A couple of Shabby Chic Rosettes

Before I got to the Newark Quilt Show this year I’d already chosen which workshop I’d like to do, and a backup choice just in case. But I was fortunate enough to get onto my first choice which was the Shabby Chic Rosettes with Kate Crossley, who as it turned out had led the bag making course that I attended in 2024. I did wonder, and I was right.

It was a great workshop, and I even finished one of the rosettes there on the day which was great as it meant that I really wanted to finish the other one at home, rather than leave it languishing in a cupboard somewhere, which can quite often be the case can’t it?

Making the rosettes

The tools and materials for this workshop were strips of material, glue, scissors and a pencil, and no sewing.

I shared the image below previously as part of my what’s new in my craft room update, the green and white rosette in the top left corner was the one I completed on the day. As well as a second rosette to make at home I also left with a button to finish the centre of the larger rosette, a selection of ribbons, some small pieces of material for the back and a brooch and hair clip attachment.

I was keen to finish the second rosette. At the workshop I’d folded the length of material in half and cut most of the way through the folded edge, creating the petals. I hadn’t started the rolling as I thought it would be easier to start afresh rather than to pick it up part way through.

The rolling is where the pencil came in, and more glue. As you roll, you glue.

Or rather glue, and roll.

Glue and roll.

And keep going.

Kate suggested using this ‘Amazon Basic’ glue stick, which goes on purple and dries clear, which does make it easier to see where you’ve glued already. It’s relatively cheap too, and some slipped into my Amazon basket ahead of attempting to finish this at home.

Once the four strips are glued and rolled, I was almost done.

I was quite pleased at how neat mine was at the back, I’d taken particular care to keep the ends level and it worked. To help it ‘set’ Kate turns them right side up and squashes them down with her hand. And it works, even though it feels counterintuitive to squash your work!

So now I have two Shabby Chic Rosettes, and the knowledge to create many, many more. I already think they’ve got plenty of potential uses alongside the brooch and hairpin options - I haven’t added either of the backings yet, as I want to think about how I’ll use them first.

I think these could be added to bags, and pouches (!) as a decoration, and they could be made in fabric which complements your outfit for an coordinated embellishment, or even as corsages for weddings etc. Another suggestion on the day was to make two and glue them together to make a sphere, adding a hanging loop so they can hang on your bunting, or on your Christmas tree. The possibilities are endless it seems!

But it was a great way to spend an hour, and to leave with something finished, a new skill and plenty of ideas. I’m sure I’ll be making more!

Sue Jennings' One Block Wonders at the Newark Quilt Show

Last weekend it was the Newark Quilt Show, the first of the year - and one that’s particularly a favourite of mine, not least because it’s just ten minutes up the road. This year I didn’t have a shopping list in mind, so forgoing my own advice, but I was happy to have a wander round before wandering round again and deciding what to buy - I’ll share more about what I left with in this month’s what’s new in my craft room post soon.

I did however know in advance that I wanted to do one of the workshops, choosing Shabby Chic Rosettes with Kate Crossley - and that meant I needed to be there early on so that I could claim my place in the first come, first served booking system. And mission accomplished, I’ll share more from the workshop in a separate post - but it was fab, and for a change I finished one of the rosettes there and then with another (still) to finish at home.

Getting there early also meant that I could wander around the quilts displayed and take pictures much more easily than later in the day as I discovered, and so I decided to make the most of that.

Today I’m sharing some stunning quilts, which are known as one block wonders. I’d heard of them, and seen a few but didn’t really know much about them until now. They’re quilts which as the name suggests use a single block, and that’s usually six repeating triangles joined to make a hexagon, using the same parts of a design from either several panels of fabric, or the pattern repeat.

It’s easy to see why they can be referred to as kaleidoscope quilts, but they also divide the quilting world though I’m not really sure why. As I said before they are stunning, though if truth be told I’m not really a fan of panels generally, but here how Sue has treated them may almost change my mind. I do much prefer the floral versions though, so maybe she won’t after all, but I can still appreciate the work and artistry that is evident in all of her quilts.

Sue Jennings began quilting about 13 years ago as therapy after a head injury and says she’s an ‘eclectic quilter’. When she first tried the One Block Wonder about seven years ago it wasn’t the happiest experience, but tried again about two years ago after seeing some lovely fabric, which was more successful as you can see.

WILD BLOSSOMS OBW, SUE JENNINGS

The fabric above - Wild Blossoms Ombre by Robin Pickens - is the fabric that inspired Sue to dip back into One Block Wonder quilts after the abortive attempt seven years before, and says ‘it was made by cutting strips then triangles from six repeats of the yardage’.

The fabric below is Brassica by Philip Jacobs, and Sue liked the yellow, blue and pink combination but could only find a small amount of the fabric. So not wanting to cut the peaks off the hexagons she added some solid fabrics at the top and bottom. Again, this was made by cutting strips then triangles from six repeats of the pattern.

