The Biba Story: The outfits

So after sharing the fashion illustrations and wishing I could draw as well today I’m sharing some of the outfits on display. The exhibition, which we saw last summer shared the Biba story from 1964 when the first Biba Boutique opened to 1975 when the legendary Big Biba closed its doors; it explored how Biba blossomed to become the world’s first lifestyle label which ‘sparked a revolution in how people shopped’ and how Biba became the brand that epitomises the 60s and 70s fashion.

So even though I was only in double figures towards the end of the 70s many of the designs on display looked familiar and I’m sure influenced the clothes I wore growing up. There were also designs that I’d happily wear today, but I guess that’s part of what makes a great design.

The first Biba boutique opened in Kensington in 1965 and was quickly a success for fashion-savvy teenagers and young women with its inexpensive and fashionable, but low-cost clothing. The interior of the boutique had a nightclub feel with dark interiors, Art-Nouveau inspired wallpaper and curtains which obscured the outside world - which in a way seems similar to the Hollister store in Stratford when that opened in the late 2000s.

At the centre is a black and white geometric patterned jumpsuit and matching hat, which is quite a statement

The black and white print jumpsuit is quite a statement isn’t it? It was worn by the artist Jill Richter for her wedding in May 1965, and while trousers had become acceptable as informal wear for women in the 30s, in the 60s trousers were still considered inappropriate for women’s professional lives or for formal occasions. Which seems unimaginable today.

The blue and green chiffon dress in the photo above dates from the summer of 1967 when it was sold and worn, Barbara said that they were determined that customers would be able to buy summer clothes in summer and autumn clothes in autumn, something we take for granted today. But it was interesting to learn that before the revolution of 1960s London fashion, clothes were investments, and this was a new way of thinking.

These dresses have a different feel don’t they - the blue one on the left is from 1970 and the exhibition notes say that it ‘captures the new mood at biba with the development of the Biba “Dolly Bird” of the mid-1960s into the Biba woman’ - language of its time, but definitely a more refined look. These were part of the Biba couture department which was dedicated to selling the high-end Biba range, and costing around ten times of standard Biba clothing - it only lasted for eighteen months though, closing in 1971.

It’s the second outfit (from the left) in the photo below that brings back memories - I’m sure mum made both herself and me a similar outfit to this for a wedding, though in different material to this, and to each other. I’m sure mine was a much simpler version, but I remember being proud to be wearing something so grown up!

The outfit next to it - the wrap-over top and skirt, is one of those I’d be happy to wear today, but actually it dates to 1972. The trouser suit on the right though, not so much!

These outfits are later, with the black dress printed with a carnation design dating to 1974 as does the floral dress in three colourways at the back of the photo. Again both designs that wouldn’t look out of place today, but also captures Hulanicki’s ideal Biba look of the period - almost reminiscent of the Cadbury’s Flake advert too, if you’re of a certain age!

And I’ll leave you with one final outfit - it’s bright and fun and no doubt made whoever wore it feel a million dollars.

Barbara Hulanicki and the Biba story started by dressing the girl on the street, but more was to come and the next part of the exhibition was dedicated to Biba as the world’s first lifestyle label - more on that soon.

The Biba Story: Fashion Illustrations

As you know when I pop down to London for a visit I like to combine the primary purpose of my trip with a bit of culture. Sometimes that’s a walk around the shops in Regent Street, and sometimes if I can I like to combine it with visiting an exhibition. Last summer (yes, I know it’s taken a while to share these) I was able to do just that and dragged MOH along to the Biba exhibition at the Fashion & Textiles Museum in Bermondsey. Which despite growing up and living in London until a year or so before I’d never been to, but that’s how it goes sometimes isn’t it.

It’s a great museum, and one I’m sure I’ll be back to in the future. If you’ve not discovered this already it’s ‘the only UK museum dedicated to showcasing contemporary fashion and textile design’ and was set up by Dame Zandra Rhodes in 2003, and is housed in a very distinctive, and very Zandra building - it’s definitely easy to spot as you approach it!

I’d heard of Biba, the shops and the clothes, but didn’t really know much more as in the mid-seventies I was under ten years old, which is a pretty good excuse I’d say! But I knew how iconic it was, and was keen to learn more - and while it wouldn’t be the number one thing that MOH would choose to go to, he was happy to come along, which was just as well as I’d got him a ticket!

