The Chef's Table by Adam Frost

* I was invited to the press preview of Gardeners’ World Live and provided with a pair of tickets to visit the show, therefore all my posts will be marked as 'Ad’ though as usual my views and opinions are very much my own.

This is absolutely my kind of garden, and I’ve realised while writing this post that it brought about the same excitement as when we visited Hunte’s Garden in Barbados - which is an odd comparison I know, but bear with me. This garden is full of herbs, flowers and vegetables rather than the tropical plants in Barbados, but it is jam packed full of them just the same. The dense planting really appeals to me, as does growing herbs, veggies and flowers together - though I guess that’s really not that new an idea, but Adam Frost’s garden does it particularly well.

Adam’s Show Garden is overflowing with edibles growing in a naturalised setting, and provides plenty of ideas for how you can integrate edibles into your own garden. The outdoor cooking-dining area is rustic, perhaps a bit too rustic for my tastes, but I’m pretty sure that I’ll be using this garden as inspiration for my own in the years to come.

The kitchen was put to good use at the show though as Adam welcomed chefs such as James Martin, Michel Roux, Glynn Purnell and Si King into the garden and kitchen at various times over the course of the show. We didn’t catch any of these - James Martin was up on the day we were at the show, but I did have quite a random encounter with Adam himself.

The press invitation is to view the gardens before they open to the public, and takes place the afternoon beforehand and ends with the presentation of the awards - so it’s a fab thing to be invited too. We’d seen a lot of the gardens, and I’d even managed to photograph many of them and so we made our way into the marquee having a look around that, enjoying the peace and quiet which is completely different to show days, when moving around the marquee can be more of a shuffle.

Adam walked past us, still very much in garden prep mode - I’m sure there’s much more than you think to making a show garden look this good, and so not wanting to be an annoying member of the public, as we crossed I just said hello. Being the type of guy he is - very down to earth - he stopped said hello and how are you doing. Fine thanks, and we were past each other, nothing more required. Though, well I’d quite like him to come and design my garden at some point!

He is I’ve decided, from this encounter and from his TV appearances and the chat he did at the awards presentation, a very nice man indeed. I almost said a very nice guy (and he is) but stopped myself as that sounds very Trumpian, and that’s the last thing I want to be, or to ordain someone with!

The show garden had a welcoming rustic feel at its entrance, but as you moved through the garden there was also an orchard and the illusion of water - which I think from a hazy memory is the cream path intersecting the beds in the photo above. I’ll admit that water, or even the illusion of water in a garden isn’t something I’m fussed with in a garden - I know it’d be relaxing, that is until whatever the water feature was needed cleaning, so it’s a no from me.

What was unusual - and gives food for thought in my own garden is the changing paths - there’s the gravel edged with bricks and a wooden boardwalk, both of which have very different textures and textures are so important aren’t they?

I also liked the small groups of pots at points in the path - and I’m sure these pots of succulents influenced me to buy my own succulents the very next day, and which I’ve added to since then too.

The combination of rosemary, geranium and mints - as well as my favourite astrantia - was a heady mix, though I’m not sure I’d plant mint in a border like this - it spreads and spreads, and turns up everywhere. My mint will be staying firmly in a pot I’m afraid.

I had to include this shot, looking down on the thyme, rosemary and santolini with the sun on them - I can almost smell them from here. These are all plants I will have in my garden, the santolini is currently the only one I’m missing though.

Growing vegetables among other plants and making them look good is a skill, and a skill I want to have. The vegetables here - cavolo nero (above) and yellow chard and kale (below) again have texture and bring a colour to the space too.

I was all for heading back to the picnic dining table to see what was cooking, but alas I wasn’t quite brave enough to sit down - and stage a sit in, plus we had a hotel to get to!

* With thanks to Gardeners’ World for inviting me to Gardeners’ World Live, it was just as good as I expected! I’ll be sharing more from my visit to the show - I hope you enjoy it as much as I do.

A log cabin log cabin quilt

In my recent post where I shared my quilt plans for the year I mentioned my ‘stretch’ project to complete a quilt from the test blocks from Sherri at A Quilting Life’s mystery block a month quilt. And in fairness the January block was super cute and helped the idea to form. As I said I don’t know if I’ll manage it, but then again I won’t know unless I try will I…

My third donation quilt

I’ve named this one the log cabin log cabin quilt - a simple play on words that never fails to make me smile - with a little house in the middle there really was no other name for it. For non-quilters the pattern surrounding the central house is known as a log cabin block, traditionally with half using dark fabrics and the other half using light fabrics. Even from the start, when I pulled these orange and green fabrics from my stash it made me smile.

The benefits of doing test blocks was immediately apparent, as I lost the roof point in my first block (the alphabet house, bottom left in the image above), but I worked out what I’d done wrong and corrected that for the other three blocks. So for that alone it was worth doing - and knowing how to avoid that particular mishap in my own block of the month.

I started adding the log cabin borders, which when complete means the blocks measure 18 inches, and while there’s just four blocks they are a similar size to the previous quilts I’m donating. I needed to stop and reconsider my options as I’d miscalculated how much of the plain peach material I’d need, and how much I had. Which long story short, wasn’t enough for the remaining two blocks.

