The yew hedges at Powis Castle

Time has flown and it’s hard to believe it’s already over a month since our trip to Wales, and our visit to Powis Castle. I’d planned to get out in the garden as there’s plenty to do out there, but the weather had other ideas so instead I’ve edited my photos of the gardens and hedges at Powis, and well, there’ll be more than one blog post!

But when you walk into a garden and this is the opening view, you just know you’re going to have a fabulous visit, and we did.

The castle was built in the 13th century as a medieval fortress and over the years has changed to reflect the Herbert family who have occupied the castle from the 1570s. The views across the Severn Valley are fantastic, and the gardens retain many of its original features including the 17th century Italianate terraces lined with fantastic borders, and 30ft clipped yew trees. Plus there’s an Edwardian formal garden with century old apple trees and rosebeds and so much more.

As with any garden though it’s about the plants big and small, and in the gardens there was a vast scale from delicate buds, dancing flowers and huge, huge yew hedges.

I told you they were big!

So big I think we can agree with the National Trust when they say giant.

The giant yew topiary was first planted at Powis in the 1680s; then the fashion was for strict geometric patterns or formal gardening, so the yews here began life as a trimmed obelisk shape. By the 1780s garden fashions had changed favouring a natural blending of garden with the surrounding countryside, so the topiary trees that were kept were allowed to grow in their natural shape.

During Victorian times the fashion for stricter controls returned and the National Trust say that yews were shaped using a sickle, while the other hand held onto the ladder - definitely not a job for the faint hearted. Today they use electric hedge trimmers to keep the unique character of these topiary trees. It takes four staff three months to cut all the hedges once a year, with the yew topiary trimmed between late August and early November.

Like many great houses the gardens evolve and reflect both the fashion of the day and the desires of the garden’s supporter. The garden here at Powis owes much to Lady Violet, wife of the 4th Earl of Powis who set out to make it ‘one of the most beautiful, if not the most beautiful in England and Wales’.

She worked on the garden for 18 years enriching the planting on the terraces and adding new shrubs and perennials. Her biggest contribution was to relocate the Kitchen Garden, including the glasshouses, to a new position out of sight of the castle and in its place she created the picturesque formal garden, complete with a croquet lawn, cottage style flower borders and meticulously trimmed fruit trees.

The garden remained unchanged after her death in 1929, until 1952 when it came under the care of the National Trust. They have continued to pursue her ambitions while preserving its many layered historic structure.

It’s a fantastic space and I’m sure will be even more stunning when it’s in full flower. We visited in early April, and the magnolias were getting going and much of the terraced borders were coming into bud. I’ve so many more photos of the terraces to share, but I’ll save these for the next post.

And the view from the bottom of the garden looking up at the castle, is just as good as the one from the top looking down. Now that’s the sign of a great garden isn’t it?

More from the Walled Gardens at Scampston Hall

I surprised myself at the end of the first post exploring the walled gardens here by how few I’d managed to cover in that post, I’m hoping that we’ll cover many more in this post. Though I’ll admit I’m probably cheating (a bit) as I’ve split out some of my favourite parts, like the potager and the still to come gardener’s yard into separate posts!

But anyway, leaving the cut flower garden behind us we wandered amongst the three metre squares of box, flanked by more traditional herbaceous borders of garden 6, enjoying the decaying flower heads as we went.

When the flower heads get to this stage, they’re still beautiful aren’t they - but to me now almost sculpturally and architecturally beautiful, and they were a great palate cleanser for the Silent Garden (garden number five).

You know how much I like topiary, well after the large three metre squares we’d just walked past, to then come across 24 round columns of yew was a delight. These are permitted to grow to a height of three metres before their tops are levelled.

They certainly have impact.

In the centre of the garden there’s a rectangular pond and the yew columns reflect majestically in this, and their symmetry is divine. It’s clearly a minimalist garden - so while I enjoy it, it’s probably not for me in my own garden - and it exudes calmness, and that low bench was a great place to sit and just be.

