or broken.

Her website says she is ‘drawn to the effects of time, the transience of nature, the things that go un-noticed and the ever-changing fragility of things around her.’

And together her pieces are quite a statement.

BEHIND THE STITCHES, SHELLEY RHODES - KNIT & STITCH SHOW, HARROGATE NOV 2025

BEHIND THE STITCHES, SHELLEY RHODES

But I think are equally good alone.

She uses stitches to join pieces, and takes inspiration from Kantha making and combines layers of distressed, pre-used cloth piecing, matching and mending as she goes - and the results are stunning.

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES - KNIT & STITCH SHOW, HARROGATE NOV 2025

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES

I loved the detail on each of these elements, and it was great to be able to get so close to do that. I’m always amazed at how cohesive mixed media art is whilst using scraps - but then I guess if I were to colour code my scraps I’d be in with more of a chance of not creating a rainbow! Though obviously these are a level above anything I would create, but I’m sure there is still the satisfaction of putting something together well, whatever your skill level.

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES - KNIT & STITCH SHOW, HARROGATE NOV 2025

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES

I think though of all of the different type and shaped pieces, it is these oblongs that are my favourite, perhaps it’s the colours, perhaps the addition of nails/tacks - or maybe both.

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES - KNIT & STITCH SHOW, HARROGATE NOV 2025

A SEGMENT OF BEHIND THE STITCHES, SHELLEY RHODES

I’m glad to have seen them, and to share them here - and to wonder at their inception and beauty, and now you can too.

Touch, sight, natural light and enhanced wellbeing - Liz Tomes and Amelia Wylan

I’ve already shared two of the four graduate showcases from the Harrogate Knit & Stitch show (see my earlier posts showing Kiara Johnson’s and Emily Cox’s work) and planned to do the same for the graduates I’m sharing today, however I only have a couple of photos of their work and much more to share from the show, so instead I’m sharing both in a single post.

I wish I had more photos as their work was amazing, and no less amazing than those I’ve shared previously - so it’s annoying in that respect. But anyway.

Liz’s work takes an exploratory approach looking at the intersections of material, language and touch. She works across embroidery, weave and print creating textural fabrics which just draw you in - and makes me want to touch them, which of course I didn’t (even though I really wanted to!)

Liz Tomes Graduate Showcase at the Harrogate Knit & Stitch Show November 2025

GRADUATE SHOWCASE: LIZ TOMES

I loved the colours, I loved the texture and the apron in the photo above - or Convergent Frequencies to give it its title - investigates how rhythm and repetition can behave like sound. She says ‘this collection takes influence from tartan, houndstooth and her Hungarian heritage’ and was inspired by an photograph of embroidery threads strew across her studio table - I definitely know that feeling!

Liz Tomes Graduate Showcase at the Harrogate Knit & Stitch Show November 2025

GRADUATE SHOWCASE: LIZ TOMES

I also really love the the design, texture and colours of the fabric with the rust/yellow embroidery hanging on the lower rung of the ladder, which is part of the Auspicious Haptics collection. She says ‘there is an irony in their visibility - they are first seen, yet they invite touch’ and yes, I was already sitting on my hands (while standing up!) viewing this work.

It’s absolutely fascinating to me.

Equally fascinating, but entirely different is Amelia’s work. She too chose embroidery as the specialism for her degree and learnt how to use a wide range of industrial and domestic embroidery machinery as well as techniques to manipulate fabric.

This is textural in a different, almost sculptural way - the green and cream pieces (which are brooches) on the grey fabric are part of her ‘Wisps of Light’ collection which ‘explores the connection between natural light and enhanced wellbeing’ with inspiration from photographic blueprints and more.

GRADUATE SHOWCASE: AMELIA WYLAN

The piece that really caught my eye though, was the olive green hanging in the centre of the picture below. It’s the type of piece that while I’m not sure exactly where it would hang, but one I would happily make space for. The naturally dyed silks are given textural elegance, and the shapes appear fluid but still able to retain their structure.

GRADUATE SHOWCASE: AMELIA WYLAN

I’ve no idea how she’s made them, but I appreciate the end result and the colours used - they’re calming and tranquil, and I can see how these really could contribute to enhanced wellbeing. Which sounds a bit woo, but there you go.

In future posts from the show my plan is to share more from some of the galleries, which both inspired and amazed as always.

Inspired by Edna, embroidered birds by Kiara Johnson

In this second graduate showcase post from those I saw at the Harrogate Knit & Stitch show, I’m sharing the work of Kiara Johnson who was inspired by her great granny Edna and a box of vintage treasures found in the loft. The box contained bird guides and intricate embroidery patterns and Kiara said she wanted to use her great granny’s lens to explore both craft and nature but with her own modern twist using machine embroidery and beading. And the results are stunning.

On the right is a long panel in purples with an embroidered bird on the lower branches, alongside on the left are embroidered flowers and another bird in flight - both framed

Kiara said ‘birds stand out in her collections and symbolise freedom, connection and fleeting beauty’ but can also evoke unease and signal loss, which are ‘elements that echo the love and loss of my granny’s life.’

But her work also draws attention to the reduction of birds in our gardens, and so she wants to observe the uniqueness and beauty of all British birds ‘from the pigeon to the lesser spotted woodpecker’.

One page of a book with embroidery stuck in - on the part page on the left is the vintage pattern for the embroidery
Two pieces hanging - on the left an embroidered bird on a gold textured background; on the right there's flowers which look like lace covering the whole panel
Three panels (one only part visible); from left - an embroidered flower on a plain background, an embroidered bird on a grey/black textured cloth and a yellow panel with branches embroidered

I wish I’d got more photos, and clearer ones at that, but trust me the detail on each of these pieces is absolutely amazing.