Flowers everywhere you look at Barnsdale Gardens

* I was invited to a press visit at Barnsdale Gardens earlier in the summer, so my posts from that visit will be marked as 'Ad’ though as usual my views and opinions are very much my own.

In the first post in this series I admired the veg plots at Barnsdale, and when I say plots I mean multiples. It’s the same for the flower gardens, though there are many, many more so compressing what I saw into a single post has been a challenge, to say the least!

Though it has been glorious to look back at my photos of the summer flowers, yes peonies and roses galore - what’s not to like?

Both of these were in the Summer Cottage Garden (No 28) along with this low level box edged path - and while it’s not a flower, it’s too good to exclude.

These next photos are taken in the Gentleman’s Cottage Garden (No 4) and the first shows the benefits of having somewhere to sit in all weathers. We learnt this in our previous garden as you don’t always want to drag out the garden furniture, in that garden the raised sleeper beds provided the ideal place to perch with a cuppa.

The central point of the garden was this buried stack of terracotta pots - another effective idea which could easily be replicated in our own gardens.

As you’d expect the Cutting Garden (No 12) was full of flowers, but these tall flowering stems with the almost onion like seed heads were my favourite from this garden. The free flowing love in a mist reminded me that I have some seeds from my FIL’s garden which I should probably plant, though it turned out that the heatwaves this year scuppered my seed sowing efforts. I’d started with lettuce, which were a bit hit and miss so decided to pause any greater plans for this year, which turned out to be a wise decision.

I snapped this delicate looking rose in the Versailles Summer border (No 16) while the peony is from the Country Paradise Summer Garden (No 36), which also has the sign to beware of the hidden pond, which I wrote about after my first visit to the gardens.

It was no surprise to me that I fell in love with the layout and contents of the Plantsman’s Garden (No 27) and it was a good reminder to put this acanthus on my plant wish list.

And look, I’ve managed to sneak in another topiary into this post - oops! But what a shape!

The greenhouses throughout the gardens are fantastic, and what’s better is that you can mostly get right inside them, and this one looked dreamy from inside and even more so from the outside with these roses clambering up posts nearby.

In the Rose Garden (No 17) I had much sympathy with the drooping peonies, and loved them mixed with the deep coloured roses, that’s another design feature to remember for my own garden!

I also loved the textures in the photo below, which is in the Geoff Hamilton Winter Border (No 10) and a reminder that we need to plant our gardens for the whole year, not just spring, or summer when the flowers are the brightest.

I’m leaving you with this single astrantia, while the petals may well have fallen off there’s still so much detail. I have one of these plants, currently in a pot, and I’m hoping that when it gets into the ground it will do its best to self seed wherever it can - a girl can hope, right?

* With thanks to Barnsdale Gardens for inviting me to the gardens, and to Nick Hamilton for leading a tour through a selection of the gardens available. It’s a great space and I’m pretty sure I’ll be back to visit again.

The Mill Ruins

* I was invited to this year’s Gardeners’ World Live preview and provided with a pair of tickets for the show, therefore all my posts will be marked as 'Ad’ though as usual my views and opinions are very much my own.

In a strange quirk of fate I’m back today talking about mills. Yesterday it was sculptural woven tapestries inspired by a textile mill in West Yorkshire, and today it’s a garden inspired by the remnants of Lancashire’s historic mills. I’d like to say I planned it this way, but I didn’t - though I wish I had!

This garden on the APL Avenue was the first garden we saw at this year’s show, and it was a very good place to start. The garden, designed by 3DG explores a quiet moment where industry gives way to nature.

Looking through the Corten steel into the centre of the garden

As I previously said it’s inspired by the remnants of Lancashire’s historic mills, reclaimed brick, Corten steel and weathered oak echo the fragments left behind as the landscapes regenerate.

The Corten steel arch is definitely the eye catching entrance a show garden could hope for, but this garden is so much more than that. The path winds around layered planting and a shallow reflective pool, plus spotting those yellow red hot pokers in my first garden of the show is always going to be a win for me.

Spotting yellow red hot pokers in the border's planting
The path meanders around the central feature of the garden

The rain chain introduced sound, and was a subtle nod to the water than once powered the mills.

The rain chain behind the central feature with the sound of water

The majority of planting in this garden is native to the UK, and selected for its biodiversity and to soften the architectural forms. And while we might not all have these architectural elements in our gardens, unless we’ve added them of course, we can take inspiration from the planting.

a part brick wall in the foreground, with a seating area in the background on a raised platform

The Mill Ruins is a garden about renewal, where structure fades, and nature quietly takes back control - and I love that for it, and I love this garden. I knew when I saw this garden that it was going to be a good show, and it certainly was.

* With thanks to Gardeners’ World for once again inviting me to Gardeners’ World Live, it was another great show! I’ll be sharing more from my visit to this year’s show throughout the year - I hope you enjoy it as much as I have.

Jane Walkley's sculptural woven tapestries

Jane’s gallery at the Harrogate Knit & Stitch show was titled ‘Material Traces of Our Industrial North’ and it was totally fascinating; both the items, the history and the textures of the pieces, which is something that always seems to draw me in.

The pieces on show in Harrogate ‘reflects the regeneration of textile mills in the North of England - sites that hold layers of memory, loss and transformation.’ The blurb goes on to say that Jane ‘questions whether site-specific interactions can help bridge the gap between memory, attachment and place in the absence of the workplace activities that once took place in these repurposed buildings.’

Work is centred in Sunny Bank Mills in West Yorkshire which ceased textile production in 2008 and the industrial pumps, looms, hardware and tools were left in place. Jane takes clay impressions from the mill artefacts creating moulds to cast an eco-resin to replicate the intricate details, which she then weaves to produce these sculptural pieces and highlight the emotional and physical connections that bind communities to their past.

There’s so much more on this subject and the best place to explore this further is on Jane’s own website. The pieces I’m sharing here, had me fascinated - their link to the past, their tactile-ness (though I promise I didn’t touch), and the process of how they’re made and came about.

JANE WALKLEY, KNIT & STITCH SHOW - HARROGATE NOVEMBER 2025

JANE WALKLEY

JANE WALKLEY, KNIT & STITCH SHOW - HARROGATE NOVEMBER 2025

JANE WALKLEY

Each piece has I’m sure it’s own story, and I was torn between those with colour and those which were monochrome. I loved the free flowing pieces, but this framed piece showed how easily these artworks could be included in a more conventional framing.

JANE WALKLEY, KNIT & STITCH SHOW - HARROGATE NOVEMBER 2025

JANE WALKLEY

JANE WALKLEY, KNIT & STITCH SHOW - HARROGATE NOVEMBER 2025

JANE WALKLEY

I loved the bobbins and the cogs, and they had an almost jewellery-like feel to them. This blue piece caught my eye across the gallery, and these were the pieces I most wanted to touch (but resisted).

JANE WALKLEY, KNIT & STITCH SHOW - HARROGATE NOVEMBER 2025

JANE WALKLEY

JANE WALKLEY, KNIT & STITCH SHOW - HARROGATE NOVEMBER 2025

JANE WALKLEY

But it was the one above that had I to choose one, I’d choose. It’s simply just gorgeous, isn’t it?