Though much of my sitting and enjoying the garden also included trying to work out if that was a plank of wood in the pond - it was - and wondering where it had come from. There’d been a bit of a storm the night before so it was relatively easy to work out how it got there, but it wasn’t obvious where it had come from though I think it had probably travelled a fair way.

We headed back towards the borders with the large box borders, the spaces are edged with beech hedges so you can just imagine how great they look as the seasons turn to winter and as their leaves turn bronze.

I could spy more topiary in the distance, and so as it was calling me we jumped the structured and numbered order of the gardens again this time making our way to garden 11, named the Serpentine Garden. Named so because it has six serpentine hedges of clipped yew - what a joy!

The clover shaped beds as you entered this garden were also full of spent flower heads which gave a hint to their fabulousness when in full flower.

Behind us we spotted The Mount (garden 12) and not one to turn down an invitation to explore further we headed straight up the steps.

And oh, what views across the garden.

The guide to the garden suggests that this is where we should leave the garden, but as we’d skipped gardens along the way that wasn’t our plan. Instead we retraced our route past the serpentine hedges (which reminded me of the hedges at the Thames Barrier park) and garden 10 which had the same three metre squares of box as garden 3, bringing symmetry to the overall garden design.

We walked past the Katsura Grove but didn’t spend much time here, but this picture of the exhausted colchicums (or autumn crocuses) made me smile, and reassured me too as mine in my previous garden always seemed to be more horizontal than vertical.

What drew us away from the Katsura Grove was the showstopper of the garden, even in autumn - the Perennial Meadow, located in front of the Conservatory. The Perennial Meadow, or garden seven, is pure Ouldolf and the naturalised planting has been chosen to give a long season of interest, and that certainly works doesn’t it?

The garden notes told us that ‘the form of each plant - leaf, flower head and stem - is just as important as its colour and scent.’ We also noticed that none of these plants were staked, and that again is down to the choice of plants alongside the maintenance routine in this part of the garden,

And as great as it was on our visit, I can’t help but imagine what it’s like in both spring and summer. No doubt it’s full of butterflies and bees, and it’s easy to see why.

So looking back we have covered more gardens in this second post - seven in total, but there’s still the conservatory and the gardeners’ yard and more to share so look out for more posts on those soon.

Topiary at Levens Hall

This garden wasn’t on my ‘to visit’ list, but when our hosts said it was a garden full of topiary, well it jumped to the top of my list. It was less than a fifteen minute drive from where we were staying so it seemed a complete no brainer, and we worked out that we could pair it with a visit to the National Trust’s nearby Sizergh Castle, which was on my list, so even better.

This was the view that met us as we walked through the wooden gate to the gardens:

Even though I’d read on the Levens Hall website that the privately-owned house was home to the world’s oldest topiary gardens, I’m not sure I quite expected this. The gardens remain largely unchanged since the 17th century and were truly remarkable.

The garden is a mix of ‘ancient box and yew’ and for someone that, as you know, has a bit of a thing for topiary was breathtaking. I don’t know how my research of the area missed this gem, but I was so glad that we were pointed in the right direction early in our stay!

The gardeners were busy working, but still happy to stop and chat and share more about the gardens. There’s so many shapes to trim that each is only cut once a year, otherwise as the gardener’s said that’s all they’d be doing. And as any gardener knows, there’s always something to be done - while we were there they were fastidiously replacing the bedding plants.

The house wasn’t open on the day we visited, which is a shame as from a at-a-distance-glance-through the windows it looked a great place to visit. It’s a family home which the leaflet we were given assured was one that was free of ropes and barriers for visitors, so as such it felt right to sneak a look rather than peer through the windows!

There was more than the topiary, but clearly this was the main feature - another day I’ll share more from here, and by then we may even have tasted the jar of honey we purchased part-way round the garden. But until then, let’s just enjoy the topiary and the many varied shapes.