The yew hedges at Powis Castle

Time has flown and it’s hard to believe it’s already over a month since our trip to Wales, and our visit to Powis Castle. I’d planned to get out in the garden as there’s plenty to do out there, but the weather had other ideas so instead I’ve edited my photos of the gardens and hedges at Powis, and well, there’ll be more than one blog post!

But when you walk into a garden and this is the opening view, you just know you’re going to have a fabulous visit, and we did.

A view across the clipped hedges of the Severn valley
Looking down and across the garden at Powis Castle

The castle was built in the 13th century as a medieval fortress and over the years has changed to reflect the Herbert family who have occupied the castle from the 1570s. The views across the Severn Valley are fantastic, and the gardens retain many of its original features including the 17th century Italianate terraces lined with fantastic borders, and 30ft clipped yew trees. Plus there’s an Edwardian formal garden with century old apple trees and rosebeds and so much more.

fresh new growth of plants clambering across the hedge
pretty blue/purple 'dancing' clematis also on top of the hedge

As with any garden though it’s about the plants big and small, and in the gardens there was a vast scale from delicate buds, dancing flowers and huge, huge yew hedges.

The castle in the distance, the path in the foreground is edged with the most magnificent giant yew topiary

I told you they were big!

So big I think we can agree with the National Trust when they say giant.

More views of the giant yew topiary

The giant yew topiary was first planted at Powis in the 1680s; then the fashion was for strict geometric patterns or formal gardening, so the yews here began life as a trimmed obelisk shape. By the 1780s garden fashions had changed favouring a natural blending of garden with the surrounding countryside, so the topiary trees that were kept were allowed to grow in their natural shape.

'inside' the yew topiary - the trunk and inner branches on show

During Victorian times the fashion for stricter controls returned and the National Trust say that yews were shaped using a sickle, while the other hand held onto the ladder - definitely not a job for the faint hearted. Today they use electric hedge trimmers to keep the unique character of these topiary trees. It takes four staff three months to cut all the hedges once a year, with the yew topiary trimmed between late August and early November.

A gateway cut into the yew topiary which towers above the 8ft+ brick wall and beyond
Yew topiary and the castle
A small dusky purple 'wort' type plant
Another shot of the giant cloud like topiary

Like many great houses the gardens evolve and reflect both the fashion of the day and the desires of the garden’s supporter. The garden here at Powis owes much to Lady Violet, wife of the 4th Earl of Powis who set out to make it ‘one of the most beautiful, if not the most beautiful in England and Wales’.

She worked on the garden for 18 years enriching the planting on the terraces and adding new shrubs and perennials. Her biggest contribution was to relocate the Kitchen Garden, including the glasshouses, to a new position out of sight of the castle and in its place she created the picturesque formal garden, complete with a croquet lawn, cottage style flower borders and meticulously trimmed fruit trees.

Looking across the Severn valley with the formal garden in the foreground

The garden remained unchanged after her death in 1929, until 1952 when it came under the care of the National Trust. They have continued to pursue her ambitions while preserving its many layered historic structure.

frittilaries and the odd dandelion in the grass
An archway of roses (not yet in leaf or flower)
One of the shaped fruit trees at Powis Castle

It’s a fantastic space and I’m sure will be even more stunning when it’s in full flower. We visited in early April, and the magnolias were getting going and much of the terraced borders were coming into bud. I’ve so many more photos of the terraces to share, but I’ll save these for the next post.

The fountain in the lower part of the garden among more yew 'flump like' topiary
Looking back from the lower level up towards the castle and the terraced garden

And the view from the bottom of the garden looking up at the castle, is just as good as the one from the top looking down. Now that’s the sign of a great garden isn’t it?

A quick look at miniature quilts

Unsurprisingly the miniature quilts category at Festival of Quilts was full of tiny quilts, and by tiny I mean small. The flying geese one below is the approximately a hand’s length, so considering the size of many of the quilts on display, it’s teeny tiny!

The category guidance says that any technique or combination of techniques can be used, and the maximum length of any side is 30cm. It also says that in a photo (without any indication of scale) it should look like a full size quilt or wall hanging.

And these definitely do. Though I can’t get over the sizes of the centre geese in this miniature quilt.

GEESE IN A SPIN, JENNY ANDERSON - FESTIVAL OF QUILTS 2025

GEESE IN A SPIN, JENNY ANDERSON

Would you have known this one was the length of my SIL’s hand? (BTW she has a normal sized hand in case you were wondering!) I’m not sure I would, and I’m also pretty sure I don’t have the patience (or the skill) to create something so intricate and so small.

