A mostly repurposed vintage star quilt

I’ve made another quilt as part of my quilting ‘stretch’ project this time using the February block from Sherri at A Quilting Life’s mystery block a month. As I said then I don’t know if I’ll manage to make a quilt a month, but I won’t really know unless I try…

I already suspect that the warmer months may be more challenging, what with adding in some time to garden as well as going out and exploring the area around where we live, but that’s the point of a challenge right.

My fourth donation quilt

When I pulled the fabrics from my stash I had no intention of making this vintage star block in blues and greens, but there you go, those are the fabrics that called to me and so that’s what I’ve got. Unlike last month I don’t have a silly name that makes me smile, but I’m pleased to have repurposed quite a few old clothes in this one.

And when I say quite a few I’ve used material from old cropped trousers of mine (from three pairs), an old shirt of MOH’s, a blouse of mine and even some from Hawaiian swimming trunks. In fact the only piece that’s remotely new is the navy and white flowered material, which I bought in Newark whilst I was collecting additional material for the flying geese quilt, before I changed my mind.

But onto the blocks

I found this block centre more challenging, right from the off - but entirely because I misread the instructions. Instead of making HSTs (half square triangles) from the smaller squares I used the larger ones and of course they didn’t come out right. So with more squares cut, and my first learning under my belt I was back on track.

Starting out wrongly with my first green star block - the pieces are all laid out but incorrectly!

My second learning came on trimming the HSTs - the rotary cutting mat made life a lot easier, as did using the small square template.

But it was still trickier than it looks. My seams were, shall we say variable, and didn’t always meet where they should. And once I’d sorted one seam’s placement another misbehaved, but I did get my four blocks (with variable seams) done, and I’m happy enough with them.

And so with the four centres complete I added the log cabin borders. My original plan had been to add a dark border but not only was I concerned it would be too dark, I also didn’t have enough of the plain blue fabric left, so I needed another plan.

I used the relatively new flowery fabric to add a border to brighten the quilt overall, and realised that there was plenty of the green spotty material (I’m sure this was a 1990s impulse buy from IKEA) to add a final border. This also brought a learning, and tested my patience, with its tendency to slip about with its own free will. But I got there.

For the backing I cut into an old duvet cover, and I think the grey and white zig zags really work - it’s definitely super soft, that’s for sure.

Once again I added my usual scrappy border, using up the majority of strips I’d cut for the quilt top. Looking at those central blocks now, I’m not looking at the wonky seams (well not so much) I’m looking at the quilt as a whole, so I’m glad it all worked out.

As I’m using these quilts to practice and refine my quilting making skills, I was keen to try something a little different with the quilting. It’s still straight(ish) lines, but instead of ‘stitching in the ditch’ I’ve gone bolder and stitched down the middle of the log cabin strip, using a navy thread - a bold move on the pale green fabric, less so on the plain navy strips!

I think it works, and overall I’m happy with how this one turned out. And as it’s been so nice I took my quilt outside for its own photoshoot in the garden! The block for my next quilt is out already, and it’s another cute one - but first I have to make my own block for my mystery block of the month quilt, all being well I’ll share that here later in the week.

You can see my other quilts which I’ve made to donate to Project Linus - a charity whose mission is to provide love, a sense of security, warmth and comfort to children, who are sick, disabled, disadvantaged or distressed through the donation of new, homemade, washable quilts and blankets, including those that are part of this ‘stretch’ project in earlier posts. I’m aiming to publish an update on my progress in the last week of each month for the remainder of 2025.

Bringing the bling to Zumba

I haven’t shared any pouches for a while, but don’t worry they’re still around - and the pouch love wait is over! Though today’s pouch is one that I’ve embellished rather than made myself.

At the start of 2024 one of our neighbours started a Zumba class in the next village, and so I’ve found myself heading along most Thursdays never having zumba-ed before - and quite honestly, I’m still not sure I’m technically doing it right, but it’s good fun and it’s a great group of people.

At Christmas our Zumba-leading neighbour held a fuddle for the group to celebrate our first year, which was a really thoughtful thing to do, and I think has helped cement the relationships that were already forming. We all insisted on helping cater the evening, as you would, and for a while our Zumba chat was the list of who was bringing what - and most importantly not to forget your slippers on the actual evening.

Now that’s my type of party!

Or fuddle. Not even knowing what a fuddle was, I’ve now been to two as my Sewing Group had one too. It’s a term I’d not come across before, and if you haven’t either, this is Wikipedia’s definition:

(UK, dialect, Derbyshire, Nottinghamshire, Bedfordshire) A party or picnic where attendees bring food and wine; a kind of potluck.

But anyway, at the fuddle we all left with a Zumba pouch - imagine my joy, wearing slippers to a party and bringing a pouch home!

Embellishing my Zumba pouch

Obviously with twenty or so of these pouches now in the wild in my local area there was a high chance that some would make it to a Zumba class near me every week, and with them all looking the same that might not be the best move. So I decided some kind of customisation was required - and while I could have simply written my name inside, I decided to go bigger than that.

I also wanted to cover some of the text as that wasn’t for me. I know it’s fairly inoffensive, and more descriptive but I knew I’d be happier with just having the Zumba on my pouch - I can’t explain why. And I knew I had some sequins hanging around, like you do - and so I thought I’d put the mismatch of those together in ‘disco-type bands’ above and below the main zumba-ing figures.

