Bluebells (and tulips) at Flintham Hall

Last weekend was the annual Bluebell Walk at nearby Flintham Hall raising money for the village’s church, St Augustine and the village hall charity. It’s a private residence so it’s a great opportunity to see a bit more of the local area which we wouldn’t normally see, and a very generous way to raise money for the village in which it’s situated.

And it was busy. We finished the walk and got a cuppa in the village hall around 1pm and the hall was rammed, and the cakes were few and far between. Last year there will still cakes at 3.30pm but this year they’d gone much earlier, which is great for raising funds but not so great for anyone still wanting cake. Luckily and for a change we didn’t mind, as we’d already planned to head to the village pub for lunch - though when we got there there was a coach load of people too, who were also quite taken aback by how busy the village was!

But anyway, back to the bluebells of which there were plenty, I’ve also thrown in a couple of photos of some tulips too as these were fabulous, and reminded me that I need more bulbs in my life (and my garden).

The hall itself was quite unusual and its present form was remodelled in an Italianate style, encasing earlier buildings on three sides in 1853-7. It’s on the site of an older medieval and Jacobean house which was rebuilt in 1798 and faced in Ancaster stone.

Flintham Hall, Nottinghamshire
Flintham Hall, Nottinghamshire

It’s very ornate and looks a fabulous place but sadly it’s not open to the public. We started our visit in the courtyard and couldn’t help but wonder how the two styles of buildings came to be - is the more usual looking building on the right the equivalent of a Grand Designs glass box back in the day, who knows.

But anyway that’s where I spied the most wonderful pots of spring flowers. Alongside the tulips there were hellebores and grape hyacinths which all looked wonderful together, and clearly has been potted up by someone who’s done this before.

A large pot full of spring flowers
A closer look at the potted spring flowers

Across the courtyard was a blaze of red blossom which drew me over, and I was surprised to see that it was an ornamental quince, though it’s a bit past its best it still looked magnificent.

An ornamental quince growing against a brick wall

As we made our way to the Bluebell Walk we realised that the daffodils had already been and gone, and knew that they too would make a wonderful vista.

The grounds at Flintham Hall, Nottinghamshire
The grounds at Flintham Hall, Nottinghamshire

There were many points to stop and admire the view, and at this stage the bluebells hadn’t really started in earnest.

The grounds at Flintham Hall, Nottinghamshire

And then they did. And did they wow.

Bluebells in the grounds at Flintham Hall, Nottinghamshire
Bluebells in the grounds at Flintham Hall, Nottinghamshire

The woodlands here are believed to date back to the early 1800s, and it’s assumed that the choice of oak was in patriotic support of the oak shipbuilding crisis in the 1700s. It took approximately 6000 mature oak trees to build a single battleship, so it’s easy to see why a crisis would occur. Many landowners planted oak forests as the UK forests became depleted, though they were never felled as they take approximately 400 years to reach maturity - and in that time ships began to be made from metals and composite materials, but it’s our gain as if they’re all like this one they definitely add to our countryside.

Bluebells in the grounds at Flintham Hall, Nottinghamshire
Bluebells in the grounds at Flintham Hall, Nottinghamshire

The bluebells grow so well here because it’s an oak spinney. The plants require very acidic soil to maintain their deep and soft blue hue and the decomposing oak leaves provide conditions which are ideal for the fragile bulbs to thrive.

The bluebells at Flintham Hall are native English Bluebells. They have a fine leaf, a gently drooping head and a soft scent - and the scent as we walked around the route was divine. The flowers grow from one side of the stem and they have a cream colour pollen in their centre, flowering between April and May each year. They’re also protected by law so they need to stay where they’re growing.

The Spanish Bluebell, introuced to the UK around the 1900s, is quite different. They are a more robust and bulky plant, with broader leaves and a dense cluster of flowers at the head of a thicker stem. They have no scent and can also be pink or white.

After smelling the scent of so many English Bluebells I think now I’m more likely to be know the difference, and it’s great that a very pleasant walk also brings new knowledge.

Bluebells in the grounds at Flintham Hall, Nottinghamshire

If you’re off to visit bluebells in a wood near you, remember to keep to the paths as it’s against the law to intentionally pick, uproot or destroy bluebells, and the best thing you can do is leave them as you found them so others can also enjoy them.

Blossom forming against the Bluebells in the grounds at Flintham Hall, Nottinghamshire
The courtyard at Flintham Hall, Nottinghamshire

We ended our walk through the bluebells with a closer look around the Courtyard where we’d entered. I’m so glad we did, just look at these tulip beauties we might have missed otherwise.