I thought about purchasing a small amount of a similar coloured fabric for continuity, but this went against my plan to use materials from my stash - and as you can see, I opted to use more of the alphabet fabric in its place. And then I needed to stop again, as I happily added the white and grey flowery fabric to the dark section instead of the light borders.

Some unpicking was required!

But I was soon back on track and ready to join the blocks and add the borders - you’d never know I’d run out of peach would you?

The four completed blocks laid out on the carpet

Around this time I took delivery of my new sewing machine, so this quilt was put to one side while I got used to that - but now it’s finished, and finished using my new machine - and I couldn’t be happier.

The finished quilt - with the bottom corner folded over to show the backing fabric

Some of the fabrics in this quilt I’ve had for a long time, and some are pre-loved fabrics from old clothes and even old curtains - but I’m glad they worked so well together and have this new lease of life. I’ve used the orange squared fabric (which was old curtains - you may recognise it as I also made myself a bag using this material last summer)

The completed quilt draped over my kitchen sofa

You can see my other quilts which I’ve made to donate to Project Linus - a charity whose mission is to provide love, a sense of security, warmth and comfort to children, who are sick, disabled, disadvantaged or distressed through the donation of new, homemade, washable quilts and blankets, including those that are part of this ‘stretch’ project in earlier posts. I’m aiming to publish an update on my progress in the last week of each month for the remainder of 2025.

Loving Lisa Leverton's Tula Pink Obsession at the Newark Quilt Show

Each January Newark holds the first quilt show of the year, this was my second year attending - and, what a difference a year makes. This year I went along on both days, once with people from my sewing group and then again with my SIL. Last year I went alone, and knew no one - it was still a great day out, but this year it was good to have company. I also bumped into people I’d met on workshops, more sewing group people and I even did a workshop too - though I haven’t picked that up since, oops!

One of the series of quilts I was keen to see, and I knew my SIL would be too, were the Tula Pink fabrics and patterns in Lisa Leverton’s quilts. I’ve been seriously influenced on Tula Pink by my SIL and my EPP hexi sewing machine mat uses her fabrics - though on a much smaller scale!

In the show notes Lisa said that she didn’t discover Tula Pink until 2019 and she’s been smitten ever since. It’s easy to see why as the fabrics and patterns are bright and vibrant and tend to focus on animals big and small, and there’s so much detail in them. Lisa said that during lockdown she found more like-minded quilters who loved Tula too - there’s quite a following, and she hopes to make a quilt from every one of the fabric collections.

What she has already is an amazing start, and each is stunningly beautiful, here I’m sharing some of my favourites.

SET SAIL QUILT - 2022, LISA LEVERTON

I love the diamonds and the colours of this one - and that how, the more you look, the more you see!

URBAN JUNGLE QUILT - 2019, LISA LEVERTON

The colours! The patterns! What’s not to like? This is Lisa’s first quilt in Tula Pink fabric - it’s easy to see why she’s smitten, but all the fussy cutting might have done me in!

Misdirection Quilt by Lisa Leverton at the Newark Quilt Show 2025

MISDIRECTION QUILT - 2023, LISA LEVERTON

This is the one I’d happily put on my bed - and it’s contributing to how I see my flying geese turning out, though I won’t be using Tula Pink fabrics, or these colours, but it’s helping me form what I want along with one or two other designs I’ve seen.

HIBISCUS QUILT - 2022, LISA LEVERTON

Again it’s the graduating colours for me in this one, this time against a plain light background - but if you look closely, there’s plenty of fussy cutting again in those blocks.

It’s all about the detail

In this next series of photos, it’s all about the detail in the fabrics - the quilts are equally stunning and Lisa is clearly a very talented quilter - as is Tula a very talented designer.

PART OF THE BIG BANG QUILT - 2024, LISA LEVERTON at the Newark Quilt Show 2025

PART OF THE BIG BANG QUILT - 2024, LISA LEVERTON

PART OF THE BUTTERFLY QUILT - 2022, LISA LIVERTON at the Newark Quilt Show 2025

PART OF THE BUTTERFLY QUILT - 2022, LISA LIVERTON

I think what amazes me about the fabrics is how the designs and part-patterns meld together so well and can look completely different from what it did on the bolt, or the cutting table in front of you. I guess that’s true of all fabrics, but perhaps it’s the boldness of the Tula Pink designs which makes this more prominent.

PART OF THE SPOOLS OF LOVE QUILT - 2020, LISA LEVERTON

And one final quilt

Yes, I couldn’t resist sharing this one. Lisa says this is possibly her favourite quilt of the whole collection, which she made in 2020 and her first encounter of very tiny HSTs (Half Square Triangles). The show notes say that Lisa loves how the colours pop, and the big on-point squares with the fussy-cut animals.

OPENING NIGHT QUILT - 2020, LISA LEVERTON at the Newark Quilt Show 2025

OPENING NIGHT QUILT - 2020, LISA LEVERTON

There were so many more inspiring quilts at the show, and many more which I want to share - so there’ll be at least one or two more posts, so look out for those. But in the meantime, enjoy these quilting works of art.