Last weekend felt the most ‘normal’ in a long while. We ate dinner out on Friday evening in one of our favourite local restaurants, which somehow we hadn’t managed to get along to since last autumn. The food was as glorious as ever, and it was great to see it so busy and to be warmly welcomed back. Then after an impromptu booking after seeing something on Facebook of all places, we found ourselves at the Barbican on Saturday night.

I hadn’t realised that the Barbican is celebrating 40 years, which doesn’t seem possible. Nor did I know that MOH hadn’t been to a concert in the hall there. We’ve been to away days with work, visited the conservatory and exhibitions and even been to the cinema there - and well, it seemed a good opportunity to set that straight. Checking out the seating plan we could book end of aisle seats in the circle and so we booked.

The event - Songs in the Key of London - was curated by Chris Difford (of Squeeze) and DJ and presenter Nihal Arthanayake, with guests who were familiar to us and a good few that weren’t. However, it didn’t matter that we didn’t know their names, every single performer was brilliant.

Marc Almond topped the names of those I was keen to see - I was, and still am, a huge fan of Tainted Love from back in the early eighties. Other names we recognised were Harry Enfield, Ruby Turner and Brett Anderson (from Suede). Harry Enfield’s name stood out among the list, and so did his performance as an ‘audience member’ recalling a ditty or two about London, with a predictable but still amusing rude ending.

Marc Almond performing at the Barbican 40 year concert

With a run time of 150 minutes, it was no mean feat for the band who were also excellent. The other thing we noticed, that even for London, people were talking to each other much more than we remembered from pre-Covid days. And that was a really nice thing too. The hall wasn’t as full as the seating plan had made out, and the people sitting next to us apologised for moving into some of the empty seats, hoping we weren’t offended. We really weren’t offended at all.

Unsure when the interval would be, and knowing that any interval means a long queue for the loo, I decided to make an early move while the performance continued - though when I got back MOH said I’d missed a great song. But when you’ve got to go, you know…

What I wasn’t expecting was the multi-coloured doors in the loos, the concrete yes - but not the colour. And it was great. As was mostly having the very large ladies to myself (it being large still didn’t avoid a queue later on though - there are never enough loos are there?)

green blue and lime green toilet doors in the barbican

In the Barbican loos - sinks inset in concrete with mirrors above

I’ve no idea what these are, or if they have a purpose other than for people to wonder about them:

concrete detailing in the loos at the Barbican

It was a wet and blowy night and I’d pulled on a hat, but that hadn’t really saved the ends of my hair - so I ended up looking more windswept than I would have liked. I’m sharing this picture though as the night was also memorable for losing an earring - and not the one you can see. The pair to the half moon you can see is a full moon, which I lost somewhere along the way.

A windswept and rain-swept selfie in the loos at the barbican, with turquoise and cerise pink doors in the background

I noticed in the restaurant we went to before the show - Cote just outside the Barbican - and that prompted searching through hats, scarves, bags and all sorts to no avail. And even though the replacement pair I’ve ordered have arrived, I still just went to check my hat again. That’s the thing about losing things isn’t it, you just don’t know where - and yes, I know if I knew where then it wouldn’t be lost!

While we were in our second restaurant of the weekend, I couldn’t pass up the opportunity of checking out the loos. So here you go, some quite plain but elegantly understated snaps of the loos at Cote - the colour of the wall tiles was gorgeous. For this visit to Cote I ventured off my normal safe, tried and tested menu choices, and wished I hadn’t! We’ll have to go back to our local restaurant or get another ‘at home’ delivery to check that this was just a one-off.

sage green tiles on the wall, white square tiles on the floor with a square hand basin in the foreground

green tiles on the wall, white tiles on the floor

Losing things is never great, and it unsettles our minds doesn’t it?

The strange thing though was that I had felt something cold against my cheek as we were walking, which now I suspect was my earring making its way free, as those hook through type earrings do. But which I’d forgotten. MOH suggested retracing our steps, but we’d walked a fair way and even if we did walk exactly the way we’d come then it was no guarantee, and there was a show to see, and despite the earring loss it was so good to be out and experiencing more normal things along with everyone else.

It was much needed, and as we know, a long time coming.

When I walked into this room at the Argentine Ambassador’s Residence my breath was almost taken away. It was the modern geometric patterns against the traditional greys of the room - there couldn’t have been a better setting. But would you believe it, the tablecloths and ceramics aren’t by the same artist - but how well do they go together?

The main event here for me really is the ceramic sculptures. They’re by Björk Haraldsdóttir and it’s not only the strong patterns but the shapes of the pieces which fascinate me. I’m not sure I could choose a favourite piece, though the pair on the left of the photo below would be high up on my list.

Yes, these two.

It’s a pipe dream though as they’re out of my price range, but a girl can dream right?

And those tablecloths? They’re by Colour Squatters, which if I’m honest look great with these but are also pricey for tablecloths. But such a great match, and an expensive dream!