BRASSICA, SUE JENNINGS

Sue then joined a Facebook group for these types of quilts which she says ‘opened her eyes to the possibility of using fabric panels instead of yardage’ to make these quilts. And those which follow here are my favourites (after the two pictured above) which were on display at the show, there were probably as many as I haven’t included and they were all stunning - I know I keep using that, but they truly were.

The mermaid below was her first attempt at a One Block Wonder from seven panels by Josephine Wall named ‘Call of the Sea’ and Sue says ‘this quilt had a steep learning curve’ - I’d say!

MERMAID, SUE JENNINGS

ARE YOU HAVIN’ A GIRAFFE 2? SUE JENNINGS

Sue has made two of these quilts, and it was the strong design on the panel and the saturated colours which attracted her to the panel by Rubin Design Studios. I also see the attraction to the strong colours, and somehow I think the approach of these quilts make them pop even more.

The Steampunk Raven is one of Sue’s favourite quilts, and it’s easy to see why - but she says she loves birds with attitude! Again it uses seven panels from Rubin Design Studios in Colorado. This was a great choice to show in Newark which holds two Steampunk festivals each year, and which we’ve not yet managed to get along to see firsthand, yet!

STEAMPUNK RAVEN, SUE JENNINGS

MYSTICAL PANTHER, SUE JENNINGS

The Mystical Panther panel is another from Rubin Design Studios, and the attraction for Sue here was the intense stare of the big cat. Sue treats her quilts as art, and they are intended to be hung on walls - and each of these made from panels would make a huge impact on your wall, wouldn’t they?

MYSTICAL ELEPHANT, SUE JENNINGS

The final quilt I’m sharing by Sue is another from a panel by Rubin Design Studios - I’m learning as I write this post that I’m also attracted to their panels, and that if I’m ever in Boulder, Colorado I should avoid their studios or else I might find myself with multiple panels and a plan for something similar!

For this quilt Sue has also changed the colour of the elephant’s eyes, as she thought ‘the orangey red eyes on the panel made the elephant look angry’ and no one needs an angry elephant on their wall do they, so she painted over them using textile colour. You’d never know would you?

They really are stunning, I’m still in two minds about the panel versions, but those two at the top of this post I’d happily accept one like that. I’m not sure I’m ready to make one though - my list is already too long, and I really don’t need another challenge just yet, but I guess never say never!

Hidden Depths by AitchBee at the Newark Quilt Show

The quilts I’m sharing today from this year’s Newark Quilt Show include the maker’s love of typefaces and letter forms, as well of their fondness for 3D imagery. It won’t be a surprise that AitchBee trained as a graphic designer, but now thinks of themselves as one who works in cloth, enjoying the precise imagery that comes with foundation paper piecing (FPP), which is something I’ve not tried myself yet.

All of the quilts are amazing, and one is my all time favourite from this year’s show. I like its cleverness and spent a fair while looking at it, before I really saw it - and then looking at it through my phone’s camera lens made it so much easier to see, and then you wonder why you never saw it before.

The quilt is called Negative Space, which again is clever and did more than raise a smile.

NEGATIVE SPACE

I’m not sure how well it translates on a screen, so read down each column of letters and hopefully you’ll get it - if not, think of the quilt’s name, and then it should materialise. And of course, then you’ll realise that there isn’t any negative space at all!

It’s subtle, beautiful and yes, I’d happily have this one anywhere in my house.

But there were more quilts too, the one below at first you see the cubes, then you look more deeply - and the more you look, the more you see.

NEW PERSPECTIVES

Those small blocks are 1 1/2 versions - now that’s small, and no doubt fiddly.

I’m also a fan of how these are quilted, with multiple vertical lines and it’s something that I hope to replicate on my Essex Linen kisses quilt, but there’s a way to go on that yet though!

OCEAN STAR MIDNIGHT

I love the colours on this one, and it includes FPP blocks ranging from 1 inch to 16 inches across so that’s a good reminder that not all blocks need to be the same size, though of course that makes it a lot easier.

The final quilt I’m sharing from AitchBee is full of colour, and couldn’t be further from the first one in this post colour-wise, but it’s an expansion on that, and includes the whole alphabet.

BLOCK CAPS

This one is an expansion on the Negative Space quilt, and includes the whole alphabet. It was interesting to read that they got stuck on the letter ‘B’ needing to enlist help with it, and a lot of coffee and cake before it looked right. Reassuring too, as it’s good to hear that even quilts which end up looking up as good as this aren’t always plain sailing.

So much inspiration here, and in a completely different way to the other quilts I’ve shared from the show. It almost makes me want to try Foundation Paper Piecing, but I know I really shouldn’t add more to my list, well just yet anyway!