Sue Jennings' One Block Wonders at the Newark Quilt Show

Last weekend it was the Newark Quilt Show, the first of the year - and one that’s particularly a favourite of mine, not least because it’s just ten minutes up the road. This year I didn’t have a shopping list in mind, so forgoing my own advice, but I was happy to have a wander round before wandering round again and deciding what to buy - I’ll share more about what I left with in this month’s what’s new in my craft room post soon.

I did however know in advance that I wanted to do one of the workshops, choosing Shabby Chic Rosettes with Kate Crossley - and that meant I needed to be there early on so that I could claim my place in the first come, first served booking system. And mission accomplished, I’ll share more from the workshop in a separate post - but it was fab, and for a change I finished one of the rosettes there and then with another (still) to finish at home.

Getting there early also meant that I could wander around the quilts displayed and take pictures much more easily than later in the day as I discovered, and so I decided to make the most of that.

Today I’m sharing some stunning quilts, which are known as one block wonders. I’d heard of them, and seen a few but didn’t really know much about them until now. They’re quilts which as the name suggests use a single block, and that’s usually six repeating triangles joined to make a hexagon, using the same parts of a design from either several panels of fabric, or the pattern repeat.

It’s easy to see why they can be referred to as kaleidoscope quilts, but they also divide the quilting world though I’m not really sure why. As I said before they are stunning, though if truth be told I’m not really a fan of panels generally, but here how Sue has treated them may almost change my mind. I do much prefer the floral versions though, so maybe she won’t after all, but I can still appreciate the work and artistry that is evident in all of her quilts.

Sue Jennings began quilting about 13 years ago as therapy after a head injury and says she’s an ‘eclectic quilter’. When she first tried the One Block Wonder about seven years ago it wasn’t the happiest experience, but tried again about two years ago after seeing some lovely fabric, which was more successful as you can see.

WILD BLOSSOMS OBW, SUE JENNINGS

The fabric above - Wild Blossoms Ombre by Robin Pickens - is the fabric that inspired Sue to dip back into One Block Wonder quilts after the abortive attempt seven years before, and says ‘it was made by cutting strips then triangles from six repeats of the yardage’.

The fabric below is Brassica by Philip Jacobs, and Sue liked the yellow, blue and pink combination but could only find a small amount of the fabric. So not wanting to cut the peaks off the hexagons she added some solid fabrics at the top and bottom. Again, this was made by cutting strips then triangles from six repeats of the pattern.

BRASSICA, SUE JENNINGS

Sue then joined a Facebook group for these types of quilts which she says ‘opened her eyes to the possibility of using fabric panels instead of yardage’ to make these quilts. And those which follow here are my favourites (after the two pictured above) which were on display at the show, there were probably as many as I haven’t included and they were all stunning - I know I keep using that, but they truly were.

The mermaid below was her first attempt at a One Block Wonder from seven panels by Josephine Wall named ‘Call of the Sea’ and Sue says ‘this quilt had a steep learning curve’ - I’d say!

MERMAID, SUE JENNINGS

ARE YOU HAVIN’ A GIRAFFE 2? SUE JENNINGS

Sue has made two of these quilts, and it was the strong design on the panel and the saturated colours which attracted her to the panel by Rubin Design Studios. I also see the attraction to the strong colours, and somehow I think the approach of these quilts make them pop even more.

The Steampunk Raven is one of Sue’s favourite quilts, and it’s easy to see why - but she says she loves birds with attitude! Again it uses seven panels from Rubin Design Studios in Colorado. This was a great choice to show in Newark which holds two Steampunk festivals each year, and which we’ve not yet managed to get along to see firsthand, yet!

STEAMPUNK RAVEN, SUE JENNINGS

MYSTICAL PANTHER, SUE JENNINGS

The Mystical Panther panel is another from Rubin Design Studios, and the attraction for Sue here was the intense stare of the big cat. Sue treats her quilts as art, and they are intended to be hung on walls - and each of these made from panels would make a huge impact on your wall, wouldn’t they?

MYSTICAL ELEPHANT, SUE JENNINGS

The final quilt I’m sharing by Sue is another from a panel by Rubin Design Studios - I’m learning as I write this post that I’m also attracted to their panels, and that if I’m ever in Boulder, Colorado I should avoid their studios or else I might find myself with multiple panels and a plan for something similar!

For this quilt Sue has also changed the colour of the elephant’s eyes, as she thought ‘the orangey red eyes on the panel made the elephant look angry’ and no one needs an angry elephant on their wall do they, so she painted over them using textile colour. You’d never know would you?

They really are stunning, I’m still in two minds about the panel versions, but those two at the top of this post I’d happily accept one like that. I’m not sure I’m ready to make one though - my list is already too long, and I really don’t need another challenge just yet, but I guess never say never!

Making my Mystery Block of the Month: November 2025

You’ll have seen that I plan to complete Sherri’s mystery block a month quilt and in my last post I shared the test blocks which I made into my thirteenth charity quilt, today - a little later than normal - I’m sharing the centre block I made for my own quilt.