The exhibition shares the Biba story from 1964 when the first Biba Boutique opened to 1975 when the legendary Big Biba closed its doors; it explores how Biba blossomed to become the world’s first lifestyle label which ‘sparked a revolution in how people shopped’ and how Biba became the brand that epitomises the 60s and 70s fashion.

In this post I’m sharing some of the fashion illustrations by Barbara Hulanicki who established a mail-order company selling affordable fashion appealing to a new generation of young women. I’ll share more of the clothes and the lifestyle brand in future posts next month.

Barbara had a natural aptitude for art, and that became her refuge following the assassination of her father. She studied fashion at Brighton Art School (now the University of Brighton) and started her first career as a fashion illustrator in 1957 where she covered the Paris couture shows for publications such as Vogue and Harper’s Bazaar, as well as working on British newspapers.

The show notes said that ‘as one of the most in-demand fashion illustrators of the period’ she had close contact with those putting on the couture shows, and their collections and she realised ‘how out of step they were with the emerging world of youth culture and the lives of young women’.

What’s interesting to me is seeing how the illustrations change, the earlier ones which I assume are from the couture shows are of designs which are much more formal - and very reminiscent of ‘Breakfast at Tiffany’s’ even though the film wasn’t released until 1961, based on the novella published in 1958, so I may need to revise my thoughts on who influenced who!

The illustration on the left below from circa 1963 still retains some of that formality, but the other two images are much more informal - and the central one especially includes bold colours and patterns.

Three illustrations by Barbara Hulanicki from c 1963

It was in 1963 that Barbara established Biba’s Postal Boutique whilst continuing with her career as a fashion illustrator - and what’s also fascinating to me is how many of these styles, both the formal and more informal designs, could still easily be worn today - and in fact probably are!

My favourite illustration from this part of the exhibition is the one above. Doesn’t the colour and the design just sing out, and oh to have that much talent for designing and drawing these too.

It was truly a fascinating exhibition, and looking back over my photos, it was great to be able to go along and see so much of the story first hand - I’ll share more next month of the clothes and the Biba lifestyle brand, and I’m sure some of the clothes influenced clothes I wore growing up as even though I wasn’t yet in double figures the styles were very familiar.

Brutalist buildings, a library and a signal box

Recently I got a bit of a surprise when I opened Instagram, there in front of me was a picture of the library in the town where I grew up, but instead it was now called The Brutalist Library SE25. And you know what, I’d never considered it as this - yes it was a modern building, and one that was quite different in style to those around it, but to me it was just the library. The place to while away hours (and hours) and even sometimes the place to complete secondary school homework.

And since then I don’t think I’ve ever really given in too much thought, so to see it on my Instagram feed was quite a surprise. It turns out that it’s had a bit of a fight on its hands, as libraries have tended to over the years, but it’s still there - and from the photos I’ve seen still looks very much like it did back in the late 1970s and 1980s.

Though I did notice that the circular planters out the front had been changed for a new mosaic - and when I say new, this mosaic is now almost 20 years old! But even so it was good to see it still there, still a library and it reminded me how many memories a single image can evoke.

But it also reminded me of our hunt to locate the brutalist Signal Box at Birmingham New Street before we caught our train back from Gardener’s World Live last year - a building which was on MOH’s list of ‘buildings to see’.

And see it we did, but only from the outside - and it’s quite imposing.

The term brutalist is used for a reason isn’t it? But there’s also some fascinating shapes, angles and textures on this now retired Grade II listed building.

But up until the end of 2022 it continued to play its important part of Britain’s railway since it started operation in 1966 - the signallers inside were capable of directing up to 1200 trains a day. Clearly the 1960s technology was getting harder to maintain, and the manual operation for the power signal box for setting safe routes for trains no longer the preferred way of working with all of Birmingham New Street’s signalling equipment converted to digital operation as you’d expect.

I was fascinated by the remaining items left in the building though, just but not quite visible through the windows - I’m sure this is, and will be if left untouched, a real life sized version of a time capsule!

Brutalist architecture won’t be (and isn’t) to everyone’s taste, but I kind of admire it - its mix of reinforced concrete and concrete cladding definitely mark a moment of time.

I don’t know if my feelings are influenced by my love of visiting the brutalist library in South Norwood, or even by growing up near to Croydon which is also home to structures considered brutalist which to me were just the shopping centre, or the 50p or eggbox building!

Who knows.