A dragon at Bodiam Castle

We’ve recently had a few days away with MOH’s family in East Sussex, staying in an AirBnB which looked out over Bodiam Castle. We spent more time indoors that first day than we planned, thanks to Storm Benjamin but as the day went on, and I think the rain finally ran out, we headed to the nearby castle built in 1385 by Sir Edward Dallingridge and his wife Elizabeth.

And it is the fairytale castle with a moat which was once part of a working estate with farmland, wharf and watermill. The site was ‘waterscaped’ by Sir Edward who built this castle with Elizabeth when they married. The purpose of the castle has been debated by historians and it’s believed to have been built as a defence, a status symbol and a home.

The castle had had a bit of a makeover for Halloween, and for the half term. The dragon was a great touch, because every castle needs a dragon, right?

The big kids amongst us also couldn’t resist a quick game of quoits, which was way harder than it looks. That quick game became a battle of wills, as we couldn’t leave until we’d scored at least one - and here’s evidence of the one I scored. I’ll just say that I was the only one to manage this…

No wonder the dragon was looking over us - there were also dragon eggs hatching in the courtyard!

Bodiam also plays host to one of the most important bat roosts in the UK - they’re everywhere once you start noticing them - with three types of bats roosting here: Natterer, Daubenton and the tiny Pipstrelle which we see in our garden at twilight.

As I said it had rained a fair bit, and the lower half of the kitchen was wetter than I suspect it would have been in its day - and I bet cook would not have been amused.

But I bet that large fireplace (one of two in the kitchen) would have been a roaring every day. There’s actually 33 fireplaces built into the walls at Bodiam Castle, and most of them are on the side where the Lord and Lady slept, and not on the servant’s side.

The original portcullis here is made of oak and is one of the oldest in the country, and walking underneath it really does make you wonder about its history, and what it would say if it could.

I took the photo below just above we left the castle, walking under the portcullis and it struck me that they couldn’t be more different, but were just metres apart.

Pausing as we wandered back across the moat my eye was caught by the trees arching to frame a smaller oak tree in the distance. It as a good reminder of just how wonderful nature is and how calming it can be, and how quickly that calm can be restored after a storm.

The bedrooms at Belton

It’s been a wee while since I shared details of my last visit to Belton where I saw their new exhibition, crafting a new narrative, and finally got to revisit the orangery, and I promised to share more from inside the house. So today let’s take a virtual wander around the bedrooms at Belton.

I didn’t remember these from our previous visit, and that’s because I hadn’t seen them. The whole of the upstairs was closed off as we visited soon after the Covid restrictions were starting to be lifted and understandably things were not able to go back to before’s normal straightaway.

The Blue Bedroom was originally designed as a family bedroom, but the information in the room said that the scale and quality of the bed implies it was not made for this room but for a more luxurious state bedroom. It was re-upholstered which covered an original crimson damask.

The Blue bedroom at Belton
The Blue bedroom at Belton

During the 2002 room’s restoration and conservation of the bed, it was decided to remain sympathetic to its clearly faded colours. The once bright blue silks were reproduced in this paler hue, with the wallpaper reproduced in keeping with the bed, which is why this blue bedroom is a bit paler, and not blue at first glance.

The Chinese Bedroom was one of my favourite rooms. The wallpaper was hand painted in China and intended for export. It’s pink background is now faded and the figures were stylish adaptations to appeal to European consumers. It was hung, unbelievably, in 1830 but probably made much earlier.

The Chinese bedroom at Belton
The wallpaper in the Chinese bedroom at Belton
The writing desk in the corner of the Chinese Bedroom at Belton

What always surprises me by these older wallpapers is how modern and relevant to today’s decor they are. While I’m not sure many of us would have hand painted wallpaper at such cost, or at such scale as here in Belton, but wouldn’t it be nice if we did?

The Queen’s Bedroom has a central position in the house, and was defined as the ‘Best Chamber’ in the 1688 inventory. It was the most lavishly furnished bedroom in the house at that time and would have been offered to only the most prestigious guests. Some of the fabrics have been replaced, but the braids, fringing and tassels are all original.

The Queen's Bedroom at Belton

Another of my favourite rooms is the Boudoir, and while it may seem a strange inclusion here it was originally furnished as a bedroom but then entirely remodelled to create a dressing room for Lady Brownlow. The room has changed over the years, but some of James Wyatt’s design from 1776-7 remains, most noticably the ceiling and the cornice.

The Boudoir at Belton, originally a bedroom
The ceiling in the Boudoir at Belton

The ceiling is amazing and has so much detail, but directly underneath it is a beautiful rug. Isn’t it gorgeous?

A closer look at the rug in the Boudoir at Belton

The information in the room said that the National Trust have some of Wyatt’s original plans, many of which were never realised. One of those was his design for a carpet to mirror the ceiling, I’m sure that would have been as amazing, but I’m glad it didn’t happen!

A side table in the Boudoir with green elephant bookends

Just as we were about to leave the room I spotted these fabulous elephant book ends, now they would definitely be welcome in my house, even more so than the rug.

It was great to see the bedrooms, and I’m sure we’ll be back to see more of the house at some point. Like many places, I think the more you go to a place, the more you get the feeling for it and the more you see, and I know there’s so many more layers to discover and explore.