Love This #96: Pencil art

We’re heading to the Derwent Pencil Museum in Kendal for today’s post, and yes, a museum for pencils. It was the most fascinating place, but it turns out that I’d been there before, many years before though I had no recollection of it. When our cottage host told us there was a pencil museum, it definitely piqued my interest and while it was a little further away from the trips we had planned, it was a great one to add into our itinerary.

I’ll share more about the museum, its stories and the vintage pencil sets on show another day but first something else that you’re probably not expecting - and that’s miniature sculptures on the tip of a pencil.

Yes.

They’re by sculptor and artist Jasenko Dordevic from Bosnia and Herzegovina. He’s self taught and tried many pencils before finding the right one - if you’re interested it’s the pencil with the highest ‘H’ grade. It definitely requires way more patience, and skill, than I have - but I’m very happy to admire them. The short stubs of the pencils below have the letters DERWENT on their tips, aren’t they amazing?

pencil stubs with carvings made out of the lead  - the letters here spell Derwent

And if letters weren’t enough, there are miniature sculptures too - I can’t quite work out the middle one though (I’m no good at those picture puzzles either), but the acorn and the weightlifter on the first and third pencils respectively, are more than amazing.

Tiny sculptures on the end of the pencil tip - including an acorn and a weightlifter

I can’t even imagine how he came up with the idea, let alone had the patience to perfect these. Truly a skill.

These alone would make a great ‘Love This’ post, but there’s more. I’ve decided that I must be a bit of a pencil geek, as I could have spent much longer in the museum and I already left with many photos - and it took me a fair while to choose which set I’d purchase too. It’s a shame that the cafe wasn’t open (because of Covid restrictions) as I think MOH would have happily have sat there with a coffee waiting for me!

I think he’s worried that I might try and replicate the display below - and he’s right, I like it, but I have no plans to do so (yet) - but I can admire it. I think I’d prefer to use my pencils, though I’ve not used the ones I bought a huge amount, but I’m hoping to make more time for that soon.

Coloured pencils laid into a wheel by shade and mounted on a black background in a frame and hung on the wall

The final pencil art I’m sharing is also from the museum, and this has an older feel to it - but is no less beautiful. While I like the rainbow circle above, this one really captured my imagination. To me it has a more prairie feel, and reminds me of many patchwork star designs too. Though to be honest I’m happy just looking and enjoying and not giving it much more thought.

Green, yellow, grey and blue pencils laid out to form a star and framed
A close up of the same display showing short yellow pencils in a 3/4 circle (with the lead facing outwards) - in the inner circle the string from the top of each pencil is entwined and twisted to form a knot and 'tail' for the shape

But then again, when I peered closer and saw the detail of the pencils pinned int its place I was smitten all over again.

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Love This #95: Suzy Watson's detailed designs

Today I’m sharing some of the most fabulous embroidery I think I’ve ever seen, and even looking at them now I can’t help but be amazed. These pictures are clearly taken through glass, but even so it’s clear to see the detail.

A detailed embroidered flamingo against a blue background

These all formed part of the exhibition by Suzy Watson at the 2021 Knitting & Stitching Show held at Alexandra Palace. The exhibition was titled Birds of Paradise, and it represents Suzy’s study of colour and how she views it.

An embroidered potted cactus with a flower on top on crumpled cream fabric in a white frame.  Threads extend from the picture over the picture mount.

For each piece of art, because let’s be frank that’s what they are, Suzy uses more than 200 threads to create the picture building up the layers from dark to light, and she aims to create “a series of work that feels real and comes to life”.

Tick.

She’s done that for me, each piece is incredible, isn’t it?

A set of four square framed embroidered birds heads which remain in their embroidery hoop

I could have quite easily left with any of the pieces I’m sharing here today, and these bugs held an unexpected and special appeal - which I’ve still yet to fully explain to myself, so there’s no chance of explaining myself in writing.

a larger painting of bugs in a grid format five abreast and five deep, the colours painted on are jewel like - and are in places painted outside of the lines

And then I spotted the glass display case of embroidery hoops, which I spent a fair time admiring and managing to capture even more of the detail by laying my phone directly on the glass.

Looking into a glass display case onto many embroidery hoops, including some of vegetables, bugs and portraits

Just look at the work involved, and the detail.

A close up of the embroidery details of three onions, photo taken through the glass display case
A green bug in an embroidery hoop, close up taken through a glass display case

Now tell me they’re not art.

A drawing of a prickly cactus - painted in greens with oranges and peach colours as highlights
A drawing of a prickly cactus with a pink flower on its tip, with a splodge of pink paint to its side

The cactus paintings were equally as charming, discovering the work of Suzy Watson at this show was pure delight.

Love this #94 Onome Otite's three dimensional figurative collages

For me one of the best parts of the Knitting & Stitching Show at Alexandra Palace, which I visited last Saturday, is the exhibitions. The items on display are always of such high quality, and to me, are inspirational. These collages by Onome Otite were stunning and definitely caught my eye.

In the morning I’d taken part in one of the workshops and finessed my applique and bondaweb technique - more on that another day - so it’s not surprising I was interested in these. Add in the pattern, texture and colour, and yes I was lured in - there was no way I was escaping.

BAHIA

BAHIA

The stand had the confidence to have space, and was very effective.

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It was these series of large figurative collages that stole the show though - they’re as large as they look.

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Find out more, and see more of Onome’s work on her website.

PoCoLo