A frilled tulip - looking beautiful
Dark 'black' double tulips

I was never too sure about the frilled tulips, but seeing the pink and green one above I’ve decided to completely change my mind. Tulips are most definitely on my garden shopping list!

Before we headed to the pub, we had a look around the church with its very country handwritten - but what looked to be effective - note stuck to the door.

'Please close this door (keep squirrels out!) - handwritten note on the church door

St Augustine’s Church is only a small church but its served as a place of worship for almost a thousand years and was recorded in the monumental survey of medieval England, the Domesday Book of 1086. It has altar rails which date from about 1600 which are considered to be the oldest set of balustraded altar rails in South Nottinghamshire.

But what really caught my eye during our visit, was these diamond shaped paintings. I learnt later that they are from the 18th and 19th century and are heraldic diamond shape paintings known as funeral hatchments. Hatchments were displayed outside the home of the deceased adn were later moved to the church for safekeeping

An ornate funeral hatchment displayed on the wall in the church at Flintham

Truly fascinating, and beautiful pieces but also a bit morbid to end this post on, so here’s one final tulip to end with, as I just can’t resist them it seems.

A yellow slightly less frilled tulip in the spring planters

Nottinghamshire's tropical garden

Yes, you read that right. A while back I spotted Honeytrees tropical garden in a local Facebook group, and my interest was piqued. It’s close to us, a little over ten miles away and never in my wildest dreams did I imagine anything quite so lush, or tropical so close by. I also spotted that they planned to open every weekend in August as part of the National Garden Scheme. As MOH has long had a hankering for including a banana tree in the plans for our garden it made sense to go along - we managed to get there on the last day of August, and their last day of opening for the year - phew.

It was amazing. Packed full of plants, and then some more on top of that.

A bright pink bromeliad looking gorgeous

And on this chilly December day I thought I could do with a burst of tropical colour. What I didn’t really expect to see though was some roses, but I did.

An unexpected pink and red striped rose

The garden was packed full of plants and structures including a viewing platform - and while it was a relatively large plot it wasn’t overly huge. It just goes to show that you really can transform spaces with some thought, and a lot of passion.

the sun shining through the red banana leaves with the tree fern leaves behind
palm trees and oak trees together
The orange canna flower with the large banana leaves behind
large green and chocolate 'striped' leaves

For MOH it’s the colour of the cannas, and the scale of the banana plants that appeal to him. For me it’s the multicoloured foliage and less than usual shapes.

A deep purple almost black lily
the fascinating flowers of the pineapple lily

And as we went around the garden, each turn wowed us more. I’m not about to turn my plot into a tropical garden - I’ve seen how much work goes into this garden - but I would like to incorporate some of the plants we saw when we visited.

An almost blue hibiscus flower against the blue sky and bushes
A banana tree taller than the shed

Maybe not a monkey tree though…

Looking up at the spiky monkey tree

With so many tropical plants and not so tropical winters, many of the plants needed to be sheltered at this time of year. There were a lot of pots, but also a lot of plants already in hot houses, which were already pretty hot back in August.

A potted succulent hanging in the greenhouse

The work I mentioned before included lots of propagation, and I mean lots!

tropical plants hanging in their net socks in the greenhouse
Shelves of plants growing in pots and 'net socks' in a greehouse

Some of the plants were for sale, and we were sorely tempted. But in the end we left empty handed but with a bit more knowledge about caring for the plants, and knowing that we’d be back again to visit and at some point likely to be ready to make a purchase too, but not until we’ve got somewhere to overwinter it properly to give it the best chance of surviving, and that could be a little while yet - no doubt much to MOH’s frustration.

Transition and Decay, the rusty interpretation

While there may not be as many photos here as in my colourful interpretation post these rusty interpretations really did make me stop and think about the craft and work that has gone into both of these pieces.

The book by Gilly Meeks held items in various stages of rusting along with stitching and shows the effect that has on the material

The little rusting book, Gilly Meeks

THE RUSTING BOOK, GILLY MEEKS

Gilly says it comines her love of the making process, stitch and found rusty objects. Recycled fabrics in the book include cotton, linen, silk and tea bag fabric and all rect in different ways to the rusting process. Gilly also says she’s very drawn to the ghostly marks which result from the process.

The larger Rust quilt by Fiona Burrows takes a different and larger approach - her piece shows the aesthetic and symbolic qualities of decay and decomposition in the style of Piet Mondrian.

RUST, FIONA BURROWS

RUST, FIONA BURROWS

And just look at the detailed quilting.

RUST, FIONA BURROWS

RUST, FIONA BURROWS

I love both of these pieces as much as I love the colourful interpretations, but to me these pieces really needed their own post to shine (or rust!).

Which of the interpretations I’ve shown is your favourite?