Brutalist buildings, a library and a signal box

Recently I got a bit of a surprise when I opened Instagram, there in front of me was a picture of the library in the town where I grew up, but instead it was now called The Brutalist Library SE25. And you know what, I’d never considered it as this - yes it was a modern building, and one that was quite different in style to those around it, but to me it was just the library. The place to while away hours (and hours) and even sometimes the place to complete secondary school homework.

And since then I don’t think I’ve ever really given in too much thought, so to see it on my Instagram feed was quite a surprise. It turns out that it’s had a bit of a fight on its hands, as libraries have tended to over the years, but it’s still there - and from the photos I’ve seen still looks very much like it did back in the late 1970s and 1980s.

Though I did notice that the circular planters out the front had been changed for a new mosaic - and when I say new, this mosaic is now almost 20 years old! But even so it was good to see it still there, still a library and it reminded me how many memories a single image can evoke.

But it also reminded me of our hunt to locate the brutalist Signal Box at Birmingham New Street before we caught our train back from Gardener’s World Live last year - a building which was on MOH’s list of ‘buildings to see’.

And see it we did, but only from the outside - and it’s quite imposing.

The term brutalist is used for a reason isn’t it? But there’s also some fascinating shapes, angles and textures on this now retired Grade II listed building.

But up until the end of 2022 it continued to play its important part of Britain’s railway since it started operation in 1966 - the signallers inside were capable of directing up to 1200 trains a day. Clearly the 1960s technology was getting harder to maintain, and the manual operation for the power signal box for setting safe routes for trains no longer the preferred way of working with all of Birmingham New Street’s signalling equipment converted to digital operation as you’d expect.

I was fascinated by the remaining items left in the building though, just but not quite visible through the windows - I’m sure this is, and will be if left untouched, a real life sized version of a time capsule!

Brutalist architecture won’t be (and isn’t) to everyone’s taste, but I kind of admire it - its mix of reinforced concrete and concrete cladding definitely mark a moment of time.

I don’t know if my feelings are influenced by my love of visiting the brutalist library in South Norwood, or even by growing up near to Croydon which is also home to structures considered brutalist which to me were just the shopping centre, or the 50p or eggbox building!

Who knows.

My garden in February

I’ll admit to very little garden activity again this month, other than stopping and taking more photos - though I’m hopeful that in the next month there’ll be much more actual gardening happening. But until then, let’s look back at February, when my garden has started to wake up.

The snowdrops, which I ended last month’s post with, have continued to develop - it seems these are the tallest of the two clumps I planted last Spring, and clearly I wanted to see these as I planted them closest to the house. The other clump have made an appearance but there’s not been as many as this. I suspect that both clumps with be even better next year.

It was great to catch the sun on this part of the garden early on in the month, especially at a time when sighting the sun was a rarity. I think I’ve identified the main shrub (bottom left) as a daphne - I’ll have to double check that when it flowers though - but the sun on its leaves, and the contrast of the sun and shadows on the hebe next to it was really uplifting.

Elsewhere in the garden the hellebores have been doing their thing. I’m especially pleased to see this maroon one flower - it’s one we brought with us from London and which originated from my FIL’s garden. I’d taken the plunge and potted it into the border, just along from the cream hellebore which was already here. I thought I’d lost this one, and it still doesn’t have a huge amount of leaves - but clearly I haven’t.

It’s great to have a dark and light hellebore almost next to each other and both enjoying the sun. In our previous garden we had the dusky pink sort, and at some point I might add to my hellebore collection.

You may have already seen in other posts that we had a unexpected pheasant visitor to our garden this month - I’m including it here too, as it really made me smile - and wasted about thirty minutes of our day watching its antics. Aren’t the colours wonderful, and how like the brick wall are they?

There’s also been much bulb activity in my pots. The tulips have started to unfurl their leaves in their temporary spot alongside the garage. One pot seems to have developed some moss over the winter, and another now seems to be sporting four small holly seedlings which I’m not sure where they’ve come from. I think I might try and transplant them to see if they continue to grow as they could potentially be useful longer term, and well, who doesn’t like free plants?

I did have a wry smile later in the month when I checked on the tulips again. The one with the mossy pot has dealt with it in the only way it could - and grown through it. I’m loathed to remove its mossy duvet just yet as I can imagine the weather might be a bit of a shock, but I think I’ll probably need to remove it at some point to give the tulip’s stability its best shot.

Getting the bin in the other day (oh the glamour!) I noticed the sun on this Red Robin shrub and couldn’t help but take a snap or two - the forming flowers reminded me of coral in both their form and colour.