This gave me the opportunity to test out my sequin applying skills, as well as my ability to thread teeny tiny needles - small enough to go through those tiny beads!

More sequins added, covering the top line of text (was previously 'just a girl')

And actually it was quite a soothing thing to do. Before long I had two sparkly borders, which makes me smile - and then I remembered I had to do the other side too!

The completed pouch - sequins in two bands covering the text but around the zumba figures

So now I have a bling inspired Zumba pouch, which definitely stands out from the others - and that’s mainly how I bring the bling to Zumba - my ‘moves’ mostly still need quite a bit of work, but really I don’t care too much about that!

Getting to know my new Bernina

I’d been thinking about buying a new sewing machine on and off for a few months, and in January I bit the bullet and went for a test drive of two machines on my hit list. Unknowingly I’d chosen the same brand of machine that both my mum and SIL have, so I’m in good company!

I was between two models, one in the 4 series and one in the 5 series - with the price of the 4 series being my preference until I saw them in action. The 4 series looked small, and smaller than I’d imagined and while the BSR (Bernina Stitch Regulator) could be added as an accessory, it was included like it was with the 5 series model. Truthfully, I knew I’d probably never get that as an add on so if I was interested (or intrigued) by that then I knew it made more sense for me to opt for the slightly larger and pricier 5 series model.

I was definitely glad I went to my local stockist (in a new to me part of Nottingham) to see them both in action though, and didn’t just buy online - and if you’re thinking of buying or replacing your sewing machine, I’d recommend you go along and see them in person too.

My new machine arrived at the end of January and I spent time unpacking it and noting everything that was in the box, not always sure what it was or what it was for at that point. But over the next few days I spent some time familiarising myself with the basics, and a little bit more, feeling immensely proud I’d managed to write (part of) my name using it - my name is long, and by the third letter I was keen to move on to try something else, so implemented a short name, often adopted by my young nieces, which I’ve not used for many years!

Trying some appliqué

After trying several stitches I was keen to try more, and so with my floral fancy project in mind I thought I should try some appliqué. I’d saved the larger off cuts from the workshop with good reason, so it turned out. As I dug through them I realised I could quickly knock up some test backing the same thickness as my floral fancy.

With some tweaking I settled on this design, peeling off the Bondaweb and ironing them into place before adding a stitch outline. For this I didn’t change the foot, and with hindsight I should have - but you live and learn, and that’s what this was all about.

There are elements of this that I’m really pleased with, and there are also some learning points, such as it would have been better to iron the petals and centres on as separate layers as that would have allowed me to follow the lines independently, especially on the orange flower on the right. And I also realised once I’d finished that the design looked better inverted - who knew.

I was pretty sure that I had some material that matched both the colour of the flowers and the lighter background - and it wasn’t long before an idea formed, and yes that idea was a pouch. At this point though I had no idea what the question was, but I knew I needed this pouch (well wanted, rather than needed!).

And so, I made a new pouch - this one’s already in my jewellery box holding a rather large and chunky piece of costume jewellery which up until now was in a bit of bubble wrap. This, even though the velvet ribbon is a bit ruched, is a much better solution.

Trying some quilting

I was also very much aware that my Log Cabin Log Cabin quilt was waiting in the wings to be finished, but I didn’t want to dive into finishing that and quilting it without being more confident with my new machine. So I started another test piece, this time to try out some quilting.

For this I changed to the quilting foot, and added the extended table top - and tested using the inbuilt walking foot, and without. I’d pulled an almost 8 inch square from a lucky dip purchase from a while back. It’s the kind of selection that you can use some - and I’ve used some in the binding of quilts, and some that you really don’t care for. This blue and green square with a white daisy was in between - there’s absolutely nothing offensive about it, but I had no idea what I’d do with it. Until now.

I frankebatted some wadding together, added another square on the bottom for the backing and set about freeform initially using the basting stitch to keep the layers in place - I found this a bit of a faff on this sized project, goodness knows what it’d be like on a much larger quilt, though I’m prepared to be proven wrong!

I tried with the walking foot and without and the differences are apparent, and as you can see below at one point I went a bit left field with a diagonal line. I also decided to try out my Hera marker (a piece of plastic which with a ruler you can ‘mark’ indents into the fabric) and so that’s why I ended up with more gridlines, as I’d particularly liked quilts at the recent Newark Quilt Show quilted that way.

When it was finished I wondered what I could do with it, as I was keen to do something with it rather than it just hang around my craft room. After a day or so I knew what it could be and so added some toning ribbon as binding (yes, I had this too - I bought it while checking out the haberdashery department in Yorkshire Traders in Newark!).

And the sizing worked - so this test project is now a pan protector for our new griddle pan. How lucky was that? The wok lives on top of the griddle pan in the cupboard, and as they’re both new I was keen to give them both some protection.

So I have two new unintentional projects, and I got to try out more features on my new Bernina than I would have, at the same time.

Since then as you know I’ve finished both the Log Cabin Log Cabin quilt and my January mystery block of the month block and I’ve started the test blocks for the next quilt - but more on those another day!