Modern Quilts by Mandy Munroe

It’s been a while since I’ve shared some quilts from this year’s Newark Quilt Show, so today I’ve got some brightly coloured modern designs to share. The quilts here are all made by Mandy Munroe for a variety of modern quilting magazines over the past twelve years or so, and it was great to see them all together. Mandy says this is just a small selection of her quilts, and I’d love to see them all, but for now I’m happy just seeing, and sharing, these - I hope you enjoy them too.

, MANDY MUNROE

The show notes also said that it took Mandy a while to get used to designing quilts six months ahead of publication, so making winter quilts in summer and vice versa, but with access to top-secret fabric prints pre-release must have been thrilling, even if they couldn’t be shared widely, just yet.

I love the colours in the next two square based quilts, but I’m under no illusion to the amount of work in either of these. The Happy Squares quilt below brings ‘doodles in [Mandy’s] notebook were brought to life’ against the colourful squared backgrounds. I’m not sure my doodles could be a quilt, or even if they’d ever be this structured!

HAPPY SQUARES, MANDY MUNROE

CHEQUERBOARD, MANDY MUNROE

And what’s better than a chequerboard - well a chequerboard within a chequerboard of course! This quilt was made from scraps, and the smaller chequerboards meant that using every small scrap was possible.

BUCKLE UP, MANDY MUNROE

Mandy notes that for the Buckle Up quilt above she’d had the bold repeat pattern in her notebook for a while, and with this fabric she ‘went large!’ - I like it, and I like how the shapes make your eyes keep moving over the design.

This next one appeals for the colours, and is an experimentation of different colour combinations pieced into square blocks, and I can see what Mandy means when she says the finished quilt looks like a summer garden with umbrellas (from above).

AL FRESCO SAMPLER, MANDY MUNROE

The brief for this quilt was colours of the Kasbah, and the design is based on a motif that Mandy saw everywhere in Marrakesh. It’s great isn’t it, and I love how the bright colours pop against the neutral background.

KASBAH STAR, MANDY MUNROE

Now this one is very clever, and uses a bundle of Dear Stella Intermix basics which clearly I now need to check out! The bold prints were used on the triangles and the paler prints used to create streaks across the sky - I’m definitely a little bit in love with this one.

INTERSTELLA, MANDY MUNROE

What also struck me though was not every quilt needed to be quite so detailed. These next two take repeating shapes and are no less impactful for it. The one below was for a ‘Monochromatic with a pop’ issue and Mandy kept the design minimalistic and graphic.

MONOCHROMATIC, MANDY MUNROE

STACK, MANDY MUNROE

The quilt above according to the show notes was ‘possibly inspired by containers loading at the docks’ - and now I can’t unsee that, it just goes to show that inspiration is everywhere if we take time to notice it.

WINDOWS AT KEW, MANDY MUNROE

This final quilt was inspired by the brickwork surrounding the windows at Kew Palace, and is based on a photo that Mandy took and then simplified. And if you let your imagination wander it’s perfectly possible to imagine the flowers reflected on the glass.

They’re all brilliant quilts, and I’d be hard pressed to choose a single favourite from them, but what about you - is there one that speaks, or sings to you?

A quilting triangle challenge

The Exe Valley Contemporary Quilt Group displayed their triangle challenge quilts at the 2026 Newark Quilt Show, and the results were thought provoking as perhaps not all of the triangles were quite what you’d think. Many quilting blocks use triangles, notably the half square triangle, which is pretty self descriptive. But the group’s challenge allowed any medium or technique, and the only criterion was that the quilt should include at least one recognisable triangle of any size.

I loved to see how the individual quilters interpreted the challenge, and I hope you do too. The challenges are set by members and quilters from across the region from North Dorset to South Cornwall participated.

Here’s some of the ones I loved from the display:

LET’S GO FLY A KITE BY SALLY HARRADINE

If triangles were the challenge my mind wouldn’t automatically go to kites, but the inspiration for this one came from looking out the window on a blowy day and thinking that it would be fun to fly kites with the grandchildren - and so the triangles are incorporated in amongst the kites, in what I think is a really effective and dreamy looking quilt.

I’ll admit that the next one is my favourite from this display, I love its contemporary-ness, plus it uses scraps and simple stitches, and hand sewing - all of which appeal to me.

TWELVE TRIANGLES BY JANE SYERS

TWELVE TRIANGLES BY JANE SYERS

But look at the detail, and how the triangles are included. So very clever, meets the brief in a quiet and understated but also impactful way. Bravo!

NOT SO TRADITIONAL HALF-SQUARE TRIANGLES BY PENNY KUROWSKI

NOT SO TRADITIONAL HALF-SQUARE TRIANGLES BY PENNY KUROWSKI

I mentioned half square triangles at the top of this post, and this quilt uses them in a not so traditional way, again with scraps but also the plain triangle is organza, which is way harder to sew with so I take my hat off to this quilter and her shimmery creation.

COLOURS OF ANDALUCIA BY MANDY WINTER

I love the colours and patterns in this quilt which is inspired by visits to Spain, and influenced by and created in the style of artist Poul Webb. The triangles form the sky and the grassland, but also the mountains are kind of triangles too right?

So it just goes to show, not all triangles are equal, or even equilateral!

Sue Jennings' Colourwash Quilts

As well as her amazing One Block Wonders, Sue’s Colourwash Quilts were also on display at the show, they too were quilts not to miss. As many quilters will tell you quilting projects generate a lot of scraps and Sue said she started to make colourwash quilts after watching technique videos online by the Canadian quilter, Terry Rowlands.

The quilts are perfect for using up lots of small scraps - which is the point in which I should stop reading (and looking) as this will only encourage me to save every last scrap, the challenge is though of course, where to store them and how to make them look as fantastic and as ‘put together’ as these by Sue.

Sue says she uses prints, solids, batiks, silk, wovens and in fact anything goes, and the only time she uses a ruler is to square up the blocks and the quilt, so everything can be rough cut, and any shape can be used.

This really isn’t what I wanted to hear!! But I agree and the lack of regularity makes the quilts more interesting and when Sue says it’s a joy to look at these quilts and remember which fabric was used in which quilt, I’m totally with her.

Her first colourwash quilt used all colours of scraps, and when it was done she wondered what was next. Let me tell you now, what came next was even more stunning, with her colour inspiration coming from artwork and photos, and you’ll see just what I mean.

ORIGINAL COLOURWASH, SUE JENNINGS

The inspiration for her Autumn quilt was the ‘wonderful fall colours’ she experienced while living for part of her childhood in Canada, and she thought ‘it would be a joy’ to recreate those using her scrap fabrics, and that resulted in another wonderful quilt.

AUTUMN COLOURWASH, SUE JENNINGS

WATERLILIES COLOURWASH, SUE JENNINGS

You’ll not be surprised to learn that Sue’s inspiration for the Waterlilies quilt was a photo of a Monet painting. It’s a vibrant but calming palette, and a fabulous quilt isn’t it?

SARIS COLOURWASH, SUE JENNINGS

The inspiration for the Saris quilt was photos of ‘beautiful bright Indian saris’ and Sue ‘particularly wanted to wash oranges, pinks and reds’ from her scraps. These are colours that I love together, though I veer more towards oranges and pinks with yellow, rather than reds - and this quilt does remind me of the colourful saris we saw women wear in India, particularly those when we visited a stepped well. The contrast against the natural elements was stunning, as is this quilt - and I think of all of Sue’s colourwash quilts, this is my favourite - which is yours?