Making my Mystery Block of the Month: May 2025

You’ll have seen that I plan to complete Sherri’s mystery block a month quilt and yesterday I shared the test blocks which I made into my seventh charity quilt, today I’m sharing the centre block I made for my own quilt.

And yes, it’s July and I’m only just sharing my May block - holidays, heatwaves and life have played their part here!

In last month’s post I speculated that the next block wouldn’t be a star, and I was right. It’s a flower, though this one looks decidedly less tulip-like, though I think that’s down to my colour choices.

I remembered to pay attention to my seams and I’m happy with how they turned out. They’re not all perfect, but then again this is a flower and not all flowers are the same, and they all still seem to look pretty good.

Head-scratching? Which border…

Even though I have my handy hand-scribbled plan for the eventual quilt layout, I still found myself scratching my head to work out which of the green borders to use, and which side of the block they should go.

It took way more brainpower than it should have, but I ended up with this visual reminder to save me going over it all, and doubting myself each time. It’s not necessarily conventional, but it worked.

I’m pleased with my completed block, and couldn’t resist seeing what it looked like next to April’s block.

I’m even more pleased with this small preview of how the quilt will turn out, and although the green borders are not the same I’m happy with how they’re working out. It’s back to a star for June’s block so I’ll be back to the navy fabrics again, and hopefully I’ll be sharing it sooner than you know…

Join me hopefully later this month to see how I get on with the next mystery block, and check out my previous posts for my mystery block quilt or the charity quilts made from the test blocks.

The Friendly Bee

I’ve updated the final section of this post now that the quilt is fully complete. I’d hoped to finish this shortly after our holiday, but what with life, the heatwave it hasn’t happened until now. Though the heatwave has gone, it’s still warm in my sewing room - and plenty warm enough to have a quilt on my knee sewing the binding. But It’s finished, and I think it looks good.

I’ve made another quilt as part of my quilting ‘stretch’ project this time using the April block from Sherri at A Quilting Life’s mystery block a month. As I said then I don’t know if I’ll manage to make a quilt a month, but I won’t really know unless I try…

When I saw this one was another star I questioned my commitment to my challenge, and also my sewing ability. But, it wasn’t as bad as I thought it would be, so phew.

My sixth charity quilt

As I said above, I wasn’t really looking forward to tackling another star block - the February vintage star block had many small pieces, which made me question why I cut up pieces of fabric to sew them back together again! Which is a fair point, when you look at it like that, but in for a penny, in for a pound and all that.

My original intention was to pull ‘yellow’ fabrics from my stash, as I thought this might lift my mood - but as you can see they ended up more beige than I expected.

Well not entirely beige, there’s some gold and rust colours in there too. The fabrics for this quilt included some more of the old orange curtains and of the duvet cover I used as backing last month, some checked material which I used back in January for the cute little houses, two vintage pillowcases and some new-to-me fat quarters bought for a much reduced price at my sewing group’s recent stash sale, plus some ‘wood effect’ material which dare I say it, I wasn’t in love with and some much smaller scraps which I used as the background on two of the blocks.

But actually it wasn’t anywhere near as daunting as I thought it might be once I started. Now isn’t there a life lesson in there?!

The blocks surprised me and came together relatively quickly.

I find it easier to lay all the elements of the blocks out in their approximate location - this means I don’t either over, or under cut the pieces I need, and it gives me a look at how the blocks might work.

I think the colours work well together - I needed to add the pink flowered background (used on the two blocks on the right) as I didn’t have enough of the fabric used for the blocks on the left, but the colours tone.

And with a bit more sewing I had four friendship star blocks.

Introducing the bees

You’re probably wondering why I’ve named this quilt the Friendly Bee, well the border fabrics should help explain that.

As you can see both of the materials bordering the Friendship star have bees, hence the Friendly Bee name.

The ‘wood effect’ fabric actually works well in this quilt, and tones nicely with the honeycomb fabric used alongside it. The two outer borders are the vintage pillowcases, and as they’re the material I had the most of they were obvious choices for the longer borders.

With the blocks attached I added the outer border, this time using two different fabrics - and I think this works, I wasn’t keen on having two of the same pattern together, so by using the pink flowered material again here I’ve avoided that.

Finishing the quilt: Update

Last month I opted to quilt the Four pink hearts and a hug quilt with diagonal lines, and it worked well. My plan is to try that again, so that’s what I’m part-way through doing for this one too. Yes, this quilt isn’t finished but it’s pretty close - I’ll update this post when it’s actually finished.

I knew that some months it would likely be harder to fit in making a quilt around everything else that life has to offer, that’s why I’ve called it my ‘stretch’ project. I’ll let you know if a few weeks how it turned out.

Update

It’s taken me longer to finish this one than I’d hoped, but it’s finished and it looks great.

Before I went away I’d got all the sewing done, which left me the job of basting, quilting and binding. With the weather a little cooler, I managed to get that done in two days, just in time to start the next one!

I opted to quilt this one in vertical lines rather than the diagonal ones I mentioned above. I actually prefer this, which is good as not only was it easier and quicker to do, I was able to mark out two lines at a time - speed quilting, if you would!

From this I learnt it’s easy to reposition the tape, but it’s also easy for the tape to move about a bit, so I’ve experimented with the optimal number of pins to keep it in place. That worked, and using the tape as a guide also worked, and so it’s something I’ll do again.

It looks pretty good doesn’t it? And way better than I could have hoped for when I pulled those mostly beiges from my stash!

You can see my other quilts which I’ve made to donate to Project Linus - a charity whose mission is to provide love, a sense of security, warmth and comfort to children, who are sick, disabled, disadvantaged or distressed through the donation of new, homemade, washable quilts and blankets, including those that are part of this ‘stretch’ project in earlier posts. I’m aiming to publish an update on my progress in the last week of each month for the remainder of 2025.

Transition and Decay, the rusty interpretation

While there may not be as many photos here as in my colourful interpretation post these rusty interpretations really did make me stop and think about the craft and work that has gone into both of these pieces.

The book by Gilly Meeks held items in various stages of rusting along with stitching and shows the effect that has on the material

THE RUSTING BOOK, GILLY MEEKS

Gilly says it comines her love of the making process, stitch and found rusty objects. Recycled fabrics in the book include cotton, linen, silk and tea bag fabric and all rect in different ways to the rusting process. Gilly also says she’s very drawn to the ghostly marks which result from the process.

The larger Rust quilt by Fiona Burrows takes a different and larger approach - her piece shows the aesthetic and symbolic qualities of decay and decomposition in the style of Piet Mondrian.

RUST, FIONA BURROWS

And just look at the detailed quilting.

RUST, FIONA BURROWS

I love both of these pieces as much as I love the colourful interpretations, but to me these pieces really needed their own post to shine (or rust!).

Which of the interpretations I’ve shown is your favourite?