The other colour that’s arrived in the garden this month is the fresh lime green of the euphorbias. These are still contained in the pot that brought them from our London garden, and I still think that’s the best way of dealing with them. I’m hoping to pair them with some flowering tulips again this year - if the timings work out.

I don’t yet have flowering daffodils, and it is still quite early for them, but I think these two pots by the gate are the likeliest to flower first, and I can’t wait.

In my herb planter by the back door things have been pretty sparse over the winter. I cut both the mints back and I’m waiting for them to come back with extra vigour; the flat leaf parsley has continued to provide throughout the winter and that’s been a first for me - though I often forget its there, which isn’t so good! But it’s the oregano that’s currently the star with it’s little cabbage like growth taking up a wider area than the original plant (which was close to where the plant label is), and I can’t wait to see how this goes, and how we can use it in the kitchen too.

My rosemary is a tale of two plants; the older rosemary which we brought with us and suffered with wind damage but then recovered enough to plant in the outer border didn’t make it through the winter, sadly. However the newer plant is thriving. Clearly its a different variety as I never saw a flower on the older plant, ever - but this one looks as if it will deliver plenty of those, and plenty of rosemary too. I suspect that at some point I’ll be taking a cutting or two from this one to increase my rosemary chances in the future.

Thanks for joining me for this month’s update, you can read all the posts in this series, and join me next month to see how my garden continues to grow!

Making my mystery block of the month: January

You’ll have seen that I plan to complete Sherri’s mystery block a month quilt and yesterday I shared the test blocks which I made into my third Project Linus quilt, well today I’m sharing the log cabin block I made for my own quilt.

So while I knew that I’d use the Lewis and Irene fabric bundle which I picked up at the Newark Quilt Show in January for the block’s centres, I didn’t know what to use for the borders. I wanted something quite bold for one of the colour ways, as our house is predominantly white, and although I like that I’m also keen to add colour through accessories and furnishings.

But it was the borders that made me think twice, and more than twice really. I ummed and ahhed about whether I should add them as I go along, or wait until the final block is completed later in the year. The pluses for delaying meant it would give me longer to decide which fabric to use and I could be sure I had enough of that; but the downsides were that there would be a lot of quilt still to complete at the end of the year, and the chances of that happening could be low. But I might not have enough material to use the same on the borders throughout, though I remembered that it really didn’t matter so much on the quilt I’d just completed - but you see my dilemma.

In the end I just got sewing, and hoped I’d work it out along the way!

Sewing the central block

Having completed the test blocks I felt pretty confident to try the block for my own quilt; as well as learning how not to cut off the point of the roof, I also learnt that I preferred the darker border colours on the bottom half of the block, and the lighter ones on the top. Perhaps for this block because they were representative of the ground and the sky respectively - who knows.

I’ve also worked out recently that pulling the fabrics together for a quilt is one of the most enjoyable aspects for me, but while I thought these were busy, I thought they would probably work.

But with the block sewn, I was less sure. The more I looked at it the more I was less sure - and nor did that help my borders dilemma. When looking at it again with fresh eyes, and realising the thing that pleased me most about the sewn block (on the left in the picture below) was the placement of the door handle, I realised it was time to try again.

However perfect and completely unintentional the door handle placement was!

And so I tried a second combination of fabrics - one that’s much less busy, and introduces a plainer element for the sky. This worked so much better, even though this time the door has no handle.

Happier with my block it was time to deal with the dilemma.

Adding borders, or not?

I tried many combinations before I made my decision, but as you can see I’ve added borders.

My main concern was not having enough fabric and ending up with a quilt that looks as if it was of two halves. But in the end I’ve made peace with myself and have mitigated this as far as I can. I’ve bought an extra metre of both of the outer light borders, ideally I’d have bought a metre of the pale background star border too, but I was only able to get half a metre of that. So the lights will be my constant, or that’s the plan anyway.

For the darks - or the bold jade green borders, the material is much older and hunting down similar quantities wasn’t going to happen, but I do have other toning fabrics which were all part of the same set. I think they came from either a magazine subscription or a competition win, but I have ten or so of similarly coloured AGF fabrics which I’ll use interchangeably. The colour will be the constant rather than the pattern for this border, and I’m pretty sure it will work.

And so, on went the borders.

I’m really pleased with how it turned out, and I know it’s bold - but that’s also by design as my working theory is that this will be a quilt for our spare bedroom which will have a rather ornate headboard (well it will once I’ve recovered it!).

So it needed to be bold to get the attention I’m sure it will warrant once its complete.

Join me next month to see how I get on with the next mystery block, and check out my posts which contain charity quilts made from the test blocks.