While there were many miniature quilts on display, I only seem to have captured three of them. I think I must have been so wowed I forgot all about capturing all but my very favourites, and I totally agree with the title of this next one - you can never have too many hearts. Especially stripey ones!

YOU CAN NEVER HAVE TOO MANY HEARTS, KAREN LLEWELLYN-PARSONS - FESTIVAL OF QUILTS 2025

YOU CAN NEVER HAVE TOO MANY HEARTS, KAREN LLEWELLYN-PARSONS

This final teeny tiny quilt is my favourite. You know I love a rainbow and a Liberty fabric rainbow is even better.

THE RAINBOW QUILT TEENY TINY, FLOWER CHILD - FESTIVAL OF QUILTS 2025

THE RAINBOW QUILT TEENY TINY, FLOWER CHILD

Isn’t it gorgeous.

And I guess that I need to pay more attention to this category when I’m back at this show later in the year, though it’s also quite fitting that it’s a tiny post for a tiny subject matter!

Pictorial quilts to make you gasp

Last week I shared the Art quilts, which are designed as pieces of art and this week I’m sharing the relatively similar category of Pictorial quilts. The quilts in this category are quilts depicting a scene or a subject, such as people, animals, flowers etc as the main body of the quilt.

Knowing the boundaries of the category really helps, and once you see the quilts I’m sharing today I’m pretty sure you’re going to gasp. Each and every one of them are truly amazing and I don’t even want to start thinking about the number of hours that has gone into each one. Though I’m not sure I’d want a gorilla on my bed…

SHE MATTERS, SUE DE VANNY - FESTIVAL OF QUILTS 2025

SHE MATTERS, SUE DE VANNY

SHE MATTERS, SUE DE VANNY - FESTIVAL OF QUILTS 2025

SHE MATTERS, SUE DE VANNY

Though it’s amazing isn’t it? More so I think when you look closely at the quilting and its composition. I’ve actually seen this quilt twice now as it was also at the Harrogate Knit & Stitch show, and both times I’ve been wowed by it.

This second quilt is quite different in style and at first glance you could be mistaken to thinking that it’s a simple design, but look again and see the colours flow from pink to blue effortlessly, and the composition of the lower leaves and vases, and you realise it’s not quite as simple as you first thought.

FLORAL ABUNDANCE, JENNY BRADBURY - FESTIVAL OF QUILTS 2025

FLORAL ABUNDANCE, JENNY BRADBURY

With a cyclist in the house (clue: it’s not me!) I had to include this one didn’t I? And the blocks of bold colours really work here I think.

POGI, AURORA CALVET - FESTIVAL OF QUILTS 2025

POGI, AURORA CALVET

There were a few nature inspired quilts too, this ‘under the sea’ view had plenty to look at when you stepped back, but when you move closer there’s even more to see as it’s made from small hexagons pieced together.

MEERBEDECKT, RENATE KÄMMER - FESTIVAL OF QUILTS 2025

MEERBEDECKT, RENATE KÄMMER

MEERBEDECKT, RENATE KÄMMER - FESTIVAL OF QUILTS 2025

MEERBEDECKT, RENATE KÄMMER

I don’t even want to contemplate the number of hours spent making this one, let alone having the inspiration to even make it.

This bug was cute though with all its blues and slightly less overwhelming to my eyes.

LAURA’S BEETLE, LINDA SMITH - FESTIVAL OF QUILTS 2025

LAURA’S BEETLE, LINDA SMITH

And then there were butterflies perched on flowers with the most beautifully quilted background.

MONARCH BUTTERFLY, INJA METZGER & MARIA SCHATEN - FESTIVAL OF QUILTS 2025

MONARCH BUTTERFLY, INJA METZGER & MARIA SCHATEN

The final two quilts I’m sharing really do fit the pictorial brief, and are worthy of more than one gasp. As I approached the monochrome quilt below, I thought to myself it had a touch of Breakfast at Tiffany’s to it, as I got closer I saw it was titled ‘a beauty from the swinging 60s’ so I was just a decade out!

BEAUTY FROM THE SWINGING 60S, VICTORIA MILLER - FESTIVAL OF QUILTS 2025

BEAUTY FROM THE SWINGING 60S, VICTORIA MILLER

But I hope you’ve saved some gasps, as you’ll need it for this one. It’s so good it doesn’t look as if it’s been sewn together, but painted - and just look at the detail on the frame alone.

A WIND FROM THE NORTH, ANDREA LEA MCVEY - FESTIVAL OF QUILTS 2025

A WIND FROM THE NORTH, ANDREA LEA MCVEY

It’s no surprise though that this quilt was voted the Visitor’s Choice Winner, and thoroughly deserved. It really is in a class of its own, and not something I’m ever likely to attempt!