Despite being pleased with how I’d previously conquered this block for my charity quilt, it wasn’t until yesterday that I cut out and made my own block. And then I quickly remembered that it wasn’t anywhere near as daunting as my mind would have me believe!

I’d been playing with the colour options for my blocks but in the end settled on these, though I did intentionally switch the placement at the last minute when I realised the cream fabric would look better framed with the darker fabric.

I was even more pleased to discover that previous me had already cut the interfacing for the quarter circle - that saved me some time, and once I got started the quarter Dresden block came together quickly.

For my test blocks, and subsequent charity quilt, I’d tested out various stitches to attach the petals to the backing square. And while these worked well, in the end I decided to stick with a plain stitch, but opted to stitch as close to the edge as I could. That turned out to be pretty close in the end with the sewing machine going oh so slowly!

I’m really pleased with how it turned out, though as I started to add the borders I remembered to check and decide which way I wanted the quadrant to face, and typically it wasn’t the way I’d set up in the photo above.

It’s been a while since I’ve used the original green fabrics for the borders so there was lots of checking and double checking to make sure I was adding them in the same way as before to avoid any unecessary unpicking.

Before I knew it the eleventh block of my mystery block quilt was completed, so there’s just one more block to go - and that final charity quilt of this series. I’ve not started it yet, but it is another star. After that there’ll be more decisions on how to finish the quilt - I’m looking forward to seeing it all laid out together, it’s been a long time coming!

Join me hopefully soon to see how I get on with the next mystery block, and check out my previous posts for my mystery block quilt or the charity quilts made from the test blocks.

My Dresden buttercup

I’ve made another quilt as part of my quilting ‘stretch’ project using the block from Sherri at A Quilting Life’s mystery block a month. As I said then I don’t know if I’ll manage to make a quilt a month, but I won’t really know unless I try…

This one was challenging, but mostly because as I said before December was a lot.

This is my thirteenth charity quilt and the pile continues to grow, since the first nine have were donated to the Mansfield Coordinator of Project Linus UK.

Number thirteen

Well I guess that explains a lot, but it is finished and I think it’s one of the favourite ones I’ve made. As usual I started by pulling fabrics from my stash - and I think all of these have featured before, whether in quilts or other makes. It seems once a piece of fabric has my attention it stays there until it’s mostly used up.

For the centre blocks I used some leftover fabric from the first charity quilt I made, which I’d discovered when I was sorting and rearranging my craft room the other month, and luckily there was just enough for the Dresden part of the blocks.

This was the bit that was doing its best to intimidate me, but actually it was easier than I expected and the instructions I was following were really clear.

It wasn’t long before I had the four centre blocks, looking good hey?

It wasn’t until after I started to add the borders that I decided that I wanted to keep the layout above, and typically one of the blocks had the blue fabric in the opposite corner, but I decided to continue and work with it - whatever it was to be.

Then I had a wobble for the last border on the blue side. The pinker flowery material just didn’t work for me.

I’d remembered that I had the blue dots and buttercup material and I already planned to use that on the back, and it seemed a much better fit. So for a few days I stared at this layout on my craft room floor, before finally deciding it was the way forward. And wasn’t it just as well I did, otherwise this quilt wouldn’t have had a name!

And then December became a lot, shortly followed by Christmas so it wasn’t until the end of the year that I picked this up again.

Before basting this one I added another ‘half’ border in the buttercup material so that there was some balance for my eyes. And that block that had the blue the wrong way round was still the odd one out, but I was happy with where it was.

Once again the quilting was the straight line type - and this time I think they’re pretty straight thanks to the adjustable guide I bought. Not only were they straighter than ever before, they’re also more evenly spaced - and even better it whizzed through my machine. I was (and am) very happy.

So with the binding added it was time to remember one of my lessons from my Quilts of 2025 post and take a more pleasing on the eye photo.

This spot struck me as idea as I was walking downstairs, and even though this quilt would look great on the mustard kitchen sofa I couldn’t wait to try it out. It also gives me a real easy way to photograph the back too!

And if you’re wondering how I got it to stay perfectly balanced on the bannister, there was three very small pieces of parcel tape doing all the work. I even impressed myself with that!

I’ve still to cut out, let alone make my own block for my block of the month quilt so that will follow - and I’ve one more quilt to make as part of this ‘stretch’ project, which I’ve not even started yet either. It’s taken until the November block for me to slow down on this project and monthly block quilt, which isn’t bad going - but there’s still a lot more to do to put together my quilt, but the end is almost in sight!

You can see my other quilts I’ve made to donate to Project Linus - a charity whose mission is to provide love, a sense of security, warmth and comfort to children, who are sick, disabled, disadvantaged or distressed through the donation of new, homemade, washable quilts and blankets, including those that are part of this ‘stretch’ project in earlier posts. I’m aiming to publish an update on my progress in the last week of each month for the remainder of 2025.